Rebecca Davis editorDisney/Pixar’s “Soul” has now outperformed “Wonder Woman 1984” in China by more than $10 million despite debuting a week later than the latter.
28.12.2020 - 01:21 / deadline.com
Like the title suggests, Promising Young Woman brought a glimmer of promise to the specialty box office space. The Emerald Fennell-directed dramatic thriller starring Carey Mulligan debuted in 1,310 theaters in North America on December 25 earning an estimated $680K.
Since making its world premiere at Sundance, the film has been getting tons of buzz and acclaim. Currently sitting at 91% on Rotten Tomatoes, Promising Young Woman has — and still is — gearing up for awards season. Last week, the LA
Rebecca Davis editorDisney/Pixar’s “Soul” has now outperformed “Wonder Woman 1984” in China by more than $10 million despite debuting a week later than the latter.
International box office was led again by China this weekend with local titles A Little Red Flower and Shock Wave 2 at the top of the charts, and Disney/Pixar’s Soul continuing its jazzy run there. The Pete Docter-directed original is soon to become Pixar’s No.
Specialty box office titles and those that also have their foot in the wide release landscape make up the majority of the top box office numbers of the weekend — which is pretty darn good all things considered.
With the pandemic dragging on and vaccine efforts falling behind schedule, the total domestic weekend box office once again fell below $10 million with “Wonder Woman 1984” leading the charts with $3 million to reach $32.6 million in domestic grosses after its third weekend.Between widespread closures in Europe and lower-than-expected performance in China, the DC blockbuster has now grossed just $131.4 million worldwide.
Rebecca Davis editorImported films accounted for only about a sixth of China’s total box office in 2020, a nearly 55% decrease year-on-year, industry data tracker Maoyan Entertainment said Monday.
Ever since the movie theater industry was gutted due to COVID-19, with many of the world’s cinemas being shut down in March until this fall, we’ve known 2020 was going to be a record bad year for the industry. But with the final 2020 box office numbers being reported, we can fully see just how the pandemic destroyed an industry.
Sony’s Will Smith sequel “ Bad Boys for Life ” has stayed in first place in North America since its January release with $206.3 million. Globally it’s in second place to the Chinese film “The Eight Hundred” — the first time that the top worldwide film originated outside of Hollywood.
Soul” continues to charm China with sales of $13.8 million over its second weekend, more than double its $5.5 million Christmas debut, thanks to strong word of mouth. It was the highest-grossing foreign import of the New Year weekend, far outstripping “Wonder Woman 1984” and even Hayao Miyazaki’s older but beloved animation “Ponyo.”The weekend was huge.
It's official: North American box office revenue plummeted 80 percent in 2020 amid the novel coronavirus pandemic and unprecedented theater closures, while global revenue tumbled more than 70 percent. As predicted, domestic movie tickets sold between Jan.
The specialty box office space entered 2021 with two fresh titles and one under-the-radar pic with Vertical Entertainment’s Shadow In The Cloud, Netflix’s Pieces of a Woman and Amazon Studios’ Herself. In general, reporting on box office numbers has been tricky ground considering circumstances and that will continue in 2021 — especially with the specialty box office.
Refresh for latest…: China was the big international box office winner this weekend with three local movies at the top of the chart and a New Year’s Day record set on Friday. That came just as it was confirmed the market led global box office for 2020, surpassing North America for the first time.
As 2021 dawned, China shot straight out of the box office gate with a new record. On Friday, the market hit a milestone for New Year’s Day.
Sony’s Will Smith sequel “ Bad Boys for Life ” has stayed in first place in North America since its January release with $206.3 million. Globally it’s in second place to the Chinese film “The Eight Hundred” — the first time that the top worldwide film originated outside of Hollywood.
John Hopewell Chief International CorrespondentSavaged by COVID-19, global box office plunged between 57% and 76% in major markets outside the U.S., with the U.K. and Ireland leading the rout, crashing 76% against 2019, according to a Comscore study, published Wednesday.Also hit hard were China (-70%), South Korea (-71%), and Italy and Spain (both down 72%).
Hong Kong action sequel Shock Wave 2 rocked China's box office over the weekend, opening to a healthy $64.5 million. Youth fantasy film Dream of Eternity also did decent business, debuting to $38.9 million.
Rebecca Davis editorHong Kong’s “Shock Wave 2” out-earned “Wonder Woman 1984” in China in just two days, topping the local box office this weekend with a $51.4 million debut, according to data from Maoyan.By the end of Christmas Day, “Shock Wave 2” had grossed $28.6 million (RMB187 million), more than the $23 million (RMB151 million) “Wonder Woman” had earned since Dec.
Refresh for latest…: There was a bit more varied action at the international box office this weekend, including the continued rollout of Warner Bros/DC’s Wonder Woman 1984, a sizable start for China’s Shock Wave 2, the debut of Disney/Pixar’s Soul, The Croods: A New Age nearing $100M global, and a brand new milestone for Japan’s Demon Slayer The Movie: Mugen Train which, according to estimates, has overtaken Spirited Away to become the highest-grossing film ever in the market.
Patrick Frater Asia Bureau ChiefWhile the North American box office pulls in less than $5 million per weekend due to COVID-19, the China and Japan markets are not only open, but also capable of breaking theatrical records. It may feel logical to hurry more U.S.
“Wonder Woman 1984” — Warner Bros.’s much-anticipated sequel to its superhero franchise starring Gal Gadot — suffered a weak weekend debut in China, where it earned a mere $19 million in ticket sales, or less than half of what Hollywood had expected. Media watchers had pegged the follow-up film to 2017’s “Wonder Woman” to reel in at least $40 million in the Middle Kingdom.
While we may be talking about the unfortunate death of movie theaters in the US, considering they have yet to fully bounce back from being closed most of the year and 2021 isn’t looking as promising as we hoped, Chinese cinemas are not only open but thriving.