Back in 2019, Chris Jericho emerged with a new pro-wrestling persona dubbed Painmaker, a deranged and violent character inspired by serial killers that he debuted for New Japan Pro Wrestling.
11.06.2023 - 21:27 / thewrap.com
Tribeca Film Festival, we are introduced to a mindset of pride, shame and unrelenting identity that comes at a cost. “Richland” is a unique and heart-wrenching portrait of a town willingly taken advantage of and is a necessary documentary in an age of nuclear unease.The film tells the true story of its namesake town, a small Washington state suburb positioned right next to the Hanford Nuclear Site.
It was active back in the 1940s when Richland was a working town producing weapons-grade plutonium—the very ammunition that was responsible for the atomic bomb devastation on Japan’s Hiroshima and Nagasaki. The residents of Richland don’t see this as an indictment, though.
They see what they produced all those years ago as an “accomplishment.”Right off the bat, “Richland” sets up a rather interesting situation that is not so much a story as it is a life. The life of a place and of a people, all of which are intrinsically tied to a legacy of pain, terror and unmitigated death.
It’s a complicated life at that, entrenched in a situation that is far from black and white. The documentary does a fabulous job of immersing the audience into the psyche of Richland’s residents and the nationalistic nature, of sorts, that they bring to every part of life in the small Washington town through a wealth of absorbing interview bites.
Despite the fact that many of them are immersed in a massive clean-up project to try to rectify the nuclear damage done to the ground in much of the area, they still hold fast to the notion that they’ve made something for and of themselves by dedicating their lives to nuclear production. The film expands on itself, bringing in as many stories as it can to fully shape exactly how Richland and its legacy have
.Back in 2019, Chris Jericho emerged with a new pro-wrestling persona dubbed Painmaker, a deranged and violent character inspired by serial killers that he debuted for New Japan Pro Wrestling.
The search for a submersible sent to tour the remains of the Titanic dominated coverage across cable news networks all week, along with the tragic news that the vessel most likely suffered a “catastrophic implosion,” killing all five on board.
I’m A Virgo is a triumph of imagination and ideology.
When the time comes to write about the 2020s in film, COVID will undoubtedly be viewed as the defining event of the decade. But as the pandemic becomes part of our new normal, one aspect of COVID continues to inspire filmmakers: quarantine.
One Piece series.The trailer was shared, alongside a new look at the series’ cast and production, at the TUDUM fan event in Brazil over the weekend. It shows off most of the show’s core team of characters, the Straw Hat Pirates: Luffy (played by Iñaki Godoy), Roronoa Zoro (Mackenyu), Nami (Emily Rudd), Usopp (Jacob Romero Gibson) and Sanji (Taz Skylar). Take a look at the teaser trailer below, followed by the first official cast photos:The series adapts the ongoing Japanese manga created by Eiichiro Oda, as well as its accompanying anime series.
Michael Morpurgo’s 1999 children’s book comes vividly to life in Neil Boyle and Kirk Hendry’s joint feature debut, a castaway fantasy in which a young boy learns vital lessons about the natural order of things. Seasoned screenwriter Frank Cottrell Boyce is on board too, and yet this is likely one of his sparsest screenplays yet, leaning into the subtleties of the animation: traditional hand-drawn 2D with mixed-media elements for the background. Older kids will likely love it, but a beautifully stark encapsulation of the bombing of Nagasaki in 1945 may rule it out as something for the whole family.
Owen Gleiberman Chief Film Critic “The Blackening” is a slasher movie that’s also a slapdash enjoyable social satire. That the satire turns out to be sharper than the scares isn’t a problem — it’s all part of the film’s slovenly demonic party atmosphere. The set-up, which feels like a “Friday the 13th” sequel by way of “Bodies Bodies Bodies,” reunites nine old college chums to celebrate Juneteenth weekend in a big roomy house they’ve rented near the woods. (Yes, it’s a cabin-in-the-woods movie, but “cabin” doesn’t describe this place.) As Tina Turner’s cover of “I Can’t Stand the Rain” spins on the turntable, the first two to arrive, Morgan (Yvonne Orji) and Shawn (Jay Pharaoh), find their way to the basement game room, which has shelves of old board games, an ancient TV set, a Ouija board, and a prominently displayed game called The Blackening. Taking the box cover off, they discover, to their horror, that there’s a plastic Sambo head in the middle of the board, which asks questions like “What’s the first Black character to survive a horror movie?” For a few minutes, we’re in the terrain of “Scream” by way of “Get Out.”
A Rolling Stone interview in 2022 reveals that perhaps Jennie Kim takes on more than she can handleThere’s concern regarding the health of BLACKPINK performer and “the best thing going” on HBO’s ‘The Idol,’ Jennie Kim overnight, as she had to leave the stage during a performance in Melbourne, Australia. The move, echoing a similar situation Jisoo had ahead of the band’s tour of Japan earlier in the month, has left some concerned regarding a bigger health concern for the popular artist - more so than if the band will continue to tour with or without her.
Justina Machado stars in The Horror of Dolores Roach, the new series on Amazon’s Prime Video dropping July 7. A trailer for the eight-episode series was released (which you can see above) and it previews the capabilities of Dolores Roach’s “magic hands.”
Against all odds, the show went on.On Sunday night, the 76th Annual Tony Awards was performed without a script due to the ongoing writers’ strike and was staged far, far away from its usual Midtown venue of Radio City Music Hall. Instead, the ceremony honoring Broadway plays and musicals was put on at the United Palace in Washington Heights way up on 176th Street.And with no lines professionally written, there were none of the usual skits or banter that make award shows chug along. Well, almost none.At one cringeworthy point, host Ariana DeBose ripped off Ellen DeGeneres’ celebrity selfie bit from the Oscars but lost her train of thought.“I don’t know what these notes stand for,” the “West Side Story” Oscar winner said awkwardly.
