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Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.

Paul Dano The Fabelmans star reveals the emotional connections he made in portraying a version of Steven Spielberg’s father

AARP is out with the nominees for its 21st annual Movies for Grownups Awards for the best films, TV and filmmakers of 2022. Steven Spielberg’s The Fabelmans leads with the way with six noms, followed by fellow awards-season favorites Everything Everywhere All at Once and The Woman King are next with five each, and Tár and She Said with four apiece.

Best Picture/Best Movie for GrownupsElvisEverything Everywhere All at OnceThe FabelmansTárTop Gun: MaverickThe Woman King Women TalkingBest ActressCate Blanchett (Tár)Viola Davis (The Woman King)Lesley Manville (Mrs.

Ain’t No Mo’, the Broadway debut of author and star Jordan E. Cooper, opened at the Belasco Theatre on Dec. 1 to the sort of reviews producers and playwrights dream about. Even the few critics who weren’t completely won over couldn’t help but point out a singular brilliance at work here, not to mention a stars-in-the-making cast and more laugh-out-loud moments than most of the rest of Broadway combined. A celebrity-packed opening night, with producer Lee Daniels greeting a crowd that included Gabrielle Union, Dwayne Wade and C. J. Uzomah – who happen to be among the starry cohort of co-producers – as well as Matthew Broderick, Tamron Hall, Deborah Cox, Stephanie Mills, LaTanya Richardson Jackson, Susan Kelechi Watson, Camryn Manheim, Tony Kushner, Tituss Burgess, Gayle King, Pat Williams, Christopher Sieber, Jennifer Simard, Colton Ryan, Ari’el Stachel and Timothy Olyphant suggested nothing less than the buzzy arrival of Broadway’s next big thing, out-of-the-box division.

UPDATED, 8:16 AM: Steven Spielberg’s The Fabelmans will receive the Vanguard Award at the 2023 Palm Springs Film Festival’s gala in January.

EXCLUSIVE: WME has signed The Fabelmans breakout Chloe East, in a competitive situation.

Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at Laemmle Royal, Alamo Drafthouse DTLA, Los Feliz 3, and Santa Barbara’s Riviera Theater at SBIFF. Director Jerzy Skolimowski will be on hand for Q&As all weekend.

Few directors have reached the upper echelon in which names like Steven Spielberg reside, and “The Fabelmans” gives viewers insight into how the great movie-making mind came to be. Spielberg’s origin story springs off the page from a script co-written by the director and Tony Kushner, the “Angels in America” playwright and a frequent collaborator of Spielberg’s.

There was something particularly nerve-racking about playing a young Steven Spielberg in The Fabelmans, the director’s semi-autobiographical movie base on his own family and upbringing. For starters, star Gabriel LaBelle said during an appearance at Deadline’s Contenders Film: Los Angeles awards-season event that he never actually sat down with the director to get the 411 on what Spielberg was like as a young kid.

Universal Pictures is giving Steven Spielberg’s The Fabelmans a platform release starting with four locations in NYC (Lincoln Square, Union Square) and LA (The Grove, Century City) with a robust media campaign aimed at cinephiles, but also capitalizing on the broad appeal of a Spielberg production, testament to unusual pedigree of the semiautobiographical film.

BAFTA has set Black Panther director Ryan Coogler to deliver this year’s prestigious David Lean Lecture.

Michelle Williams will be honored with a Performer Tribute during the 32nd annual Gotham Awards, taking place live and in-person on November 28, at Cipriani Wall Street in New York City. 

Tempest for the ages.We’re excited for almost every season offering, but the one thing that fills us with an embarrassment of joy? The return of the Broadway Center Stage series to the Kennedy Center. Prior to the pandemic, the series routinely blew the roof off the national arts center with its extraordinary staged concerts that, in some cases, felt Broadway-ready.Other highlights of the 2022-2023 season include the returns of Les Miserables, Chicago, Wicked and — why not? — Cats; an Olney Kinky Boots; a Bountiful moment with Nancy Robinette at Ford’s; the return of Michael Urie and husband Ryan Spahn to the (boldly, beautifully rebranded) Shakespeare Theatre; Arena Stage tackling Tony Kushner’s gay masterpiece Angels in America; and the long-anticipated “Till Trilogy” at Mosaic. Buy stock in Kleenex now.1524 Spring Hill Rd.

