It's Christmas Day, which means that King Charles III will be making his first ever Christmas Speech later this afternoon.
15.12.2022 - 22:51 / deadline.com
AARP is out with the nominees for its 21st annual Movies for Grownups Awards for the best films, TV and filmmakers of 2022. Steven Spielberg’s The Fabelmans leads with the way with six noms, followed by fellow awards-season favorites Everything Everywhere All at Once and The Woman King are next with five each, and Tár and She Said with four apiece.
All of those pics except She Said also will vie for Best Picture/Best Movie for Grownups along with Elvis, Top Gun: Maverick and Women Talking. Spielberg also is up for Best Director alongside James Cameron (Avatar: The Way of Water), Todd Field (Tár), Baz Luhrmann (Elvis) and Gina Prince-Bythewood (The Woman King). See the full list of nominees in all 18 categories below.
The Best Actor film race pits Maverick‘s Tom Cruise against Brendan Fraser (The Whale), Tom Hanks (A Man Called Otto), Bill Nighy (Living) and Adam Sander (Hustle). Up for Best Actress are Cate Blanchett (Tár), Viola Davis (The Woman King), Lesley Manville (Mrs. Harris Goes to Paris), Emma Thompson (Good Luck to You, Leo Grande) and Michelle Yeoh (Everything Everywhere All at Once).
The Best Screenplay nominees are Field (Tár), Tony Kushner and Spielberg (The Fabelmans), Kazuo Ishiguro (Living), Rebecca Lenkiewicz (She Said) and Dana Stevens (The Woman King).
The nominees for Best TV Series are Abbott Elementary, The Old Man, Only Murders in the Building, The White Lotus and Yellowstone. The Best TV Movie/Limited Series combatants are Black Bird, The Dropout, Inventing Anna, The Staircase and The Watcher.
“The iconic talents we honor this year drive a cultural change in the way aging Americans are perceived and valued,” AARP film and TV critic Tim Appelo said. “They inspire us to think about life
It's Christmas Day, which means that King Charles III will be making his first ever Christmas Speech later this afternoon.
Martin McDonagh’s tragicomedy The Banshees Of Inisherin leads this year’s London Film Critics Circle nominations with nine nods, followed by Charlotte Wells’s acclaimed debut Aftersun, which nabbed eight nominations.
Another week, another episode of the Scene 2 Seen podcast. I am your host Valerie Complex, associate editor and film writer at Deadline. On today’s episode is Everything Everywhere All At Once actress Stephanie Hsu.
An early birthday celebration! King Charles III announced that his first Trooping the Colour will be held five months before his 75th birthday in November 2023.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will be factors in this year’s movie awards race.
The Banshees Of Inisherin and Everything Everywhere All At Once head the nominations for the 12th edition of the AACTA International Awards, with six nods apiece. They were followed by Elvis with four nominations.
Best Picture/Best Movie for GrownupsElvisEverything Everywhere All at OnceThe FabelmansTárTop Gun: MaverickThe Woman King Women TalkingBest ActressCate Blanchett (Tár)Viola Davis (The Woman King)Lesley Manville (Mrs.
If you thought the Golden Globe nominations were eye-brow raising, well, just you wait, because in a “hold my beer” moment, the Critics Choice Association revealed the 28th Critics Choice Awards nominations where everyone seemingly gets a nod. Some categories have 11 nominees, others have 10, some have 7, others have 6.
With 14 nominations, five of them for actors, A24’s Everything Everywhere All at Once racked up the highest total among films in contention for the 28th annual Critics Choice Awards for Film. Steven Spielberg’s The Fabelmans was next, also grabbing five noms for its cast out of 11 overall to score the including three for Spielberg as producer, director and co-writer of his autobiographical story.
It’s 2002 and raining brains in Riyadh, at least from the gormless Nasser’s wonky perspective. Nasser’s doctor is firmly convinced he has a brain tumour, which is his explanation for the protracted hallucinations Nasser experiences and that he, Dr Ahmed, is all too ready to excise. Nasser isn’t so sure: his dreams, fantasies and visions are more fun than the rest of his life, yoked beneath the twin tyrannies of his fanatical father and his boss at the thinly patronized Dove Hotel. Why get rid of the good stuff? Especially once those visions start to include the mysterious young woman who arrived unannounced one day to ask for the key to room 227. She’s welcome to walk the corridors of his mind any old time.
Ain’t No Mo’, the Broadway debut of author and star Jordan E. Cooper, opened at the Belasco Theatre on Dec. 1 to the sort of reviews producers and playwrights dream about. Even the few critics who weren’t completely won over couldn’t help but point out a singular brilliance at work here, not to mention a stars-in-the-making cast and more laugh-out-loud moments than most of the rest of Broadway combined. A celebrity-packed opening night, with producer Lee Daniels greeting a crowd that included Gabrielle Union, Dwayne Wade and C. J. Uzomah – who happen to be among the starry cohort of co-producers – as well as Matthew Broderick, Tamron Hall, Deborah Cox, Stephanie Mills, LaTanya Richardson Jackson, Susan Kelechi Watson, Camryn Manheim, Tony Kushner, Tituss Burgess, Gayle King, Pat Williams, Christopher Sieber, Jennifer Simard, Colton Ryan, Ari’el Stachel and Timothy Olyphant suggested nothing less than the buzzy arrival of Broadway’s next big thing, out-of-the-box division.
Stephanie Hsu has a whole heap of challenges to deal with in the Daniels’ hit Everything Everwhere All at Once. Not least of which is the infinite versions of her character she has to hold from scene to scene, from Joy, the disenfranchised daughter of Michelle Yeoh’s Evelyn, through to Jobu Tupaki, an all-seeing, all-knowing supervillain who’s as hellbent on destroying the world as she is completely disinterested in bothering. Released in the Spring, the film has become that rarest of hits: firing up mainstream and indie audiences alike, and perhaps becoming the most likely “popular movie” to take down Oscar’s biggest prizes.
Every director brings a piece of themselves to their work, but this Oscar season has seen films becoming ever more personal. And it’s up to the cinematographer to work with their director to bring those stories to life.
The Los Angeles Film Critics Association Awards split the difference on its Best Picture award, naming “Everything Everywhere All At Once” and “Tar” in a tie.
“I’ve been very private about my private life, and I’ve never gone public with my private life until now,” Steven Spielberg said Sunday. It was the existential threat of the Covid pandemic at its most lethal back in 2020 that nudged his very personal family story to the big screen.
The NYFCC had their say, the National Board of Review surprised and, now, the Los Angeles Film Critics Association has anointed their Best Film for 2022. Or, should we rephrase that as “films”? For the first time since 1976, LAFCA chose two films for their top prize: Todd Field’s “TAR” and The Daniels’ “Everything Everywhere All At Once.” “Tar” also took Best Director, Best Screenplay and one of the Lead Performance honors.