‘Empire of Light’ Film Review: Sam Mendes’ Love Letter to Cinema Lacks Focus

Clayton Davis Sam Mendes’ “Empire of Light,” a love story and ode to cinema houses, is dividing critics after playing at the Telluride and Toronto film festivals earlier this month. However, Searchlight Pictures remains confident in its awards prospects. “Empire” is among this season’s divisive films, including “Bardo” from Alejandro G. Iñárritu and “The Son” from Florian Zeller. However, one of the agreed-upon highlights of the film is the quality of the actors’ performances — notably Oscar winner Olivia Colman, breakout star Micheal Ward and veteran actor Toby Jones. As categories become upended with the news of Michelle Williams campaigning for lead actress, instead of supporting, Ward’s campaign is cementing its strategy early by seeking supporting actor consideration for this awards season, Variety has confirmed. Playing Stephen, a young ticket-taker that begins a love affair with Hilary (Colman), a middle-aged woman coming out of a mental health episode, Ward holds his own against the three-time nominee and Oscar winner for “The Favourite” (2018).

The Son and The Father director Florian Zeller will direct, write and co-produce the upcoming big-budget TV adaptation of Tony Award-winning play The Lehman Trilogy, his debut TV project.

Skyfall director Sam Mendes has said he thinks a woman should direct the next James Bond film.The filmmaker discussed the future of the 007 franchise after producer Barbara Broccoli had said the next actor to play James Bond would be male.In an interview with Deadline, Mendes said that he thinks the director of the next film “has to evolve” after discussing Daniel Craig’s exit from the franchise.“I don’t envy Barbara having to follow Daniel’s [Craig] five movies,” Mendes began. “He reinvigorated the franchise but the franchise is so huge that it’s very difficult for a younger actor to step into that.”Referring to the director specifically, the filmmaker added: “I think that the actor playing Bond is going to evolve, the director has to evolve.

You could argue that Daniel Craig’s run as James Bond is highlighted by Sam Mendes’ “Skyfall.” Moreso than the other films over the actor’s tenure as 007, “Skyfall” seems to be the high watermark for the franchise in recent years. So, when you talk about where the James Bond franchise needs to go in the future, now that Craig is no longer involved, Mendes seems like a good person to ask.

Sam Mendes was writing the screenplay for what would become Empire of Light and he’d hit a wall.

Olivia Colman sandwiches herself in between Michael Ward and Tanya Moodie at the premiere of their new film, Empire of Light, during the 2022 Toronto Film Festival at Princess of Wales on Monday (September 12) in Toronto, Ontario.

There is definitely a trend of late for film directors to take a look in thinly disguised cinematic memoirs of their early influences that shaped the artist and person they have become. Kenneth Branagh with Belfast and Paolo Sorrentino with The Hand Of God did it last year. Of course there is Alfonso Cuaron’s Roma, others over the years. Sam Mendes, while not drawing a portrait of his younger self revisits the movie palaces of his youth in another 2022 offering, Empire Of Light, which premiered last weekend at Telluride and will also hit the Toronto International Film Festival. TIFF is also where the man I recently described as the GOAT, Steven Spielberg, has chosen to debut his own story where the names have been changed but the story is  clearly his. The Fabelmans basically chronicling his early Jewish family life and infatuation with making movies  had its World Premiere Saturday night, the first of Spielberg’s directed movies ever to premiere at a film festival. This one seems entirely appropriate, and it has been gestating in the director’s head ever since he and his co-writer Tony Kushner started kicking it around during the making of Lincoln over a decade ago. He says he finally made it primarily as a way to bring his late parents Leah and Arnold (to whom the film is dedicated) somehow back to his life. Movies can do that, and no one knows it better than Steven Spielberg.

The death of her Majesty Queen Elizabeth II on Thursday at age 96 as prompted Peter Morgan, writer of the 2006 film The Queen starring Helen Mirren and Netflix’s Emmy-winning drama The Crown, said that the series “is a love letter to her.”

Clayton Davis Roughly a year ago, Kenneth Branagh’s “Belfast,” launched out of Telluride, and there was something about that film’s emotional expansiveness and the irresistible pull of its unapologetic nostalgia that made it clear it was going to be a force to be reckoned with at the Oscars. I got the same sense watching Sam Mendes’ “Empire of Light” at its Telluride premiere this past weekend. It has a similar open heartedness even if the setting for the movie is an English seaside town and not the war-torn streets of Northern Ireland. Cinema seeps through “Empire of Light.” Mendes’ latest doesn’t just swoon for the images that flicker across screens; it also pays tribute to the physical buildings that house our most cherished artform and the sense of escapism that gets triggered every time you sit down in one of those palaces. If you are a movie lover, it’s hard to resist “Empire of Light’s” charm and stylized beauty.

