Sam Mendes Latest Celebrity News & Gossip

The Oscar race officially started after the Telluride Film Festival, which took place early last month. While films like Sam Mendes’ “Empire Of Light” created a lot of buzz, perhaps no film had people talking like Sarah Polley’s upcoming drama, “Women Talking” (read our review).

Addie Morfoot Contributor Don’t expect any drive-inscreenings, virtual screenings, mask mandates or reduced capacity theaters at the 30th annual Hamptons Intl. Film Festival. This year’s edition will look and feel as it did way back in 2019. The Long Island-based fest, which runs Oct. 7-16, will screen 69 feature films and 51 shorts that are 54% female-directed and represent 34 countries from around the world. Also back at HIFF are a bevy of fancy cocktail hours and the fest’s Rowdy Talks series, which will include a conversation with director, screenwriter and producer Chris Columbus.

Clayton Davis The inaugural Nuart Festival has been set for Oct. 21-30 to celebrate the reopening of the Nuart Theatre following its renovation. The 10-day fest will open with Oscar-winner Sam Mendes’ “Empire of Light” including an eclectic mixture of sneak previews and special screenings of films that made midnight movie history at the Nuart. Among the advanced screenings is “Weird: The Al Yankovic Story” from Eric Appel, and starring Daniel Radcliffe ahead of its release on The Roku Channel. Co-presented with Film Independent, the film had its premiere at the Toronto Film Festival in September. With Variety’s Owen Gleiberman calling it “witty and inventive.”

Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Sept. 22, 2022 CATEGORY COMMENTARY: Composer John Williams is a legend in every facet of the music world. Aside from winning 25 Grammys and five Oscars, he is undoubtedly the most important musical artist living today. Tapped for Steven Spielberg’s personal semi-autobiographical film “The Fabelmans,” he adds another great composition to his already impressive resume. If nominated, at 90 years old he would surpass costume designer Ann Roth and documentarian Agnes Varda as the oldest nominee, of any competitive Oscar category, in history.

Clayton Davis Sam Mendes’ “Empire of Light,” a love story and ode to cinema houses, is dividing critics after playing at the Telluride and Toronto film festivals earlier this month. However, Searchlight Pictures remains confident in its awards prospects. “Empire” is among this season’s divisive films, including “Bardo” from Alejandro G. Iñárritu and “The Son” from Florian Zeller. However, one of the agreed-upon highlights of the film is the quality of the actors’ performances — notably Oscar winner Olivia Colman, breakout star Micheal Ward and veteran actor Toby Jones. As categories become upended with the news of Michelle Williams campaigning for lead actress, instead of supporting, Ward’s campaign is cementing its strategy early by seeking supporting actor consideration for this awards season, Variety has confirmed. Playing Stephen, a young ticket-taker that begins a love affair with Hilary (Colman), a middle-aged woman coming out of a mental health episode, Ward holds his own against the three-time nominee and Oscar winner for “The Favourite” (2018).

The Son and The Father director Florian Zeller will direct, write and co-produce the upcoming big-budget TV adaptation of Tony Award-winning play The Lehman Trilogy, his debut TV project.

Elsa Keslassy International Correspondent Florian Zeller, the French filmmaker behind the Oscar-winning “The Father” and “The Son,” is set to make his TV debut with the adaptation of Stefano Massini’s play “The Lehman Trilogy.” Zeller will write, direct and co-produce the series under his newly formed Blue Morning. Lorenzo Mieli at The Apartment Pictures, a Fremantle company, and Domenico Procacci at Fandango are executive producing the series. The pair previously teamed on the acclaimed series “My Brilliant Friend” based on the Elena Ferrante novels. Massini’s epic drama charts the history of one of the global financial institutions that helped spark the 2008 recession. The original production inspired Sam Mendes to stage an English-language version of Massini’s five-hour play. Adapted by Ben Power, the production won five Tony Awards earlier this year, including prizes for Sam Mendes’ direction and for the lead performance of Simon Russell Beale.

festival debut of his new film “The Son,” Florian Zeller has signed on to write, direct and co-produce a television adaptation of the Tony-winning play “The Lehman Trilogy.”The series will mark the first project under the Oscar-winner’s newly formed Blue Morning Pictures banner alongside Mediawan and Federica Sainte-Rose. Lorenzo Mieli will produce for The Apartment Pictures, a Fremantle company, while Domenico Procacci will produce for Fandango.

