Peter Bart: As Film & TV Writers Hit Picket Lines, Some Digital Media Counterparts Are Stuck In ‘Traffic’ Jam
04.05.2023 - 21:43
/ deadline.com
This is a dark moment for frazzled members of the writing fraternity.
Picketers in Hollywood and New York fear a prolonged standoff gripping film and TV. Also troubling, their colleagues in digital media are patching together their résumés as Vice Media and BuzzFeed prepare for crash landings. Will others follow?
Even a digital zealot like Ben Smith sees the moment as “a humbling experience.” His new book, titled Traffic, vividly revisits the picaresque adventures of the “muckrakers, dweebs and wing nuts” who set out to revolutionize legacy journalism. Some became at once rich and unemployed.
The New York Times liked Smith’s book, even though he quit that paper to start yet another digital adventure called Semafor — its fate still to be determined.
Here’s the irony: While Smith and his social media colleagues are making lots of noise for their next adventures, their colleagues in film and TV are frozen in silence. (For the reason, see below.)
The picket lines themselves provide grim memories of the sad saga lasting five months in 1988. The respected writer Alvin Sargent compared walking the picket lines to “being stuck in an airport bar during a snowstorm — civility mixed with rage.”
Jack Warner, the testy studio chief, observed that “even writers need love, especially when they don’t deserve it.” Warner himself was addicted to firing writers, but he was a fanatic about keeping his studio assembly line humming. That might not happen this time.
“The unity of the big studios or Big Three networks has been shaken,” observes one veteran studio CEO, who recalls that Hollywood’s labor force “now laments the absence of the very oligopoly it once attacked.” There is no Lew Wasserman or Bob Daly to assemble the broken