First Look At Steven Spielberg’s Deeply Personal New Film ‘The Fabelmans’

David E. Kelley’s investigative drama series “The Calling” were released Monday by Peacock, offering a glimpse into the show ahead of its Nov. 10 debut on the streamer. Adapted from a series of novels by author Dror Mishani, the show’s plot follows a New York Police Department detective named Avraham Avraham (Jeff Wilbush), who typically relies on spirituality to guide his pursuit of truth until one investigation makes him rethink his beliefs. The series stars Wilbush, Juliana Canfield, Karen Robinson and Michael Mosley. One image highlights a particularly tense, yet slightly absurd moment where Wilbush is locked hands with a man wearing a hotdog suit in what looks like the context of an interrogation.

Star Wars composer John Williams is reported to have been made one of Her Majesty Queen Elizabeth’s very last knights, with the honour one of the final awards approved by the late monarch before her death a fortnight ago.

Season three of Netflix‘s Bling Empire is coming out so soon!

The People’s Choice Award from the just wrapped 2022 Toronto International Film Festival has gone to Steven Spielberg’s The Fabelmans.  First Runner Up is Canada’s own Sarah Polley’s Women Talking. And Second Runner Up was Rian Johnson’s Glass Onion: A Knives Out Mystery. The Documentary Award went to Black Ice, and the Midnight Madness winner was Weird: The Al Yankovich Story             .

Rebecca Rubin Film and Media Reporter Steven Spielberg’s autobiographical coming-of-age story “The Fabelmans” took home the Toronto Film Festival’s People’s Choice Award, providing a major boost to its awards season chances. TIFF’s People’s Choice Award is one of the most reliable predictors of eventual Oscar success.

Of all the directors making TIFF debuts this year, none are more revered or accomplished than Steven Spielberg. The highest-grossing director of all time normally premieres his films in late fall.

Steven Spielberg’s The Fabelmans, the director’s semi-autobiographical movie based on his own family and upbringing, has released its official trailer.

Manori Ravindran International Editor Steven Spielberg has said that mining his family history to make “The Fabelmans” was a “very daunting experience” that was at times “very, very hard to get through.” The iconic filmmaker’s latest project world premiered at the Toronto International Film Festival on Saturday night to raves from critics and largely favorable reviews. The semi-autobiographical movie, which is already being tipped as an Oscar contender, tells the story of Sam Fabelman, a young boy who falls in love with cinema, but finds himself fighting family turmoil to keep his dream alive. In a so-called press conference on Sunday, that was effectively a Q&A with TIFF CEO Cameron Bailey (the festival did not take any questions in the room from the gathered journalists, who had to submit questions almost 24 hours in advance), the “Jaws” director said he thought making the movie “would be a lot easier than it turned out to be because I know the material and I’ve known the characters for my entire life.”

Sift through some of his best work, and you will find that Steven Spielberg has always been a filmmaker charged by notions of love and ache for families, both those we are born into and those we select for ourselves. Though his tender devotion to domestic, often suburban bonds and rhythms—a well-documented and endlessly discussed through-line in his filmography—has perhaps never been as evident as in the soul-baring “The Fabelmans.” It’s Spielberg’s most personal film, one that gorgeously revives the memories of his childhood and youth with a lavish sense of wistfulness and an aptly Hollywood-ized, fable-like touch.  That beautiful Hollywood sheen is fitting for the on-screen autobiography of an escapist filmmaker, one whose name we came to pronounce synonymously with the magic of movies.

Carson Burton Steven Spielberg is taking audiences on an intimate stroll through his childhood in the first trailer for “The Fabelmans.”The semi-autobiographical film follows the formative years of a young man as he discovers a shattering family secret, causing him to use movies as a means to help him see the truth about others and himself. Spielberg based the film on his own early years in Arizona and co-wrote the script with “Lincoln,” “Munich” and “West Side Story” screenwriter Tony Kushner.On Saturday, “The Fabelmans” premiered at the Toronto International Film Festival, earning a standing ovation in the crowd of movie lovers, who cheered loudly for the Oscar-winning auteur as he made his first appearance at the Canadian gathering. 

Toronto International Film Festival, has been shrouded in secrecy for months. About all we knew going in was that the movie is based on the famed director’s own life, and stars Williams, Paul Dano and Seth Rogen. Running time: 151 minutes.

Of all the directors making TIFF debuts this year, none is more revered or accomplished than Steven Spielberg. The highest-grossing director of all time normally premieres his films in late fall, but this year he’s changed tack, with his long-awaited semi-autobiographical film, “The Fabelmans,” set to headline TIFF’s Special Presentations section on September 11.

