Quentin Tarantino Announced As Guest Of Honor At Cannes Directors’ Fortnight

Quentin Tarantino-inspired stage show is coming to London, and will celebrate iconic moments and songs from the director’s films.READ MORE: Quentin Tarantino’s film soundtracks – ranked!The cabaret-style show, Tarantino Live: Fox Force Five & the Tyranny of Evil Men, has already proven to be a hit in the US and has run for 13 years in Los Angeles. Now, it will be making its way across the pond and is set to arrive in London this summer.It’ll be set in Hammersmith’s Riverside Studios – kicking off on June 6 – and will run for a 10-week season, ending on August 13.Created by Shane Scheel, the founder and executive producer of For The Record, and Anderson Davis, who adapted and directed the show, Tarantino Live will reference the countless iconic moments captured throughout films including Django Unchained, Pulp Fiction and Reservoir Dogs, and celebrate the music used throughout them.“[It’s] like you’re stepping into the mind of a famous Hollywood director,” Davis told Deadline.

Leo Barraclough International Features Editor The Match Factory has boarded Sean Price Williams’s “The Sweet East,” which has its world premiere in the Directors’ Fortnight sidebar of the Cannes Film Festival in May. It is the first feature film directed by Price Williams, the cinematographer of Owen Kline’s “Funny Pages” (2022), Abel Ferrara’s “Zeros and Ones” (2021), Michael Almereyda’s “Tesla” (2020), Alex Ross Perry’s “Her Smell” (2018) and the Safdies’ “Good Time” (2017). The screenplay is by film critic and programmer Nick Pinkerton. “The Sweet East” is a picaresque journey through the cities and woods of the Eastern seaboard of the U.S. undertaken by Lillian, a high school senior from South Carolina, who gets her first glimpse of the wider world on a class trip to Washington, D.C.

The Match Factory has acquired international sales rights on U.S. cinematographer and filmmaker Sean Price Williams’s feature directorial debut The Sweet East ahead of its world premiere in Directors’ Fortnight in May.

Kim Kardashian is here to save the day! The reality star put her own spin on one of America’s favorite superheroes.  

Good news, Quentin Tarantino fans: THR reports that the director will present a “secret screening” at the Cannes Film Festival this month. Is it “The Movie Critic,” QT’s purported tenth and final film? No, of course not; he plans to start shooting that later this year.

Elsa Keslassy International Correspondent Quentin Tarantino has been named honorary guest at the upcoming edition of Directors’ Fortnight, the selection running alongside the Cannes Film Festival. The tribute will take place on May 25, on the closing of Directors Fortnight. “As an exceptional and generous cinephile, Tarantino is at home at the Fortnight. He will be our guest this year to present a secret screening and discuss his counter-history of cinema,” said Directors’ Fortnight in a statement. Tarantino was recently in Paris to promote his first non-fiction book, “Cinema Speculation,” which tells his coming-of-age as a director through a look at iconic American films from the 1970s era.

Quentin Tarantino has named his “favourite tense moment” from one of his films.Speaking to Spanish publication El País, the Pulp Fiction director discussed his process for making tense scenes, before being asked to pick a standout example.“From my movies? The one from the farm at the beginning of Inglourious Basterds,” he said. “With the Nazi officer Hans Landa talking to the owner of the farm, who is hiding Jews in his cellar.”When asked about his process for creating tension in such scenes, he replied: “I don’t know how to explain it.

Last week, the initial lineup for the Cannes Film Festival was released. There were some heavy hitters involved in that announcement, as per usual when it comes to one of the biggest showcases of cinema in the world.

Incoming Cannes Directors’ Fortnight Delegate General Julien Rejl has unveiled his inaugural line-up for the 55th edition of the parallel sidebar, running May 17 to 26.

Quentin Tarantino has weighed in on the debate around gun laws in the US, saying he owns a gun “for protection”.After a recent spate of shootings in the United States, calls are once again being made for gun reform.Asked about his opinion on the topic by El Pais, Tarantino said there are “always two sides” to the debate, adding: “We certainly don’t need as many automatic weapons as there are. There should be better laws.

Kim Kardashian is ready for a (stylish) battle! The TV personality took inspiration from Kill Bill: Volume 1 for her latest fashion statement.  

