Miguel Gomes Latest Celebrity News & Gossip

After the extraordinary triple whammy of Emelia Perez, The Substance and Anora, here comes Portuguese auteur Miguel Gomes with a blast of cinematic chloroform to calm the Cannes Competition down a touch.

Patrick Frater Asia Bureau Chief Coralie Fargeat’s Demi Moore-starring feminist body horror film “The Substance” has been set as the closing night title for the New Zealand International Film Festival. The picture is one of 16 which premiered at the Cannes Film Festival last month selected for the NZIFF which is now under the artistic leadership of Paolo Bertolin.

Leo Barraclough International Features Editor Swedish director Ruben Östlund, who won Cannes Film Festival‘s Palme d’Or for “The Square” and “Triangle of Sadness,” was among the guests at the German Films and Medienboard Reception on May 18 in the garden of the Mondrian Hotel in Cannes. Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.) German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus.

Marta Balaga German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward. “It has gotten much better,” Managing Director Simone Baumann told Variety at the event. “We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.” At Cannes, 11 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.” As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.

Leo Barraclough International Features Editor After four Oscar wins for “All Quiet on the Western Front” last year and the Oscar nomination for “The Teachers’ Lounge” this year, Germany’s film sector seemed to be on the up, but while a government plan to revamp the country’s film funding system is broadly welcomed, its painfully slow progress is also causing some anxiety. The fact that Cannes’ various sections contain not one feature by a German filmmaker may be seen as a cause for concern, but 13 German productions and co-productions have been selected.

The Cannes Film Festival is quickly approaching and begins on Tuesday, May 15, next week. With that comes lots of first-look images, new trailers, new clips, and more promotional aspects of some of the most highly anticipated films of the year (see our Cannes 2024 preview here).

Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.

Leo Barraclough International Features Editor Variety has been granted exclusive access to the trailer (below) for Portuguese director Miguel Gomes‘ “Grand Tour,” which will have its world premiere in Cannes Film Festival’s Competition section. Variety can also exclusively reveal that that distribution on “Grand Tour” will be handled in France by Tandem, and in Italy by Lucky Red, and that Gomes’ next film will be “Savagery.” “Grand Tour” kicks off in 1917 in Burma. It centers on Edward, a civil servant for the British Empire, who runs away from his fiancée Molly the day she arrives to get married.

The 2024 Cannes Film Festival was unveiled this morning, meaning there will be many first looks at some of the year’s most anticipated films. The most notable of the day is a first-look image of Sebastian Stan as Donald Trump and Jeremy Strong as his legal enforcer Roy Cohn in Ali Abbasi’s “The Apprentice.” Screening in competition at Cannes, “The Apprentice,” is a dive into the underbelly of the American empire.

Leo Barraclough International Features Editor The first image has been unveiled from Miguel Gomes’ upcoming late 1910s drama “Grand Tour,” which is being sold by The Match Factory. The film is currently shooting in Italy, and stars Gonçalo Waddington and Crista Alfaiate. “Grand Tour” comes after the successful international sales and distribution of Gomes’ critically acclaimed features “Tabu,” “Arabian Nights” and “The Tsugua Diaries” – all titles sold by The Match Factory. “Grand Tour” kicks off in Rangoon, Burma, 1917. Edward, a civil servant for the British Empire, runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Yet Molly, determined to get married and amused by his move, follows his trail on this Asian grand tour.

EXCLUSIVE: Disney is working on a live action fantasy and sci-fi-infused movie inspired by the classic Middle East folk tale collection, One Thousand And One Nights, aka Arabian Nights.

Guy Lodge Film CriticPortugal’s colonial past in Africa continues to haunt some of the country’s most vital and subversive filmmakers. With his remarkable second feature “Tommy Guns,” Angolan-Portuguese director Carlos Conceição’s steps into the same precarious territory sometimes occupied by Pedro Costa and Miguel Gomes — borrowing, perhaps, a measure of the former’s visceral austerity and the latter’s shape-shifting playfulness, but mostly proving his own sly, supple talent.

