Pre-Cannes Screenings: Hot Tickets and Ever More Complex Deals Dominate Pre-Sales Market

“This stuff is junk, what we’re doing,” Bill Murray deadpans in the middle of “New Worlds: The Cradle of Civilization.” The live audience onscreen—a strange sight after a year and a half of social distancing and no live performances—laughs. Murray hams it up: “Is it too late to get some moussaka?” Then he smiles knowingly and nods.

With Cannes winding down tonight—just one last movie in the festival’s official selection, by Gaspar Noe, was left to play—Bill Murray took to the stage at the Debussy theater with cellist Jan Vogler, pianist Vanessa Perez and violinist Mira Wang for a 25-minute concert of music following the premiere of Andrew Muscato’s doc New Worlds: The Cradle of Civilization.

The Robert Bresson quote that opens the anthology film “Year of the Everlasting Storm” — “you don’t create by adding, but by taking away” — makes a tidy adage of the time-honored idea that deprivation breeds innovation.

Get the latest United transfer window updates, news and analysis delivered straight to your inbox every day for free

In Arnaud Desplechin’s “Deception” (“Tromperie”), one character’s husband is described as “passionate about dazzling, interesting women.” In this adaptation of Philip Roth’s novel of the same name, one can’t help but wish the director shared the character’s interest.

What do we really know about children? Until the Renaissance, artists were still painting them as freakish shriveled adults. Only in the last century-ish did American society decide they probably should go to school instead of laboring all day in sweatshops.

We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having.

Premiering in competition at this year’s Festival de Cannes, Nanni Moretti’s wild melodrama “Three Floors” is based on a 2017 Israeli novel called “Shalosh Qomot” from writer Eshkol Nevo and begins with an undeniably tragic event. One dark night on a quiet street of Rome, a drunk driver runs over a lady crossing the road, narrowly avoids hitting a pregnant woman, then finally crashes into a building, landing straight into a family’s living room.

July 12th, 2021, Cannes – Reader, I ratatat out this missive in haste on my trusty Smith-Corona from the South of France, in the paltry hopes it may adequately convey my delight in viewing the latest cinematographic marvel from Mr. Wes Anderson, originally of Houston, Texas but more latterly resident of a nearby color-coded, symmetrical nebula almost entirely of his own design.

Timothee Chalamet has lots of love for Tilda Swinton as he leans on her shoulder and holds her hand while walking the red carpet premiere of their new movie, The French Dispatch, during the 2021 Cannes Film Festival on Monday (July 12) in Cannes, France.

Matt Donnelly Senior Film WriterWhile the Cannes Film Festival has served up punishing 80-plus degrees weather every day so far, that heat has yet to translate to the iconic festival’s film market.At the halfway point, Cannes 2021 has not seen the expected flurry of deals at the festival’s concurrent Marché du Film.

Cinema’s love affair with trains goes back, of course, to the very origins of the art form, and more than a century later, the flame shows no sign of dimming. To recent examples such as “Snowpiercer” (2013), “Train to Busan” (2016), and the latest of many adaptations of “Murder on the Orient Express” (2017) can now be added “Compartment no.6” (“Hytti Nro 6”) from Finnish director Juho Kuosmanen, premiering in Competition at this year’s Festival de Cannes.

Director Joachim Trier has developed quite a relationship with the Cannes Film Festival over the years. Two of his films, 2011’s “Oslo, August 31st” and 2015’s “Louder Than Bombs,” have premiered at the festival, and he also served as the Jury President for the 57th Independent Critics’ Week at Cannes in 2018.

annual event on the Riviera will file past a pair of sniffer dogs posted at the entrance to the Palais where screenings are held, Cannes town hall has said. The hounds handled by the local Municipal Police have been trained to detect Covid-19 through human sweat as part of a prevention program trialled in France.

Surprising reception! Chad Michael Murray has wonderful memories from his time on Gilmore Girls — but he didn’t expect fans to share the same sentiment about his bad boy role.

Chad Michael Murray is looking back at one of his most iconic roles as Tristan on Gilmore Girls.

Chad Michael Murray paid a virtual visit to “Today” on Wednesday, and looked back at one of his earliest screen roles: Tristan Dougray, bad boy classmate of Rory Gilmore (Alexis Bledel) at Chilton prep school.

In 2014, actor Val Kilmer was diagnosed with throat cancer and went public with his illness in 2017. Because of the various surgeries that impacted his throat, the actor’s voice has radically changed, and in fact, he has a difficult and even painful time talking.

After gaining prominence with American studio films such as “RoboCop,” “Total Recall,” “Basic Instinct,” “Starship Troopers,” and “Hollow Man,” it’s clear Dutch director Paul Verhoeven has gone in a different direction with his later works. He made a big transition with the WWII Dutch resistance film “Black Book” led by future “Game of Thrones” and “Valkryie” actress Carice van Houten.