Last week, the initial lineup for the Cannes Film Festival was released. There were some heavy hitters involved in that announcement, as per usual when it comes to one of the biggest showcases of cinema in the world.

Christopher Vourlias Paris-based sales outfit Totem Films has acquired “A Song Sung Blue,” by Chinese director Zihan Geng, and “Blackbird Blackbird Blackberry,” from Georgian filmmaker Elene Naveriani. Both films will premiere in the Directors’ Fortnight section of the Cannes Film Festival. “A Song Sung Blue” is the feature debut of the Beijing-born Geng. The coming-of-age story follows 15-year-old Xian, who’s left in the care of her estranged father, a struggling photographer, after her mother is compelled to travel to Africa for work. Over the course of a restless summer, Xian befriends 18-year-old Mingmei, the daughter of his father’s assistant-turned-girlfriend, and soon finds herself looking up to the older girl.

Patrick Frater Asia Bureau Chief Dubai-based sales agency Cercamon has picked up international rights to “Inside the Yellow Cocoon Shell” by first-time feature director Pham Thien An. The film will have its global premiere next month in the Directors Fortnight section of the Cannes film festival. Pham Thien An previously made short films “The Mute” in 2018 and the one-take “Stay Awake, Be Ready” in 2019. Both enjoyed a busy festival career, with “Stay Awake” earning the Illy Prize in Cannes followed by additional awards at the Palm Springs, Busan, Kyiv and Flickerfest events. “Inside the Yellow Cocoon Shell” follows the emotional journey of Thien, who is entrusted with the responsibility of delivering his sister-in-law’s body to their hometown after a tragic motorcycle accident in Saigon. Amidst this heartbreaking task, Thien also takes care of his nephew, Dao, a five-year-old survivor of the accident. As they traverse the mystical landscapes of rural Vietnam, Thien embarks on a quest to find his long-lost brother and reunite him with Dao, a journey that ultimately leads him to question his faith.

EXCLUSIVE: Summer’s going to be a scorcher in London. Tarantino Live: Fox Force Five & the Tyranny of Evil Men is coming to town in June.

Elsa Keslassy International Correspondent New films from Hong Sang-soo and Michel Gondry will world premiere at Directors Fortnight, a selection running parallel to the Cannes Film Festival. This edition marks the first under the leadership of Julien Rejl as artistic director. Succeeding to Paolo Moretti, Rejl was named by the governing body of Directors’ Fortnight, the SRF (Société des réalisateurs de films), as part of a rebranding. Unlike previous artistic directors for this selection, Rejl doesn’t come from the festival circuit. He was previously in charge of distribution, international co-productions and international sales at Capricci, an arthouse film banner based in Paris.

Cannes Directors’ Fortnight has announced the selection for its 55th edition, running May 17 to 26.

Quentin Tarantino has said that he is “ready to quit” making movies following an illustrious 30-year career in the industry.The director and screenwriter, who has helmed such classics as Pulp Fiction, Reservoir Dogs and Kill Bill, initially said in 2009 that he planned to retire once he reached the age of 60 – which he did on March 27 this year – to “go and write novels and cinema literature, stuff like that”.Tarantino reiterated that desire in 2014 while promoting his 2015 movie The Hateful Eight, outlining his plan to “leave a 10-film filmography”. However, he said at the time that this was “not etched in stone”.Last month, Tarantino announced the title of his 10th film – The Movie Critic – which is likely to be his final big-screen project.

Diari ARA this week.He continued, “And the truth is that, in real life, it’s a pain to shoot sex scenes, everyone is very tense. And if it was already a bit problematic to do it before, now it is even more so.”However, the director did note that if there was ever an intimate scene that was “essential” to the story of the film, he would go for it, but it “hasn’t been necessary.”His 1997 film, “Jackie Brown,” is the only movie that features a racy scene between Bridget Fonda and Robert De Niro. The movie followed a flight attendant, who was played by Pam Grier, showing her journey as she navigates getting busted for smuggling money.

Quentin Tarantino suggested that sex scenes are unnecessary when working on his films. The 60-year-old "Pulp Fiction" director pointed out that he includes barely any nudity in his projects because he said it’s "problematic." "It’s true, sex is not part of my vision of cinema," Tarantino told Spain’s Diari ARA during an interview.