‘Plan C’ Review: Timely Documentary Examines Abortion Solutions in a Post-Roe America

Rachael Ray is ending her talk show after 17 years. “The Rachael Ray Show,” which airs on CBS, will end after its current season. In a statement, Ray shared some of what she will be working on in the future, giving fans plenty of new projects to look forward to.

British screenwriter Ray Jenkins, who wrote on some of the UK’s biggest TV hits across several decades, has died aged 87. Jenkins died last month and leaves behind his two children, Pascale and Ceri.

dropping “Dilbert” from their comic strip sections kept rising on Saturday as The Washington Post and The Los Angeles Times both announced that they will no longer print the strip following cartoonist Scott Adams’ racist rant in a YouTube live stream this past Wednesday. “The Comics pages should be a place where our readers can engage with societal issues, reflect on the human condition, and enjoy a few laughs.

Honoring her dad. Ray Liotta’s daughter, Karsen, paid tribute to her late father while celebrating his posthumous star on the Hollywood Walk of Fame.

Guy Lodge Film Critic Veteran French docmaker Nicolas Philibert was the surprise winner of the Golden Bear at this year’s Berlin Film Festival, taking the prize for his film “On the Adamant,” a poignant observational study of a Paris mental health care facility. He received the award from jury president Kristen Stewart, after the star offered an extended and plainly heartfelt ode to the film’s humanity and simplicity: “People have gone in circles for thousands of years trying to pin down what can be deemed art, who’s allowed to do it and what determines its value,” she said, citing the boundary-pushing nature of the festival, and namechecking such opposing philosophers on the matter as Aristotle, Barthes, Sontag and Beavis & Butthead, before concluding, “For all of us, you just know it when you see it.”

Guy Lodge Film Critic “Till the End of the Night” opens with what initially seems a Brechtian flourish: a nifty time-lapse shot of a bare shell of an apartment being painted, fitted, decorated and accessorized to an apparently lived-in state, as a vintage German torch song by Heidi Brühl crackles over the soundtrack. It’s not a film set being dressed, however, but a police one — the home base for an elaborate undercover investigation. It’s not the first time Christoph Hochhäusler’s romantic detective thriller will hint at subversive ambitions that turn out, upon closer investigation, to be rather conventional. Tossing a fraught transgender love story in the middle of an otherwise standard cop procedural, the film doesn’t much satisfy on either level, with superficial sexual politics and slack suspense. Despite a Berlinale competition slot, prospects beyond home turf appear limited.

Ray Liotta was just honored with a posthumous star on the Hollywood Walk of Fame and his daughter Karsen was on hand to accept!

Ray Liotta's family and famous friends gathered on Friday to pay tribute to the late actor as he received a posthumous star on the Hollywood Walk of Fame.The actor died in his sleep on May 26, 2022, while in production on an upcoming film,, in the Dominican Republic, but he was aware of the Walk of Fame honor prior to his death.Liotta's daughter, Karsen, spoke at the ceremony, and she shared exclusively with ET's Will Marfuggi how much the honor meant to her father. «It was a huge honor for him and he was proud of himself, as me and my whole family were,» she noted. «I know it was definitely very special to him and it was a monumental moment in his career.»The proud daughter also said her dad would have been «surprised» by the outpouring of support following his death.«I mean, of course everybody loved him, but he didn't look at his life and his work as if everybody's watching all the time,» she explained.

Guy Lodge Film Critic Trends in documentary-making have shifted radically since Nicolas Philibert’s “Être et Avoir” was a surprise arthouse hit two decades ago: That sweetly observational little film, following the ins and outs of a village elementary school over the course of a year, seems a quaintly modest proposition beside today’s more slickly immersive and narrativized nonfiction breakouts. If times have changed, however, Philibert has not. “On the Adamant,” his first feature in 10 years, finds him once more examining the human workings of a care-based institution from a reserved but compassionate distance, avoiding commentary and editorialization in favor of real-life character portraiture. It turns out to be the right approach for the institution under scrutiny: The Adamant, a day-care center in central Paris for adults with a variety of mental disorders, offering its visitors a range of therapy, education and cultural activity. The human subjects here are both expressive and highly vulnerable, open to the low-key, non-invasive presence of Philibert’s camera, and the film is content to be an undulating patchwork of their everyday moods and moments, rather than anything more strenuously conceptual. Suited to specialist distributors and streaming platforms, “On the Adamant” might not achieve the crossover success Philibert has found in the past, but it’s a warm reminder of his perceptive gifts: A premiere slot in Berlin’s main competition, alongside much sleeker, more formally ambitious fiction fare, effectively welcomes him back to the auteur leagues.

Paris Hilton is opening up about a couple of very dark times in her life. The 42-year-old reality TV veteran and

Guy Lodge Film Critic There’s a parched austerity to the landscape of the Australian outback, along with an embedded history of conflict between Indigenous and invading occupants, that makes it irresistibly well-suited to screen westerns. But there’s a loneliness to it, too, a sense that its quiet vastness could swallow you whole and without trace, that lends itself as easily to moody, smoky mystery. Aboriginal filmmaker Ivan Sen has twice before dabbled in the harsh, dry space where those genre possibilities overlap, in his features “Goldstone” and “Mystery Road.” In his latest, most accomplished film “Limbo,” he once more surveys the region with a critical eye, finding a history of racial injustice in its sharp cracks and long shadows. But the genre styling this time has been pushed all the way to stark, monochromatic stylization. This is outback noir — oblique, secretive and as hard-boiled as the ground is hard-baked — and Sen wears it well.