Michaela Zee editor The American Film Institute has announced that the world premiere of “Selena Gomez: My Mind and Me” is set to open the 36th edition of AFI Fest on Nov. 2. “AFI is proud to launch AFI Fest 2022 with ‘Selena Gomez: My Mind and Me,’ a film as profoundly powerful as it is personal,” AFI President and CEO Bob Gazzale said in a statement. “Selena is a global force in art and entertainment, and we are honored to partner with her, Alek and Apple to shine a light upon her journey in this beautifully crafted celebration of optimism, vulnerability and hopefulness.” Directed by Alek Keshishian (“Madonna: Truth or Dare”), the documentary explores Gomez’s rise to stardom as an actress and singer, along with the personal crises she’s endured throughout her life.

Of all the directors making TIFF debuts this year, none are more revered or accomplished than Steven Spielberg. The highest-grossing director of all time normally premieres his films in late fall.

Steven Spielberg has described his semi-autobiographical picture The Fabelmans, delving into the teenage experiences that led him into filmmaking, as the most “daunting” project of his six-decade, blockbuster filmmaking career.

Steven Spielberg’s The Fabelmans, the director’s semi-autobiographical movie based on his own family and upbringing, has released its official trailer.

Manori Ravindran International Editor Steven Spielberg has said that mining his family history to make “The Fabelmans” was a “very daunting experience” that was at times “very, very hard to get through.” The iconic filmmaker’s latest project world premiered at the Toronto International Film Festival on Saturday night to raves from critics and largely favorable reviews. The semi-autobiographical movie, which is already being tipped as an Oscar contender, tells the story of Sam Fabelman, a young boy who falls in love with cinema, but finds himself fighting family turmoil to keep his dream alive. In a so-called press conference on Sunday, that was effectively a Q&A with TIFF CEO Cameron Bailey (the festival did not take any questions in the room from the gathered journalists, who had to submit questions almost 24 hours in advance), the “Jaws” director said he thought making the movie “would be a lot easier than it turned out to be because I know the material and I’ve known the characters for my entire life.”

“The Fabelmans” made its debut at the Toronto International Film Festival on Saturday, and a new trailer offers a glimpse of the latest film from acclaimed director Steven Spielberg.

Carson Burton Steven Spielberg is taking audiences on an intimate stroll through his childhood in the first trailer for “The Fabelmans.”The semi-autobiographical film follows the formative years of a young man as he discovers a shattering family secret, causing him to use movies as a means to help him see the truth about others and himself. Spielberg based the film on his own early years in Arizona and co-wrote the script with “Lincoln,” “Munich” and “West Side Story” screenwriter Tony Kushner.On Saturday, “The Fabelmans” premiered at the Toronto International Film Festival, earning a standing ovation in the crowd of movie lovers, who cheered loudly for the Oscar-winning auteur as he made his first appearance at the Canadian gathering. 

largely positive reviews, Steven Spielberg has just revealed the first trailer for “The Fabelmans,” a film about his own childhood, his parents and learning to love the movies. The film premiered at the Toronto International Film Festival on Saturday night, where Spielberg said that you shouldn’t believe the rumors that this movie marks his swan song or his retirement. “The Fabelmans” stars Gabriel LaBelle (“The Predator,” “American Gigolo” series) as 16-year-old aspiring filmmaker by the name Sammy Fabelman alongside his mother played by Michelle Williams and his father played by Paul Dano.

Of all the directors making TIFF debuts this year, none is more revered or accomplished than Steven Spielberg. The highest-grossing director of all time normally premieres his films in late fall, but this year he’s changed tack, with his long-awaited semi-autobiographical film, “The Fabelmans,” set to headline TIFF’s Special Presentations section on September 11.