Chris Willman Senior Music Writer and Chief Music Critic Joni Mitchell wrote rather presciently about “The Circle Game” 57 years ago, but anyone who’s experienced a little life knows that circles don’t always — or even very often — come back around to allowing people to enjoy some of the most triumphant nights of their lives when they’re reaching the end of their 70s. Yet with a little bit of an assist from Brandi Carlile, aka the Great Enabler, and her wide circle of friends, that’s what was able to happen Saturday night at the Gorge in Washington state, in a nearly three-hour “Joni Jam” echoed a similar but much shorter event that happened last year at the Newport Folk Festival. This more elaborate follow-up — billed as Mitchell’s first ticketed concert in 20 years — was partly a tribute concert and consummate love-fest. But mostly it was a testament to the singer-songwriter’s own willpower in fighting her way back to full performance mode after a debilitating physical setback that went unmentioned but was not far out of mind. However much Mitchell was in “basking” mode, it was understood that this triumph represented a circle that she really had had to close herself.
Thania Garcia The very first line of Amaarae’s “Fountain Baby” clearly tells its listeners the best possible setting for the record to be heard: “In the club,” with her breathy intonations pummeling against a wall of war drums. It doesn’t let up from there: For the rest of this Ghanaian-American singer’s sophomore album, similar affirmations ring about female sexuality and shattered gender norms, continuing the themes from her 2020 debut, “The Angel You Don’t Know,” which introduced her to many fans via her first Billboard chart entry, via Kali Uchi’s remix of the album’s “Sad Girlz Luv Money.” The album is all over the map, with a colorful sonic palette of R&B, Afropop, guitar pop and even Japanese folk. In “Sex, Violence, Suicide,” echoing, acoustic strings and Amaarae’s pitched-up vocals sing a lullaby about infatuation, but the kind that’s “Too much / Baby, you’re no good.” Like her debut, “Fountain Baby” also includes a tribute to punk ritualism that serves as the “part two” of “Sex, Violence, Suicide.” Silence for a few seconds, followed by a sigh, and then Amaarae sings: “Don’t care ‘bout what I’m asking you / Just fucking tell me yes! / Tell me I’m the one, tell me I’m the best,” with an instrumental assist from English pop rock band Dream Wife.
It might sound like a backhanded compliment, but Downtown Owl feels more like a pilot than a feature film and may yet yield a series. In today’s market, that could work out just fine for directors Hamish Linklater and Lily Rabe, who, after a choppy start, finesse Chuck Klosterman’s digressive 2007 novel into a thoughtful, broad-canvas ensemble piece. T Bone Burnett helps nail things down with an eclectic alt-country score and soundtrack, infused with the music and spirit of Elvis Costello, but it’s Rabe that holds it all together onscreen with a controlled yet still wildly uninhibited performance.
For all involved, prolific author and cultural critic Chuck Klosterman’s 2008 book “Downtown Owl” sets the stage for a number of firsts. For starters, it’s Klosterman’s earliest fiction novel and is the source at the heart of Lily Rabe (“The Tender Bar”) and Hamish Linklater’s (“Midnight Mass”) joint directorial debut which just premiered at the Tribeca Festival.If only the freshness associated with all these firsts was felt in the film by Rabe and Linklater, who are both creative collaborators and real-life partners.
woke up to find their cities engulfed in smoke,which as the day progressed turned into a hazy, deep orange sky— a result of the smoke traveling south from ongoing wildfires in Nova Scotia, Canada. With the Manhattan skyline and its landmarks eerily disappearing into the yellow fog, the New York State Department of Environmental Conservation issued an air quality health advisory through Thursday, citing "unhealthy" quality levels, which have now been deemed the worst of any city in the world, according to according to IQAir, a Swiss monitoring service.
Wendy Williams' son, Kevin Hunter Jr., is speaking out regarding his mother's health and well-being.The 22-year-old college student gave an interview to in the U.S., and shared how he believes Wendy's team is taking advantage of her wealth amid her alleged battle with alcoholism, which he says does not allow her to make sound decisions. According to the article, Kevin was being financially supported by his mother, but lost that support in large part when her financial affairs were taken over by guardian Sabrina Morrissey in May 2022.«People have put other things in front of her actually healing and getting better, and unfortunately, unlike many other alcoholics, she is worth a lot more money,» he says.«I know there are all sorts of things happening that I know in her right mind she would never agree to. As hard as it is seeing her being taken advantage of, I know that if I'm making sure she, as a person, is OK, that is the important thing.»Her son adds, «Because eventually, she's going to realize the craziness that's been going on.»ET has reached out to Wendy's team for comment on her son's recent interview, including her manager, Will Selby, and Sabrina Morrissey. The ended in June 2022 after 13 seasons following a lengthy hiatus from the show's host.
A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month.
Amber Heard has confirmed she’s moved to Madrid in her first Spanish-speaking interview since her very public legal battle with ex-husband Johnny Depp.
Jem Aswad Senior Music Editor
attending the Cannes Film Festival last week, Scorsese visited Italy and had a conversation with Antonio Spadaro, editor-in-chief of the magazine “La Civiltà Cattolica” — translated to the “Catholic Civilization” — Monday.He revealed in the chat that he recently saw the pontiff, 86.“I responded to the Pope’s appeal to artists the only way I know how: by imagining and writing a screenplay for a film about Jesus,” he said. “And I’m about to start making it.”The “Aviator” director — who was raised Catholic and often deals with religious subjects in his films — also spoke with Spadaro about his acclaim for Pier Paolo Pasolini’s 1964 epic “The Gospel According to St.