Comcast and Disney have modified their Hulu agreement to enable the expected buyout of Comcast’s one-third stake in the streamer to begin on September 30 instead of next January.
17.08.2023 - 21:33 / deadline.com
“I know how to change bad news into good news,” Edward L. Bernays, the father of public relations, used to boast. Since he was a nephew of Sigmund Freud, I wonder how he’d find a positive mind-set among today’s practitioners of his craft.
During these times of gridlock, PR reps are widely forbidden from hustling the wares of their star clients. Further, free-spending corporate clients, once focused on image building, are now running for cover and laying off PR teams.
Sign of the times: The mega-publicized company WeWork that raised billions and helped foster its own TV profile has told its PR reps to confirm its last rites.
PR firms, like talent agencies, are laying off staff and canceling leases. Giant companies like Disney and Comcast confront a media landscape that has quickly turned from benign to belligerent. Even Target Is taking a hit.
Publicists for the Magic Kingdom must now face daily stories dealing with “wokelash,” or with rising subscriber fees and theme-park prices or prospective entry into the gambling business. And, finally, how did Disney manage to lose $11 billion in its first four years of streaming?
Comcast, which has fostered its paternalistic image as a calm and apolitical Philadelphia-based corporate power that coincidentally owns assets like NBC and Universal, suddenly finds itself also dodging media brickbats from the right.
While a confrontive Bob Iger generates headlines at Disney, Brian Roberts, the billionaire who runs Comcast, affirms his policy of invisibility in the media. So does his president, Mike Cavanaugh – the only media CEO who no newsman has ever seen.
Yet Comcast was on page one of this week’s Wall Street Journal as conservative activists blast what they feel are overly
Comcast and Disney have modified their Hulu agreement to enable the expected buyout of Comcast’s one-third stake in the streamer to begin on September 30 instead of next January.
The film festivals can always be counted on to deliver surprise hits at this time of year, but meanwhile Hollywood must deal with another issue: Its Barbitude hangover.
California Treasurer Fiona Ma has sent letters to the CEOs of seven Hollywood studios urging a return to the bargaining table with the WGA and SAG-AFTRA to end a months-long double strike that’s shut down much of the entertainment industry and is taking a major toll on the California economy.
One week after it voted to install fencing on Mulholland to block some views of the sign and protect pedestrians, the Los Angeles City Council has approved a motion seeking to potentially prohibit tour bus operations in hillside neighborhoods in proximity to the Hollywood Sign.
Zack Sharf Digital News Director David Ayer appeared on the latest episode of Jon Bernthal’s “Real Ones” podcast and cited “Suicide Squad” as his biggest heartbreak in Hollywood. The director has been vocal over the last several years about the 2016 theatrical cut of “Suicide Squad” not being his preferred version of the film. That cut was widely panned by critics, but Ayer has long maintained that the studio changed the film’s entire tone from his original concept.
EXCLUSIVE: Nautilus, the U.K. live-action Captain Nemo series commissioned by Disney+ two years ago, is no longer headed to the streamer, Deadline has learned.
Paul Hollywood denies US actress Blake Lively one of his famous handshakes in a new advert for her line of sparkling cocktails.The Great British Bake Off judge gives his “professional opinion” of the beverages after being surprised at his home by the Hollywood star. Blake, 36, presents him with a drink from her range, named Betty Booze, to which Hollywood replies: “I didn’t think you drank alcohol?” “Oh, I don’t drink alcohol. I eat it.
EXCLUSIVE: Amid a focus on content curation and Disney-owned IP, Disney+ is not proceeding with The Spiderwick Chronicles, its live-action series adaptation of the popular children’s fantasy books, Deadline has learned.
With festivals beckoning and box office wobbling, this obnoxious question looms ever larger: What’s next?
Universal Studios Group Chair Pearlena Igbokwe has said there is determination from all sides to find an “equitable” solution to the Hollywood labor strikes.
Sophia Scorziello editor Los Angeles-based pubcaster KCET has revealed its student finalists and episode line up for the 24th season of Fine Cut Festival of Films, an annual showcase and celebration of Southern California’s young filmmakers. The series of six, one-hour blocks on KCET will broadcast collections of short films from the student finalists beginning at 10 p.m. PT on Sept.
Patrick Frater Asia Bureau Chief The box office in mainland China reached an all-time high in the summer season, according to figures from ticketing agency Maoyan Entertainment. The record was achieved with minimal input from Hollywood.
This listing wasn’t wide-know on the market even by Dubai top real estate agents.
“How did I become Tom Joad? I used to write for a living.”
Todd Spangler NY Digital Editor Disney is coming for the streaming password-sharing freeloaders. Taking a page from Netflix’s playbook, Disney chief Bob Iger announced that the media conglomerate has put a priority on finding ways to convert password-borrowing users into paying customers.
Disney saw direct-to-consumer losses shrink and adjusted EPS top estimates for the three months ended in June as CEO Bob Iger said the company’s on track to exceed $5.5 billion in anticipated cost savings.
actors and entertainers are striking in Hollywood and around the country with the Writers Guild of America (WGA) as they demand a rise in pay and residuals in the streaming era.And while the strikes may have a positive outcome in store for actors, Porter is already dealing with the negatives of the situation.“I have to sell my house. I don’t know when we’re gonna go back [to work],” the “Pose” star, 53, told the Evening Standard.“The life of an artist, until you make f–k-you money, which I haven’t made yet, is still check-to-check,” he added.Porter, who played ballroom emcee Pray Tell in “Pose” from 2018 to 2021, revealed he was gearing up to work on a couple of upcoming projects in September.However, due to the strike, “none of that is happening,” according to Porter.“So to the person who said, ‘We’re going to starve them out until they have to sell their apartments’ — you’ve already starved me out,” Porter told the outlet.The actor’s comments come after it was reported that film execs were willing to “allow things to drag on until union members start losing their apartments and losing their houses,” according to Deadline.The newly-single Porter also slammed Disney CEO Bob Iger who said actors’ expectations of treatment are “just not realistic.”“The business has evolved,” Porter said, referring to the streaming era of film and TV.“So the contract has to evolve and change, period.
Billy Porter is fired up and feeling the rage, anger and hurt so many Hollywood creatives are experiencing amid the ongoing SAG-AFTRA/WGA strikes.The alum recently sat down for an interview with the — as he is currently in London for work — and he revealed that the strike has taken a toll on him personally, and he's been forced to sell his home here in Los Angeles.«I have to sell my house,» Porter shared. «Because we’re on strike.
Billy Porter has revealed the tough reality of being an actor amid the SAG-AFTRA strike.
Endeavor Group Holdings CEO Ari Emanuel pledged loyalty to company clients involved in Hollywood’s dual strikes and the company said it expects a $25 million monthly hit to revenue from the labor impasse.