How can women overcome negative perceptions about them disguised as societal ideals? Filmmaker Nathalie Álvarez Mesén presents her own examination of feminine reinvention with “Clara Sola.” The 2021 Cannes Film Festival Directors’ Fortnight selection sees a 40-year-old woman facing what she’s accepted as the norm, and how wrong it can be to give in to those notions. READ MORE: Cannes’ Directors’ Fortnight 2021 Lineup Includes ‘The Souvenir Part II,’ The Latest From Clio Barnard, Miguel Gomes & More Álvarez Mesén — a participant in Berlinale Talents, TIFF Filmmaker Lab, and NYFF Artist Academy — was intent on showcasing patriarchal concepts that move from generation to generation.

Portuguese film director Miguel Gomes is one of the premiere filmmakers of the playfully absurd and the surreal, employing a strange mix of those tones. He dazzled audiences in 2012 with “Tabu,” his surrealist meditation that broke through to international audiences, and then in 2015, he made his opus with the three-part “Arabian Nights” that was six hours in total.

K.J. Yossman Komplizen Film, the German studio behind Princess Diana biopic “Spencer,” have joined The Creatives, an alliance of independent production companies.The alliance was formed to increase the companies’ “collective power in the face of the changing landscape.”Film and TV production outfit Komplizen, which was founded in 1999 by Janine Jackowski and Maren Ade, joins eleven other companies from across the world including Razor and Haut Et Court, the latter of which initiated the collective.The companies work closely together in a number of ways, from sharing information, combining talent and networks and negotiating with common rules to co-production and partnerships.

Komplizen Film, the German indie run by Janine Jackowski, Maren Ade and Jonas Dornbach, has joined The Creatives, an alliance of independent production companies that has a three-year partnership for developing and funding series with Fremantle.

Marta Balaga Thai cinematographer Sayombhu Mukdeeprom – whose films include Luca Guadagnino’s Oscar nominee for best picture “Call Me by Your Name” and Apichatpong Weerasethakul’s Palme d’Or winner “Uncle Boonmee Who Can Recall His Past Lives,” and who recently lensed Netflix thriller “Beckett” – received the third Robby Müller Award on Thursday, following in the footsteps of Mexican DP Diego García and American director Kelly Reichardt.The trophy is given out by International Film Festival Rotterdam, the Netherlands’ Society of Cinematographers and Andrea Müller-Schirmer.“When he films empty space, it becomes clear that it was actually never empty,” argued the jury, but Mukdeeprom was also feted by his illustrious collaborators, from Guadagnino and Tilda Swinton to “Arabian Nights” helmer Miguel Gomes. “You came to work for one year, not knowing what we were going to shoot or how, so I think you are kind of crazy.

Guy Lodge Film CriticThere’s just so much summer in “The Tsugua Diaries” — great lashings of sunlight warming and slightly melting every 16mm frame, tangles of hyper-green foliage that seem to sweat in the heat, a generally horny, indolent air of human mischief — that you’d be forgiven for assuming “Tsugua” is some idyllic holiday spot you’ve never heard of, the best-kept secret on the Algarve.

Unfolding like an arthouse version of that joke about what you get when you play a country song backward (you wife, your truck, and your dog come back), Miguel Gomes and Maureen Fazendeiro’s “The Tsugua Diaries” chronicles a fictional 2020 film shoot abandoned due to a COVID protocol breach, in a backward-running narrative.

Following the COVID-19-driven cancelation last year, the Cannes’ the Directors’ Fortnight sidebar section returns in full force. Organizer Paolo Moretti and his selection committee have unveiled the official selection for the 53rd edition of the Quinzaine des Réalisateurs, and it’s full of great picks and several women filmmakers (Cannes only has four films by female filmmakers playing in competition).

Tom Grater International Film ReporterKey names in the Portuguese film industry are today publicly protesting a piece of government legislation that would allow international streaming services to avoid making contributions to the Portuguese National Film Fund (ICA), despite the EU mandating the likes of Netflix and Amazon invest back into Euro nations.High profile film figures including Miguel Gomes (Tabu) and Paulo Branco (Mysteries Of Lisbon) are lending their support to the demonstration in

John Hopewell Chief International CorrespondentUpcoming movies from two Argentine filmmakers, Lucrecia Martel’s “Chocobar” and Mari Alessandrini’s “Zahori,” won the top Pardo 2020 Awards at the Locarno Film Festival’s The Films After Tomorrow, its highest-profile competition, the festival announced Friday.Of other major plaudits in The Films After Tomorrow, a section highlighting COVID-19-hit productions, “Savagery,” from Portugal’s Miguel Gomes, scooped the strand’s Special Jury Prize.