May December Latest Celebrity News & Gossip

There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.

CANNES – Perhaps it was the fact we’ve reached the halfway point of the 2023 Cannes Film Festival and the media have reached an inevitable breaking point with lack of sleep. Or maybe it was the often (but not talways) demure personalities of “May December’s” Oscar-winning stars, Julianne Moore and Natalie Portman.

May December, Todd Haynes’ film that received an eight-minute standing ovation at Cannes late on Saturday evening, is a film all about transgression, Julianne Moore told the press on Sunday. 

Rebecca Rubin Film and Media Reporter A scandalous age-gap relationship plays out at the center of “May December,” which debuted on Saturday to raves at the Cannes Film Festival. In the starry romantic drama directed by Todd Haynes, Julianne Moore plays the “December” to Charles Melton’s much-younger “May,” whose character was just 13 when the two fell in love. It’s a complicated dynamic, Moore admits, because of the time in their lives when they first met. “An age gap is one thing, but a relationship between an adult and a child is a different thing entirely,” Moore said at Sunday’s press conference for “May December,” which was embraced in the Grand Palais the day prior with an enthusiastic six-minute standing ovation.

CANNES (Reuters) - Natalie Portman and Julianne Moore anchor director Todd Haynes' attempt at a fourth Palme d'Or in the drama "May December," which premiered at the Cannes Film Festival on Saturday night. Moore plays an older star who became tabloid fodder two decades earlier because of her relationship with a much younger man, played by Charles Melton - best known for "Riverdale.

Todd Haynes returned to the Cannes Film Festival on Saturday night with his latest, May December, playing in competition. The complex melodrama starring Natalie Portman and Julianne Moore scored an eight-minute standing ovation inside the Grand Theatre Lumière.

Matt Donnelly Senior Film Writer Todd Haynes brought delicious psychodrama to the Cannes Film Festival on Saturday, with the world premiere of his “May December” starring Natalie Portman and Julianne Moore. Captivating the Cannes crowd the film earned a 6-minute standing ovation at the festival’s Grand Palais. “May December” stars Natalie Portman as Elizabeth, an actor who heads to Savannah to study the lives of Gracie (Moore) and Joe (“Riverdale” star Charles Melton). Years prior, Gracie and Joe’s scandalous cross-generational affair sparked a national controversy due to their age gap and the fact that Gracie was Joe’s boss at a local pet store. Twenty years later, Elizabeth is playing Gracie in a film version of the scandal, but her arrival puts a disruptive pressure on Gracie and Joe’s marriage.

Peter Debruge Chief Film Critic In the experimental montage that opens “Persona,” a bare-chested teenage boy caresses a screen upon which the faces of two women slowly morph back and forth. It’s easy to imagine Todd Haynes being tempted to start his deep-as-you-want-to-go rabbit-hole drama “May December” the same way, seeing as how this endlessly fascinating movie focuses on the blurring of the lines between a Hollywood star (Natalie Portman) and her Heartland subject (Julianne Moore), who was caught in a sexual relationship with a 7th grader at the age of 36. The movie wants to know: Can playing this Mary Kay Letourneau-like tabloid sensation really answer what makes such a woman tick? A heady director whose entire oeuvre feels ripe for film-studies dissertations, Haynes makes movies not merely to be watched, but to be analyzed and deconstructed after the fact. From the rich Douglas Sirkian pastiche of “Far From Heaven” to the queer twist on classical “woman’s pictures” provided by “Carol,” his style can be chilly and distancing. Not so “May December.” As layered and infinitely open-to-interpretation as any of his films, it’s also the most generous and direct, beginning not with Ingmar Bergman references (those come later), but with footage of monarch butterflies. They’re symbols of transformation, too, but also something nice to look at (and listen to, underscored by a lush reworking of the piano theme from “The Go-Between”) before these two women meet.

immediate reactions to “Indiana Jones and the Kingdom of the Dial of Destiny” with the mixed-negative reviews that dropped hours later.See reactions below:MAY DECEMBER: honestly the best movie that premiered at #Cannes2023 today might just be Todd Haynes' tabloid melodrama about Natalie Portman studying to become Julianne Moore. a heartbreakingly sincere piece of high camp. and so funny.my review: https://t.co/rYf13qgPeV pic.twitter.com/0HkCY5STGaMAY DECEMBER: Todd Haynes is back!! Juicy, funny, campy and immediately the most quotable movie of Cannes.

A Hollywood star (that is Portman’s Elizabeth) is on her way for an extended visit to research Gracie’s life for an upcoming indie in which she is the star. And if this weren’t enough, the family is still receiving hate-mail packages at their quaint Savannah home filled with feces.It’s quite hilarious that the first interaction between the two women happens when Elizabeth hands off one such package to Gracie, having just arrived at their home and found the box at their doorstep.