Skyfall director Sam Mendes has said he thinks a woman should direct the next James Bond film.The filmmaker discussed the future of the 007 franchise after producer Barbara Broccoli had said the next actor to play James Bond would be male.In an interview with Deadline, Mendes said that he thinks the director of the next film “has to evolve” after discussing Daniel Craig’s exit from the franchise.“I don’t envy Barbara having to follow Daniel’s [Craig] five movies,” Mendes began. “He reinvigorated the franchise but the franchise is so huge that it’s very difficult for a younger actor to step into that.”Referring to the director specifically, the filmmaker added: “I think that the actor playing Bond is going to evolve, the director has to evolve.

You could argue that Daniel Craig’s run as James Bond is highlighted by Sam Mendes’ “Skyfall.” Moreso than the other films over the actor’s tenure as 007, “Skyfall” seems to be the high watermark for the franchise in recent years. So, when you talk about where the James Bond franchise needs to go in the future, now that Craig is no longer involved, Mendes seems like a good person to ask.

Sam Mendes was writing the screenplay for what would become Empire of Light and he’d hit a wall.

Olivia Coleman looked positively regal as she stepped onto the red carpet for the premiere of her new film Empire of light at the Toronto International Film Festival on Monday. The Crown star’s appearance comes after she made an emotional tribute to Queen Elizabeth II following her death aged 96 on Thursday September 8. Olivia, 48, played the Queen for two seasons of The Crown, which debuted on Netflix in 2016, and described the late monarch as having “such dignity” in an interview over the weekend.

Olivia Colman sandwiches herself in between Michael Ward and Tanya Moodie at the premiere of their new film, Empire of Light, during the 2022 Toronto Film Festival at Princess of Wales on Monday (September 12) in Toronto, Ontario.

The Crown star Olivia Colman has paid tribute to the late Queen Elizabeth II. The British monarch passed away on Thursday at the age of 96, ending a reign of more than 70 years and plunging the nation into mourning. While attending a Variety Studio event as part of the Toronto International Film Festival on Sunday, Olivia - who portrayed the royal on two seasons of drama series The Crown - offered her own tribute.

Rebecca Rubin Film and Media Reporter On the stage at New York City’s Madison Square Garden, Harry Styles is a bonafide rock star, brimming with swagger and self confidence. But Styles, the actor, was more soft spoken while accepting an acting award at the Toronto International Film Festival. Styles was a man of few words as he, along with the cast of “My Policeman,” received the ensemble award at the festival’s Tribute Awards on Sunday.  “Thank you so much to everyone here on behalf of all of us for this wonderful, wonderful award,” said Styles, who stars in the romance drama as a closeted police officer. “We all loved working on this film so much. And we hope you enjoy it.”

Rebecca Rubin Film and Media Reporter Olivia Colman, who portrayed Queen Elizabeth II for two seasons of Netflix’s royal sensation “The Crown,” is still processing the loss and legacy of the British monarch. The queen’s death was announced on Thursday, the same day as the start of the Toronto International Film Festival. “I wouldn’t know where to begin with that,” she told Variety at the Variety Studio presented by King’s Hawaiian at the Toronto International Film Festival. “She made a promise as a young woman and she absolutely kept it with such dignity. We’re all incredibly impressed by what she did.” Colman, who touched down in Canada to promote “Empire of Light,” a romantic drama from director Sam Mendes, also praised King Charles III’s first address to the nation. In his speech, he paid tribute to his mother and vowed to serve with “loyalty, respect and love.”

There is definitely a trend of late for film directors to take a look in thinly disguised cinematic memoirs of their early influences that shaped the artist and person they have become. Kenneth Branagh with Belfast and Paolo Sorrentino with The Hand Of God did it last year. Of course there is Alfonso Cuaron’s Roma, others over the years. Sam Mendes, while not drawing a portrait of his younger self revisits the movie palaces of his youth in another 2022 offering, Empire Of Light, which premiered last weekend at Telluride and will also hit the Toronto International Film Festival. TIFF is also where the man I recently described as the GOAT, Steven Spielberg, has chosen to debut his own story where the names have been changed but the story is  clearly his. The Fabelmans basically chronicling his early Jewish family life and infatuation with making movies  had its World Premiere Saturday night, the first of Spielberg’s directed movies ever to premiere at a film festival. This one seems entirely appropriate, and it has been gestating in the director’s head ever since he and his co-writer Tony Kushner started kicking it around during the making of Lincoln over a decade ago. He says he finally made it primarily as a way to bring his late parents Leah and Arnold (to whom the film is dedicated) somehow back to his life. Movies can do that, and no one knows it better than Steven Spielberg.