EXCLUSIVE: Léa Seydoux who played Dr. Madeleine Swann in the two most recent 007 films, Spectre and No Time to Die, posed a mischievous question about whether audiences will see the mother of James Bond’s daughter in the next instalment of the long-running film franchise.

TELLURIDE – When has Olivia Colman ever been bad in anything? Think about it for a moment. Can you remember any performance of hers where you reacted with an “Eh, she was fine”? The answer is you have to do some serious digging to find a miss (we tried).

Peter Debruge Chief Film Critic In the era where content is king, Sam Mendes still believes in moving pictures. “Empire of Light” is the proof. While the world was in lockdown these past couple years, Mendes let his imagination run to his happy place: a grand old English movie palace he dubbed the Empire Cinema. Thousands pass through its Art Deco doors seeking escapism, but Mendes is more interested in the employees — the projectionist, the ticket-takers, the box office attendant and so forth, who collectively form an ersatz family — whose stories, he senses, are every bit as interesting as the ones they show. And so he put them up on screen where they belong. But “Empire of Light” is more than just Mendes’ homage to an endangered art form — in fact, it spends a lot less time valorizing the medium than you might imagine. He has assembled a terrific cast, trusting that these performers can go deeper than their dialogue makes explicit, whether it’s Olivia Colman (who can do anything) as the romantically frustrated theater manager Hilary or relative newcomer (and “Blue Story” breakout) Micheal Ward as Stephen, Mr. Ellis’ latest hire (in an unusually sleazy cameo, Colin Firth plays the boss).

Film premiere and headlines spilling from a trio of fests in full swing (Venice), just starting (Telluride) and queued up (Toronto) have indie exhibitors and distributors the most hopeful since Covid hit that a stream of new films could fire up the arthouse market.

Clayton Davis Telluride Film Festival’s official 2022 lineup has been announced, revealing world premieres of Sam Mendes’ “Empire of Light,” Sarah Polley’s “Women Talking,” Laure de Clermont-Tonnerre’s “Lady Chatterley’s Lover” and Sebastián Lelio’s “The Wonder.” In its 49th year, the festival will pay tribute to two-time Oscar-winner Cate Blanchett, whose new film “TÁR,” from director Todd Field, will debut stateside after premiering at the Venice Film Festival. In addition, the festival will also tribute Academy Award nominee Polley (adapted screenplay for 2006’s “Away from Her”) and acclaimed documentarian Marc Cousins, who has two films dropping at the fest. One is “My Name Is Alfred Hitchcock,” which is based on a fictional monologue between Cousins and the master of suspense. The other is “The March on Rome,” depicting the ascent of fascism in Europe during the 1930s.

ARMAGEDDON TIME (d. James Gray, U.S., 2022) BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (d. Alejandro González Iñárritu, Mexico-U.S., 2022) BOBI WINE, GHETTO PRESIDENT (d.

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

The BFI London Film Festival has unveiled its full list of titles, with the program comprised of 164 features and 23 world premieres across film and TV.

is going to arrive in force, isn’t it?Please?That’s the feeling in the community I like to think of as Hollywood’s Kudo-Industrial Complex. That community limped through one year, 2020, in which theaters were closed, film festivals were canceled or moved online and almost all the shows were virtual; and a second year, 2021, that started out to be a cautiously muted season but was then blindsided by a COVID resurgence that forced a return to streaming and virtual events.Now, as the Venice Film Festival begins on Wednesday, followed by the three-day Telluride Film Festival on Friday and then the mammoth Toronto International Film Festival next Thursday, there’s a palpable yearning for things to return to normal.

Florian Zeller’s follow-up to “The Father,” titled “The Son,” is based on a trilogy of plays he wrote, which also include “The Mother.” Zeller adapted “The Father” as a film in 2020, starring Anthony Hopkins, Olivia Colman, Olivia Williams, and Rufus Sewell, to critical acclaim. Hopkins went on to win the Academy Award for Best Actor at the 93rd Oscars, infamously not being present to accept the award, stating that he wasn’t expecting to win in an Instagram post he released the day after.  Zeller also won an Academy Award for Best Adapted Screenplay for “The Father,” and stated in his acceptance speech that Hopkins is “the greatest living actor.

Over the past 20+ years, filmmaker Sam Mendes has released numerous films, each earning acclaim. Even his two James Bond films, “Spectre” and “Skyfall,” are seen as high watermarks in the world of 007.