The real-life Scot known for playing Amy Pond to a legion of Doctor Who fans, Karen Gillan comes back to UK screens on Thursday in Douglas is Cancelled.
09.06.2024 - 00:03 / variety.com
AI tools in film and TV production. That was one of the messages sent Saturday at the Producers Guild of America’s 14th annual Produced By conference in Los Angeles, featuring a daylong schedule of panels drilling down on digital disruption and other pressing issues for content producers. “I don’t know if an artist I commission is using generative AI.
I didn’treally care before, but I guess I have to care now,” said Lori McCreary, CEO of Revelations Entertainment and a past PGA president, during the hourlong “AI: What Every Producer Needs to Know” session moderated by Carolyn Giardina, senior entertainment technology and crafts editor for Variety and Variety VIP+. Ghaith Mahmood, partner at Latham & Watkins specializing in AI-related legal issues, walked the crowd through the intricacies of where copyright protection starts and ends for content at the moment. He emphasized that new rules of the road are likely to be established in the coming years as more than a dozen pending copyright cases wend through the federal courts.
“I do think we are on shifting sands,” Mahmood told the audience at the Darryl F. Zanuck Theater on the Fox Studios lot. At present only works made by humans can be considered eligible for copyright protection.
And the key legal tests at the moment hinge on the level of human control and creativity exerted to make a work. With the tech innovations of generative AI, powered by mind-boggling computing systems, He noted that legal eagles are eagerly awaiting a report expected this summer from the U.S. Copyright Office that will “give us more color on what does that mean to have sufficiently creative control by a human to [make content] copyright-able.” Renard T.
The real-life Scot known for playing Amy Pond to a legion of Doctor Who fans, Karen Gillan comes back to UK screens on Thursday in Douglas is Cancelled.
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