Clayton Davis You’d think the reunion of Academy Award nominee Timothee Chalamet and his “Call Me by Your Name” director Luca Guadgnino in “Bones and All” would be all anyone could talk about following the film’s premiere last weekend at Telluride and Venice.   Instead, the name on everyone’s lips is going to be Taylor Russell. The up-and-comer, who first gained prominence with her role in “Waves” (2019), takes center stage and devours every morsel of her time on screen. She brings grace and restraint, two qualities that don’t exactly spring to mind when you’re talking about a coming-of-age story about teen cannibals drawn together by mutual blood lust. I only wish I had more faith Oscar voters would give the movie its proper shake, as genre movies always face an uphill climb, no matter how well reviewed or beloved they are by critics and audiences. 

Clayton Davis Roughly a year ago, Kenneth Branagh’s “Belfast,” launched out of Telluride, and there was something about that film’s emotional expansiveness and the irresistible pull of its unapologetic nostalgia that made it clear it was going to be a force to be reckoned with at the Oscars. I got the same sense watching Sam Mendes’ “Empire of Light” at its Telluride premiere this past weekend. It has a similar open heartedness even if the setting for the movie is an English seaside town and not the war-torn streets of Northern Ireland. Cinema seeps through “Empire of Light.” Mendes’ latest doesn’t just swoon for the images that flicker across screens; it also pays tribute to the physical buildings that house our most cherished artform and the sense of escapism that gets triggered every time you sit down in one of those palaces. If you are a movie lover, it’s hard to resist “Empire of Light’s” charm and stylized beauty.

magic of movies genuinely registers as a vibe in Sam Mendes’ “Empire of Light,” a frustratingly uneven and often meandering period drama written by Mendes, loosely drawing remembrances from his own formative years. And he pulls from “a lockdown mindset,” too, as the director put it before his ’80s-set film’s world premiere at the Telluride Film Festival, a melancholic state of being marked by feelings of loneliness and even fear that things we love (like movie theaters) would be lost forever in a post-pandemic world.Perhaps because his inspirations seem to be so extensive here, it often feels like Mendes is searching for a story within a bottomless well of moods and ideas throughout “Empire of Light.” Ironically enough, this undisciplined disposition is the exact opposite of the kind of taut restraint that was at the core of “1917,” his previous, tightly orchestrated and end-to-end choreographed film.“Empire of Light” starts with an admiration towards the enchanted majesty of cinemas, as Hilary (an affecting Olivia Colman, with an impressively wide-ranging emotional scale) preps the beautiful movie palace she works at for its daily opening, her gentle touches aided by Trent Reznor and Atticus Ross’ soothingly nostalgic score.

EXCLUSIVE: Léa Seydoux who played Dr. Madeleine Swann in the two most recent 007 films, Spectre and No Time to Die, posed a mischievous question about whether audiences will see the mother of James Bond’s daughter in the next instalment of the long-running film franchise.

TELLURIDE – When has Olivia Colman ever been bad in anything? Think about it for a moment. Can you remember any performance of hers where you reacted with an “Eh, she was fine”? The answer is you have to do some serious digging to find a miss (we tried).

Peter Debruge Chief Film Critic In the era where content is king, Sam Mendes still believes in moving pictures. “Empire of Light” is the proof. While the world was in lockdown these past couple years, Mendes let his imagination run to his happy place: a grand old English movie palace he dubbed the Empire Cinema. Thousands pass through its Art Deco doors seeking escapism, but Mendes is more interested in the employees — the projectionist, the ticket-takers, the box office attendant and so forth, who collectively form an ersatz family — whose stories, he senses, are every bit as interesting as the ones they show. And so he put them up on screen where they belong. But “Empire of Light” is more than just Mendes’ homage to an endangered art form — in fact, it spends a lot less time valorizing the medium than you might imagine. He has assembled a terrific cast, trusting that these performers can go deeper than their dialogue makes explicit, whether it’s Olivia Colman (who can do anything) as the romantically frustrated theater manager Hilary or relative newcomer (and “Blue Story” breakout) Micheal Ward as Stephen, Mr. Ellis’ latest hire (in an unusually sleazy cameo, Colin Firth plays the boss).