There is definitely a trend of late for film directors to take a look in thinly disguised cinematic memoirs of their early influences that shaped the artist and person they have become. Kenneth Branagh with Belfast and Paolo Sorrentino with The Hand Of God did it last year. Of course there is Alfonso Cuaron’s Roma, others over the years. Sam Mendes, while not drawing a portrait of his younger self revisits the movie palaces of his youth in another 2022 offering, Empire Of Light, which premiered last weekend at Telluride and will also hit the Toronto International Film Festival. TIFF is also where the man I recently described as the GOAT, Steven Spielberg, has chosen to debut his own story where the names have been changed but the story is  clearly his. The Fabelmans basically chronicling his early Jewish family life and infatuation with making movies  had its World Premiere Saturday night, the first of Spielberg’s directed movies ever to premiere at a film festival. This one seems entirely appropriate, and it has been gestating in the director’s head ever since he and his co-writer Tony Kushner started kicking it around during the making of Lincoln over a decade ago. He says he finally made it primarily as a way to bring his late parents Leah and Arnold (to whom the film is dedicated) somehow back to his life. Movies can do that, and no one knows it better than Steven Spielberg.

Clayton Davis Steven Spielberg brought his semi-autobiographical film, “The Fabelmans,” to the Toronto International Film Festival on Sept. 10, his first feature ever to debut at TIFF. To say that Spielberg is performing at the top of his game is no hyperbole. This dramatic opus, which pulls at the heartstrings, could bring Spielberg his third directing statuette (after “Schindler’s List” and “Saving Private Ryan”), and maybe his second for best picture (after “Schindler’s List”). “The Fabelmans” is the story of Sam Fabelman, a young boy who falls in love with cinema, but finds himself fighting family turmoil to keep his dream alive. Spielberg’s direction is the glue that holds “The Fabelmans” together, and the film touches on many of his landmark styles, nodding to “E.T.: The Extra Terrestrial,” “Raiders of the Lost Ark,” “Saving Private Ryan” and more.

Steven Spielberg’s “The Fabelmans” will close out the 2022 AFI Fest, the American Film Institute announced Tuesday. “The Fabelmans,” which has been touted as Spielberg’s most personal film to date, stars Michelle Williams, Paul Dano, Seth Rogen, Gabriel LaBelle and Judd Hirsch in a story inspired by Spielberg’s own childhood. The film follows the formative years of a young man as he discovers a shattering family secret, causing him to use movies as a means to help him see the truth about others and himself. The ensemble cast for “The Fabelmans” includes Jeannie Berlin, Julia Butters, Robin Bartlett and Keeley Karsten, with music by John Williams. Janusz Kaminski serves as cinematographer, and the film is edited by Michael Kahn and Sarah Broshar. Production design is helmed by Rick Carter, and the costume design is overseen by Mark Bridges.

Steven Spielberg’s The Fabelmans will make its U.S. premiere at AFI Fest 2022 — closing out the festival at the TCL Chinese Theatre on November 6. The latest film from the AFI Life Achievement Award recipient is set to make its world premiere this month at the Toronto Film Festival, arriving in theaters beginning November 11.

Steven Spielberg’s The Fablemans, the director’s semi-autobiographical movie based on his own family and upbringing, will world premiere at this year’s Toronto Film Festival. The 47th edition of TIFF runs September 8-18.

Steven Spielberg’s “The Fabelmans” is the latest film that will make its world premiere at the 47th annual Toronto International Film Festival. Spielberg’s deeply personal story joins a TIFF lineup that already includes premieres such as “The Woman King,” “Glass Onion,” “Bros,” “On the Come Up” and “My Policeman.” Michelle Williams, Paul Dano and Seth Rogen star in the 20th Century coming-of-age story that’s inspired by Spielberg’s own childhood about a young man’s discovery of a shattering family secret and an exploration of the power of movies to help us see the truth about each other and ourselves.Gabriel LaBelle, Jeannie Berlin, Julia Butters, Robin Bartlett, Keeley Karsten and Judd Hirsch round out the cast.

