Cannes Directors’ Fortnight 2023 Lineup Includes New Films From Hong Sang-soo, Michel Gondry & More

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A little under two weeks ago, the Cannes Film Festival unveiled its lineup for the upcoming event. However, as we know with film festivals, the initial lineup is far from complete and more films can be added at any time.

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Kenji Iwaisawa, director of the cult “On-Gaku: Our Sound”), headlines an Annecy Animation Showcase at this year’s Cannes’ Marché du Film.  The Showcase in general look like a declaration of intentions from the world’s most important animation festival: Its heartfelt support for some of the world’s most original, redolent and sometimes riotous – think France’s Jul, Brazil’s Otto Guerra – adult animation auteurs of all ages, hailing from four corners of the earth. “Hina” looks to have largely flown  under the international radar to date, which will make this year’s Showcase a must-attend after Iwaisawa burst onto the scene with left-of-field musical comedy “On-Gaku: Our Sound,” hailed by Variety as 2020’s “biggest dark horse in anime fandom.” If it’s half as good as “On-Gaku” which in 2019 beat “I Lost My Body” and “Children of the Sea” to win the Grand Prix at the Ottawa Animation Festival, as Variety noted, it should be worth watching. 

Elsa Keslassy International Correspondent Quentin Tarantino has been named honorary guest at the upcoming edition of Directors’ Fortnight, the selection running alongside the Cannes Film Festival. The tribute will take place on May 25, on the closing of Directors Fortnight. “As an exceptional and generous cinephile, Tarantino is at home at the Fortnight. He will be our guest this year to present a secret screening and discuss his counter-history of cinema,” said Directors’ Fortnight in a statement. Tarantino was recently in Paris to promote his first non-fiction book, “Cinema Speculation,” which tells his coming-of-age as a director through a look at iconic American films from the 1970s era.

Last week, the initial lineup for the Cannes Film Festival was released. There were some heavy hitters involved in that announcement, as per usual when it comes to one of the biggest showcases of cinema in the world.

You wouldn’t be wrong, as a film fan, to have your festival sights set on the upcoming Cannes Film Festival. That’s perhaps the premier festival each and every year.

Rebecca Rubin Film and Media Reporter Tribeca Festival has announced the lineup of its 2023 festival, which includes new films from actors Chelsea Peretti and David Duchovny and documentaries about Rock Hudson and news anchor Dan Rather. This year’s event, which takes place from June 7-18, will feature 109 feature films from 127 filmmakers across 36 countries. There will be 93 world premieres, one international premiere, eight North American premieres, one U.S. premiere and six New York premieres. Among the lineup, there are offerings from 43 first-time directors and 29 directors returning to Tribeca with their latest projects. For the first time, more than half of feature films in competition (68%) are directed by women, while 41% (45) of all feature films are directed by women. Additionally, 36% (39) of feature films are directed by BIPOC filmmakers, including two indigenous filmmakers.

The 22nd edition of the Tribeca Festival unveiled a 2023 lineup with a record number of female helmers and heavy on films directed by actors like Chelsea Peretti’s First Time Female Director, John Slattery thriller Maggie Moore(s) with Tina Fey and Jon Hamm, David Duchovny’s Bucky F*cking Dent and Steve Buscemi’s The Listener.

Patrick Frater Asia Bureau Chief Leading indie sales agent Finecut has picked up international rights to “In Our Day” by idiosyncratic South Korean director Hong Sang-soo. The film is set as the closing title of the Directors’ Fortnight sidebar of the Cannes festival. Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.

Elsa Keslassy International Correspondent New films from Hong Sang-soo and Michel Gondry will world premiere at Directors Fortnight, a selection running parallel to the Cannes Film Festival. This edition marks the first under the leadership of Julien Rejl as artistic director. Succeeding to Paolo Moretti, Rejl was named by the governing body of Directors’ Fortnight, the SRF (Société des réalisateurs de films), as part of a rebranding. Unlike previous artistic directors for this selection, Rejl doesn’t come from the festival circuit. He was previously in charge of distribution, international co-productions and international sales at Capricci, an arthouse film banner based in Paris.

Cannes Directors’ Fortnight has announced the selection for its 55th edition, running May 17 to 26.

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Last week, after much speculation, we finally were given the initial lineup for this year’s Cannes Film Festival. Of course, the main lineup typically features the biggest names in film and this year is no different, with a new ‘Indiana Jones’ film as well as new films from directors like Martin Scorsese and Wes Anderson.

Jeanne du Barry starring Johnny Depp.Directed by French filmmaker Maïwenn, the biographical drama follows the life of Jeanne du Barry (played by Maïwenn), who climbed the social hierarchy to become the last royal mistress of King Louis XV (Depp).The film marks Depp’s first feature performance in three years, and comes after the actor won his defamation trial against ex-wife Amber Heard last year.Asked by Variety about the “controversial choice” to open the festival with the actor’s comeback, Fremaux said: “I don’t see Maïwenn’s film as a controversial choice at all, because if Johnny Depp had been banned from working it would have been different, but that’s not the case.“We only know one thing, it’s the justice system and I think he won the legal case. But the movie isn’t about Johnny Depp.”Jeanne du Barry will open the festival on May 16, before it is released in cinemas in France on the same day.

Elsa Keslassy International Correspondent Cannes Film Festival’s longtime director Thierry Fremaux sat down with Variety following the announcement of this year’s lineup, which includes a bevy of star-studded period movies, including Martin Scorsese’s highly anticipated “Killers of the Flower Moon,” Karim Aïnouz’s “Firebrand” and Jonathan Glazer’s “Zone of Interest.” Along with a raft of politically-minded films, there’s also a record six movies directed by female helmers in competition, including newcomers like Senegalese direcotr Ramata-Toulaye Sy’s feature debut “Banel et Adama.” Fremaux said his only regret this year is to miss out on “Oppenheimer” and “Barbie,” but he’s keeping high hopes to convince Scorsese to vie for a second Palme d’Or 47 years after winning his first with “Taxi Driver.” He also revealed that as many as two or three movies are expected to be added to the competition next week, after Directors’ Fortnight and Critics’ Week announce their respective lineups.