Causeway” (A24/Apple Original Films) Though Jennifer Lawrence had a juicy supporting role in Adam McKay’s disaster comedy “Don’t Look Up” last year, we have not seen the former Katniss Everdeen in the driver’s seat of a film since the one-two punch of “Mother!” and “Red Sparrow” (released in 2017 and 2018, respectively). She returns in earnest at TIFF with “Causeway,” about a soldier with a traumatic brain injury trying to readjust to normal life. 

Clayton Davis Telluride Film Festival’s official 2022 lineup has been announced, revealing world premieres of Sam Mendes’ “Empire of Light,” Sarah Polley’s “Women Talking,” Laure de Clermont-Tonnerre’s “Lady Chatterley’s Lover” and Sebastián Lelio’s “The Wonder.” In its 49th year, the festival will pay tribute to two-time Oscar-winner Cate Blanchett, whose new film “TÁR,” from director Todd Field, will debut stateside after premiering at the Venice Film Festival. In addition, the festival will also tribute Academy Award nominee Polley (adapted screenplay for 2006’s “Away from Her”) and acclaimed documentarian Marc Cousins, who has two films dropping at the fest. One is “My Name Is Alfred Hitchcock,” which is based on a fictional monologue between Cousins and the master of suspense. The other is “The March on Rome,” depicting the ascent of fascism in Europe during the 1930s.

ARMAGEDDON TIME (d. James Gray, U.S., 2022) BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (d. Alejandro González Iñárritu, Mexico-U.S., 2022) BOBI WINE, GHETTO PRESIDENT (d.

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

The BFI London Film Festival has unveiled its full list of titles, with the program comprised of 164 features and 23 world premieres across film and TV.

is going to arrive in force, isn’t it?Please?That’s the feeling in the community I like to think of as Hollywood’s Kudo-Industrial Complex. That community limped through one year, 2020, in which theaters were closed, film festivals were canceled or moved online and almost all the shows were virtual; and a second year, 2021, that started out to be a cautiously muted season but was then blindsided by a COVID resurgence that forced a return to streaming and virtual events.Now, as the Venice Film Festival begins on Wednesday, followed by the three-day Telluride Film Festival on Friday and then the mammoth Toronto International Film Festival next Thursday, there’s a palpable yearning for things to return to normal.

BAFTA, Golden Globe and Emmy as well as being nominated for an Academy Award for his role in Murder on the Orient Express back in 1974 and Erin Brockovich in 2000. Described by film director Sam Mendes as "one of the greats - a brilliant, beautiful, big-hearted, life loving delight of a man", Finney spent the last month of his life in London's Royal Marsden hospital, which specialises in cancer treatment. "Albert Finney, aged 82, passed away peacefully after a short illness with those closest to him by his side.

Over the past 20+ years, filmmaker Sam Mendes has released numerous films, each earning acclaim. Even his two James Bond films, “Spectre” and “Skyfall,” are seen as high watermarks in the world of 007.

The Toronto International Film Festival will honor composer Hildur Guðnadóttir and writer-director Sally El Hosaini at this year’s TIFF Tribute Awards. Guðnadóttir, who has received a BAFTA, Grammy and Emmy award for her score for HBO’s “Chernobyl” along with an Oscar for “Joker,” will receive TIFF’s Variety Artisan Award, the festival said Thursday.

Empire Of Light, starring Olivia Colman, has been released. You can watch it below.Directed by Sam Mendes (1917, Skyfall), the upcoming film tells the story of a romance that takes place in a scenic old cinema on the South Coast of England in the 1980s.Micheal Ward (Blue Story, Top Boy) stars opposite Colman as her love interest, while Toby Jones (Detectorists) plays a projectionist.“Film: It’s just static frames with darkness in between,” Jones’s character narrates in the trailer, which reveals very little about the film’s plot.

set to receive the Ebert Director Award at next month’s Toronto International Film Festival, where “Empire” will make its Canadian premiere.Check out the full teaser trailer above or here.

Sam Mendes is set to be honoured by the Toronto International Film Festival following the Canadian premiere of his latest fil, “Empire Of Light”.

Over the past 20+ years, filmmaker Sam Mendes has released numerous films, each earning acclaim. Even his two James Bond films, “Spectre” and “Skyfall,” are seen as high watermarks in the world of 007.