Zack Sharf Steven Spielberg is set to make his first ever appearance at the Toronto International Film Festival with the world premiere of “The Fabelmans.” The Oscar winner’s latest is billed as a “deeply personal portrait of 20th Century American childhood.” Spielberg based the film on his own early years and co-wrote the script with his “Lincoln,” “Munich” and “West Side Story” screenwriter Tony Kushner.The official synopsis for the movie from TIFF reads: “‘The Fabelmans’ is a coming-of-age story about a young man’s discovery of a shattering family secret and an exploration of the power of movies to help us see the truth about each other and ourselves.”“The Fabelmans” ensemble cast includes Michelle Williams, Paul Dano, Seth Rogen, Gabriel LaBelle, Jeannie Berlin, Julia Butters, Robin Bartlett, Keeley Karsten and Judd Hirsch. Spielberg tapped Williams to play a character in the film based on his mother.

UPDATED, 3:13 p.m.: Universal Pictures announced today that Steven Spielberg’s latest film The Fabelmans will open exclusively in L.A. and NY on Friday, November 11—expanding on the film’s previously announced release date of November 23rd.

Sharon D Clarke’s performance of the showstopping musical number “Lot’s Wife” in the second act of Caroline, Or Change will almost certainly be among the Broadway highlights weighed in the minds of Tony Award voters when they cast their ballots for Best Performance by an Actress in a Leading Role in a Musical. The number, and the performance, are harrowing: Clarke’s character Caroline, the Black maid in an early 1960s Southern White Jewish household, has reached a breaking point of sorts, her years of struggle and loss erupting in one exchange of words with the young Jewish boy she’s all but raised, and the words of hate and cruelty that emerge from deep recesses of characters that had long shared real moments of connection and affection have shaken Caroline to her core.

A Brontosaurus and a Woolly Mammoth taking up residence among the mid-century modern trappings of a middle-class New Jersey household will now and forever make a theatrical impact – that, at least, hasn’t changed since playwright Thornton Wilder’s days – but so much else has, not least of all the ability of The Skin of Our Teeth, a seminal post-modern avant-garde winner of the 1943 Pulitzer Prize, to beguile merely on the strength of the post-modern avant-gardeness of it all.

EXCLUSIVE: CAA has signed Gabriel LaBelle, the actor who recently landed a breakout role in Steven Spielberg’s The Fabelmans, for representation.

West Side Story.Here is the complete speech:"Oh, my word. What is this? You know what, now you see why Anita says, “I want to be in America,” because even in this weary world that we live in, dreams do come true and that's really a heartening thing right now. If I took the time to say thank you to every single beautiful person who has lifted me up on this stage, you find people would be sitting here until next Oscars, so I'm not going to do that.

**WINNER.Original Screenplay“Being the Ricardos,” written by Aaron Sorkin“Don’t Look Up,” screenplay by Adam McKay, story by Adam McKay & David Sirota“The French Dispatch of the Liberty, Kansas Evening Sun,” screenplay by Wes Anderson, story by Wes Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman“King Richard,” written by Zach Baylin“Licorice Pizza,” written by Paul Thomas AndersonAdapted Screenplay** WINNER “CODA”, screenplay by Siân Heder, based on the original motion picture “La Famille Belier” directed by Eric Lartigau, written by Victoria Bedos, Stanislas Carree de Malberg, Eric Lartigau and Thomas Bidegain“Dune,” screenplay by Jon Spaihtsand Denis Villeneuveand Eric Roth, based on the novel “Dune” written by Frank Herbert“Nightmare Alley,” screenplay by Guillermo del Toro & Kim Morgan, based on the novel by William Lindsay Gresham“tick…tick…BOOM!,” screenplay by Steven Levenson, based on the play by Jonathan Larson“West Side Story,” screenplay by Tony Kushner, based on the stage play, book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, play conceived, directed and choreographed by Jerome RobbinsDocumentary Screenplay“Becoming Cousteau,”written by Mark Monroe & Pax Wasserman** WINNER “Exposing Muybridge,” written by Marc Shaffer“Like a Rolling Stone: The Life & Times of Ben Fong-Torres,”written by Suzanne Joe KaiDrama Series“The Handmaid’s Tale,” written by Yahlin Chang, Nina Fiore, Dorothy Fortenberry, Jacey Heldrich, John Herrera, Bruce Miller, Aly Monroe, Kira Snyder, Eric Tuchman “Loki,” written by Bisha K.