EXCLUSIVE: Black Bear has closed a raft of international deals on Guy Ritchie’s next project, the as yet untitled action film which wrapped principal photography in Spain this week.
08.10.2023 - 01:17 / variety.com
Naman Ramachandran The renaissance in Indonesian cinema is being celebrated at the Busan International Film Festival this year with 15 films, shorts and series being showcased. Hilmar Farid, Director General of Culture at Indonesia‘s Ministry of Education, Culture, Research, and Technology, is leading a 50-strong delegation of filmmakers, committee members and media to the festival. Variety spoke with Farid about the country’s boom and its upcoming opportunities and challenges.
Indonesia is making quite a splash at Busan this year and has been consistently making waves internationally with accolades at Locarno and Venice. Why do you think the independent cinema of Indonesia has reached this level? In the last 10 years, Indonesian filmmakers have gradually appeared on the world festival circuit. Every year they productively produce quality films that narrate Indonesia’s diversity, prioritize women’s perspectives and speak about empowerment.
This consistency is the pillar of Indonesia’s international presence. Of course, this initiative cannot be left for too long without more systemic support. This is where the government plays a facilitating role.
Helping coordinate between stakeholders, encouraging the birth of film development labs, supporting travel grants, and various other needs that can strengthen the initiative of filmmakers in developing this industry. So, it was collaborative work that brought Indonesian cinema to its current state… although not yet ideal, but gradually moving towards a more established industry. What are the opportunities for Indonesian cinema going forward? And what are the challenges? Opportunities and challenges are of course many.
EXCLUSIVE: Black Bear has closed a raft of international deals on Guy Ritchie’s next project, the as yet untitled action film which wrapped principal photography in Spain this week.
Luminate, a provider of music and entertainment data, the Top 100 K-pop artists globally have racked up a total of 90.4billion streams across audio and video services so far this year.The figure is a 42.2 per cent increase as compared to the same period in 2022, with Japan having the high number of on-demand streams at 9.7billion, up from 8.6billion from the year prior.The US came in second with 9.2billion, a marked increase from 6.6billion in 2022. Rounding out the Top Five in terms of most on-demand streams are Indonesia (7.4billion), South Korea (7.3billion) and India (6.2billion).In its report, Luminate also broke down the regional composition of streams for a number of top K-pop groups.
Elsa Keslassy International Correspondent Bhutan’s official Oscar entry “The Monk And The Gun,” Pawo Choyning Dorji‘s follow-up to “Lunana: A Yak in The Classroom,” has been bought by a raft of well-established international theatrical distributors. Following its festival premieres at Telluride, Toronto, Rome and Busan, “The Monk and the Gun” has been sold by Films Boutique to Pyramide Distribution (France), September Films (Benelux), Rialto Distribution (Australia), Future Films (Scandinavia), A Contracorriente (Spain), Lev Films (Israel), Aurora Films (Poland), Trigon (Switzerland), Alambique Films (Portugal) and Impact Films (India and Indian Subcontinent). Earlier this week, the crowdpleaser was also acquired by Roadside Attraction for the U.S.
Naman Ramachandran India’s Film Bazaar, South Asia’s largest film market, has selected a range of projects from around the world for its annual co-production market. The 20 selected projects are from 11 countries, most are already structured as co-productions, and they are all South Asian-themed.
Patrick Frater Asia Bureau Chief Six film projects currently at development stage have been selected to take part in a workshop session as part of mylab+@Jogja next month. The six share a common characteristic of Indonesian co-production and a recurring theme of luminescence. “This theme underscores the importance of having the distinctive light of Asian cinema arise from its own characteristics.
Patrick Frater Asia Bureau Chief Iranian drama film “Empty Nets” was Monday named winner of the AFF Feature Fiction Award at the Adelaide Film Festival. Directed by Behrooz Karamizade, it collected an A$10,000 ($6,320) cash prize.
Patrick Frater Asia Bureau Chief The inaugural edition of the Cinema at Sea – Okinawa Pan-Pacific International Film Festival will be held next month (Nov. 23-29) on the Japanese island of Okinawa.
Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.
Indonesian filmmakers Kamila Andini and Ifa Isfansyah are making their Netflix debut with eight-part series Cigarette Girl (Gadis Kretek), which streams worldwide from November 2.
The Wrestler, directed by Bangladeshi-Canadian filmmaker Iqbal H. Chowdhury, and September 1923, from Japan’s Tatsuya Mori, picked up the New Currents Awards as Busan International Film Festival wrapped a busy 28th edition on October 13.
Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.
Elsa Keslassy International Correspondent Bertrand Bonello‘s “The Beast,” a dystopian romance drama starring Lea Seydoux (“No Time to Die”) and George MacKay (“1917”), has been bought by distributors in all major markets following its world premiere in competition at the Venice Film Festival. Represented in international markets by Kinology, “The Beast” has sold to the U.K. (Vertigo Releasing), Italy (iWonder), Spain (Caramel), Australia and New Zealand (Rialto), Benelux (Imagine), Scandinavia (NonStop), Latin America (Impacto), Middle East (Front Row), Poland (New Horizons), Greece (Weirdwave), Portugal (Alambique), CIS (Capella), Romania (Transilvania), Bulgaria (Cinelibri), Ex-Yugoslavia (MCF Megacom), India (Superfine) and Indonesia (P.T.
Naman Ramachandran Distributor, Day for Night has acquired a trio of Asian titles for U.K. and Ireland at the Busan International Film Festival’s Asian Contents and Film Market. Day for Night is acquiring the late Pema Tseden‘s “Snow Leopard” from Rediance.
U.S. producer E. Bennett Walsh, who has made films including Mortal Kombat, Meg 2: The Trench and The Kite Runner across the APAC region, says he’s got his eye on Japan and Korea as the next hot destinations for footloose Hollywood productions.
Naman Ramachandran Distribution in Indonesia was the subject of a lively debate at the Busan International Film Festival‘s Asian Contents and Film Market. With 277 million people, Indonesia has one of the largest populations in the world. However, geographically it is an archipelago and for its population, the country is under-screened with just 2,300 cinema screens.
The Match Factory has announced a raft of world sales for Sofia Coppola’s biopic Priscilla ahead of its North American premiere as the Centrepiece selection of the New York Film Festival on Friday.
Patrick Frater Asia Bureau Chief Issues of cultural diversity, different Asian diaspora populations and the quest for the Asian cinematic identity came up for discussion on Thursday as the New Currents competition jury at the Busan International Film Festival prepared to get down to work. Filmmaker and academic Jung Sung-il, who is set as the jury president, appeared to invite a degree of dispute that might get the blood racing. “I have high hopes, hope for controversies and good conversations among the jurors,” he said in opening remarks.
Academy Awards. The film had its debut in the Critics’ Week section of the Cannes film festival in May and was directed by first-time feature filmmaker Amanda Nell Eu. The announcement was made on Thursday by Malaysia’s Communications and Digital Minister Fahmi Fadzil following selection by the National Film Development Corporation (FINAS). The film was a eight-way coproduction involving companies from Malaysia, Taiwan, Singapore, France, Germany, The Netherlands, Indonesia and Qatar, and emerged from a succession of labs, project markets and international funds. Since winning the Grand Prix at the Critics’ Week, “Tiger Stripes” has been a popular choice on the festival circuit, with stops so far at Neufchatel, The Hamptons, Sitges, London, Fantasia, Taipei and next week’s Pingyao events.Dir. Amanda Nell Eu. International sales: Films Boutique. All submissions and materials for the 2023 race must be received by the Academy of Motion Pictures Arts & Sciences by 5 p.m. on Oct. 2. And films must meet all the qualifying conditions between Dec. 1, 2022, and Oct. 31, 2023. A shortlist of 15 will be announced on Dec. 21. Final nominees will be announced on Jan. 23, 2024. The 96th Academy Awards is set to take place on March 10, 2024. Argentina, the South American country with the best Academy Awards history, has chosen as its Academy Awards submission “The Delinquents,” Rodrigo Moreno’s incorrigibly playful heist movie, which world premiered at Cannes Un Certain Regard, delighting critics.
Naman Ramachandran A total of 39 European companies, surpassing 2022, will promote and sell films from the continent at Busan International Film Festival‘s accompanying Asian Contents & Film Market (ACFM). Of these, 32 will be onsite while seven more will participate online.
Jazz Tangcay Artisans Editor Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount. Rather than shoot on a studio backlot, the filmmaker behind “Godzilla” and “Rogue One: A Star Wars Story” opted to shoot in eight different countries, including Nepal, Thailand, Vietnam, Cambodia, Indonesia and Japan. For an all-out climatic action sequence set in Thailand, a village comes under attack by the U.S.