“A bear did COCAINE!” screams a frazzled Eddie (Alden Ehrenreich), trying to explain a patently absurd concept like a rational person – and exposing the vast capacity for humor that lies between the two. “Cocaine Bear,” a film that really puts the high in high-concept comedy, contains promise and peril in its premise.

Guy Lodge Film Critic If any writer has ever retreated to a remote, idyllic rural pad with the intention of getting some work done, and proceeded to have a productive and creatively fulfilling time, it has certainly never happened in the movies. Leon, the callow young novelist at the center of Christian Petzold’s canny, many-layered new film “Afire,” is the latest in a long line of onscreen scribes to learn that lesson. But over the course of a hot, rainless summer by the Baltic coastline, the elusiveness of his imagined masterwork turns out to be far from his greatest problem: Writer’s block spills over into bitter social paralysis, exposing every facet of life he doesn’t yet know how to live, let alone write about. All the while, the surrounding woodsy landscape wilts and scorches, the threat of natural disaster lending an urgent pull to this dry, elegant comedy of manners — so dry, in fact, it’s just a breath of wind away from tragedy.

Guy Lodge Film Critic In time, stories like “20,000 Species of Bees” will come to feel as commonplace within the coming-of-age genre as tales of first love or heartbreak: a young girl, unhappy in her skin and at odds with her family, finally recognizes her gender over the course of one pivotal summer, and persuades others to recognize it too. For now, Spanish writer-director Estibaliz Urresola Solaguren’s mellow, softly piercing debut feature joins the likes of Céline Sciamma’s “Tomboy” and Emanuele Crialese’s “L’Immensità” in a select but growing canon of trans or nonbinary childhood studies. Unassuming and meanderingly character-oriented, the film doesn’t assert itself as an issue drama — in large part because, as Solaguren presents her eight-year-old protagonist’s gradual steps toward self-realization, her film doesn’t see much of an issue to begin with.

Elizabeth Banks is sharing her fond memories of working with the late Ray Liotta on what would be his final film.The actress and filmmaker walked the red carpet at the premiere of her new film,, in Los Angeles on Tuesday, and she spoke with ET's Ash Crossan about getting the chance to work with Liotta shortly before his death last May.«He never saw the final movie, but he did see all of his scenes,» Banks shared. «And he saw the bear, which is the most important thing, because the poor guy like everyone had to act with, you know, a guy in a black suit and a stuntman and just sort of hope that it looks cool.»In the high-energy action horror comedy, the titular cocaine bear — for obvious reasons — was created entirely with CGI, and Banks explained that Liotta came in to re-record some audio, which is when he was able to see the finished product, or at least his part.«He came in for ADR eight days before he passed away, actually, and he loved it. He was so happy.

Pat Saperstein Deputy Editor How can trees be racist? That’s the question explored in a new documentary, “Racist Trees,” about a historically Black neighborhood called the Crossley tract in Palm Springs, Calif., whose residents suspected a dense row of tall tamarisk trees might have been planted decades ago to segregate them from the adjacent golf course. While putting a close-up on the residents’ campaign to have the messy, view-blocking trees removed, the film deftly explores wider issues, like the troubled racial history of the idyllic resort town, gentrification and generational wealth – all with a light touch that includes plenty of colorful historic footage of swimming pools and movie stars.

recently divorced supermodel Gisele Bündchen was seen enjoying Brazil’s most iconic holiday festivities, Carnival. The 42-year-old, one of the world’s highest-paid models, was photographed in a jaw-dropping outfit, dancing and painting the town red with her friends, while her ex, Tom Brady, spent his vacation with the kids.Tom Brady shares what his mornings look like following split from Gisele BündchenGisele Bündchen is back in Costa Rica with her trainer Joaquim ValenteGisele Bündchen wore animal-print swimsuit during recent outing with daughter VivianAfter many years of not attending her country’s world’s famous festival due to Covid-19 or personal issues, the supermodel returned to experience it to the fullest.

Guy Lodge Film Critic On stage, drag artist Aphrodite Banks is a femme fatale: Caked in war paint, with a waterfall of braids whipping around her waist, she’s possessed of the white-hot glare and forthright confidence to match her Amazonian height and bearing. Off stage, as Jules, he’s simply femme: that term for gay men who present or express themselves in a more feminine way, too often used as a slur or a dismissal even by their community brethren. (Open up a cruising app like Grindr and see how frequently “no fems” comes up as a requirement.) The former identity connotes swaggering strength; the latter, to many, delicate weakness. How those associations and stigmas battle each other in one man’s body is the driving conflict in “Femme,” a tense, sometimes startling revenge drama from British freshmen Sam H. Freeman and Ng Choon Ping.

Salma Hayek, Ricky Martin, Kim Kardashian, Alfonso Cuarón and Gaby Espino are some of the stars with thriving TikTokers at home. Valentina Paloma Pinault, Valentino Martin, North West, Tess Bu Cuarón, and Oriana Lander are part of the new generation of centennials taking over the social media world. Valentina Paloma Pinault is the daughter of Mexican actress Salma Hayek and French businessman François-Henri Pinault.

Gisele Bundchen was living the good life this weekend!