The Fabelmans is coming!

There is definitely a trend of late for film directors to take a look in thinly disguised cinematic memoirs of their early influences that shaped the artist and person they have become. Kenneth Branagh with Belfast and Paolo Sorrentino with The Hand Of God did it last year. Of course there is Alfonso Cuaron’s Roma, others over the years. Sam Mendes, while not drawing a portrait of his younger self revisits the movie palaces of his youth in another 2022 offering, Empire Of Light, which premiered last weekend at Telluride and will also hit the Toronto International Film Festival. TIFF is also where the man I recently described as the GOAT, Steven Spielberg, has chosen to debut his own story where the names have been changed but the story is  clearly his. The Fabelmans basically chronicling his early Jewish family life and infatuation with making movies  had its World Premiere Saturday night, the first of Spielberg’s directed movies ever to premiere at a film festival. This one seems entirely appropriate, and it has been gestating in the director’s head ever since he and his co-writer Tony Kushner started kicking it around during the making of Lincoln over a decade ago. He says he finally made it primarily as a way to bring his late parents Leah and Arnold (to whom the film is dedicated) somehow back to his life. Movies can do that, and no one knows it better than Steven Spielberg.

Every director, it seems, has a deeply personal coming-of-age story to tell, from Francois Truffaut’s “The 400 Blows” to Lee Isaac Chung’s “Minari” to Alfonso Cuaron’s “Roma.” And lately every Toronto International Film Festival has made one of those films a centerpiece of its lineup. Last year, it was Kenneth Branagh’s “Belfast,” which won TIFF’s audience award and went on to receive an Oscar nomination for Best Picture; this year, it’s Steven Spielberg’s “The Fabelmans,” which had its world premiere on Saturday night in the Visa Screening Room at the Princess of Wales Theatre.Based on Spielberg’s childhood in New Jersey (briefly), Phoenix (longer) and Northern California (for a stormy stretch in high school), “The Fabelmans” is a sweet look back at a boy who was transfixed by the movies from the moment he saw “The Greatest Show on Earth” in 1952, and who started his own adventures in filmmaking with the help of his dad’s camera and a Lionel train set in the basement.

Steven Spielberg’s “The Fabelmans” earned a roaring standing ovation at the Toronto International Film Festival on Saturday, as the crowd of movie lovers cheered loudly for the Oscar-winning auteur as he made his first appearance at the gathering. “I’m really glad we came to Toronto,” a visibly moved Spielberg said after taking the stage as the credits rolled.  The director said he was inspired by the COVID pandemic to tell his most personal story yet, a look at his early filmmaking efforts, his childhood in Arizona and Northern California, and the dissolution of his family. However, he reassured the crowd at TIFF that this would not serve as his farewell to movies.“This is not because I’m going to retire and this is my swan song,” he said. “Don’t believe any of that.”

Peter Pan, Wendy, and the Lost Boys are on a new adventure in the trailer for Disney’s “Peter Pan & Wendy.”The first look at the upcoming film, which debuted at D23 Expo on Friday, opens with Ever Anderson as Wendy stumbling upon the Lost Boys — who are not all boys. When Wendy points out the discrepancy, she’s met with a sassy, “So?”It isn’t long before Alexander Molony’s Peter Pan appears to whisk Wendy away.

is an inspiring story about friendship, beer and the Vietnam War. ET has a first look at Zac Efron’s transformation into Chickie Donohue, a man who felt as though he wasn’t doing enough to support his friends while they were away fighting in the war. So, he decides to pack up cases of beer -- and himself -- and make the trek from New York to Vietnam to give his buddies a couple of cold ones.

Steven Spielberg’s “The Fabelmans” will close out the 2022 AFI Fest, the American Film Institute announced Tuesday. “The Fabelmans,” which has been touted as Spielberg’s most personal film to date, stars Michelle Williams, Paul Dano, Seth Rogen, Gabriel LaBelle and Judd Hirsch in a story inspired by Spielberg’s own childhood. The film follows the formative years of a young man as he discovers a shattering family secret, causing him to use movies as a means to help him see the truth about others and himself. The ensemble cast for “The Fabelmans” includes Jeannie Berlin, Julia Butters, Robin Bartlett and Keeley Karsten, with music by John Williams. Janusz Kaminski serves as cinematographer, and the film is edited by Michael Kahn and Sarah Broshar. Production design is helmed by Rick Carter, and the costume design is overseen by Mark Bridges.