Todd Haynes has a way with female stars. I would even call him the new-age George Cukor in that regard. Whether in Carol with Cate Blanchett and Rooney Mara, or his HBOlimited series Mildred Pierce with Kate Winslet, or his homage to the director of so many so-called “women’s pictures” of the ’50s Douglas Sirk in Far From Heaven with Julianne Moore, he seems to be in his comfort zone with women. That has never been more apparent than his latest, May December, a deliciously entertaining showcase for Natalie Portman and Moore (her and Haynes’ fourth film together), which just had its world premiere Saturday in competition at the Cannes Film Festival.

Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.

Natalie Portman has reflected on her debut role in Léon: The Professional, referring to the film as “cringey”.In an interview with The Hollywood Reporter, the actress spoke about the 1994 Luc Bensson-directed film where she starred as Mathilda Lando, a lonely 12-year-old who befriends Léon, her neighbour and Italian hitman.“It’s a movie that’s still beloved, and people come up to me about it more than almost anything I’ve ever made,” she told The Hollywood Reporter. “It gave me my career, but it is definitely when you watch it now, it definitely has some cringey, to say the least, aspects to it. So, yes, it’s complicated for me.”The film was Portman’s acting debut, and she was cast when she was 11 years old.

As we head into the summer blockbuster season, we get inundated with franchises, the latest Marvel and ‘Fast’ movies, tentpoles, and mega films of all sorts. But thankfully, before it really starts in earnest, and we’re on to the third major superhero film of the year, we get some alternative options at the Cannes Film Festival.

In 2023, Natalie Portman is one of the biggest stars on the planet. However, back in the mid-‘90s, she was a pre-teen actress looking for her first major break.

Matt Donnelly Senior Film Writer Few films at Cannes this year have indie pedigree and star power behind them like “May December,” Todd Haynes’ examination of a cross-generational couple who caused a tabloid scandal and the actress studying their family to portray the woman in a forthcoming movie about their lives. Julianne Moore and Natalie Portman lead the way, but the project is a significant launchpad for “Riverdale” alum Charles Melton. Playing opposite Moore as a character who’s about to become an empty nester at 35, Melton dishes about his Cannes debut and walking dogs before he hit stardom. Will this be your first Cannes? This will be my first film festival. I’m so excited to reunite with Julie and Natalie and Todd Haynes and everyone that was a part of making the film. I’m grinning from ear to ear right now. 

Brie Larson, Paul Dano and Julia Ducournau are among the eight people chosen to complete the main competition jury at the 2023 Cannes Film Festival, Cannes organizers announced Thursday morning in Paris.Swedish director Ruben Ostlund, who won the Palme d’Or last year for “Triangle of Sadness,” was previously announced as president of the jury. The presence of Ducournau, who won the top award for “Titane” in 2021, means that the last two Palme winners will be part of the deliberations to determine who succeeds them this year.Other jurors will be Moroccan writer-director Maryam Touzani, who was in Cannes last year with “The Blue Caftan”; French actor Denis Menochet, who recently appeared in Ari Aster’s “Beau Is Afraid”; Zambian/British writer-director Rungano Nyoni, whose “I’m Not a Witch” premiered in Cannes; Afghan novelist and writer-director Atiq Rahimi, whose film work often adapts his own bestselling books; and Argentinian writer-director Damian Szifron, who landed an Oscar nomination for his 2014 Cannes film “Wild Tales.”The jury’s 5-to-4 split between men and women is typical for Cannes in recent years.

EXCLUSIVE: Gloria Sanchez Productions has promoted Alex Brown to Head of Film and hired Alix Taylor as Head of Television.

It’s been nearly four years since Todd Haynes released a new narrative feature film. Thankfully, that’s changing later this year with the release of his new film, “May December.”  READ MORE: ‘Superstar’: Todd Haynes Says His Banned Carpenters Movie May Finally Get An Official Release And with a Cannes debut on the horizon for Todd Haynes’ “May December,” Variety has just published a first-look photo of the new film which stars Julianne Moore and Natalie Portman.

Matt Donnelly Senior Film Writer Variety has a first look at the anticipated Cannes Film Festival competition premiere “May December,” led by Oscar-winning heavyweights Julianne Moore and Natalie Portman and directed by Todd Haynes. The title, which is also for sale out of this year’s Marché du Film, represents a “Far From Heaven” reunion for Moore and Haynes and a significant breakout opportunity for “Riverdale” heartthrob Charles Melton. Moore and Melton star as married couple whose 20-year relationship inspired a national tabloid obsession at its offset. Now preparing to send their grown children off to college – as Melton reconciles with empty nest syndrome in his mid-30s – an actress (Portman) embeds with the family to study them for an upcoming film where she’ll play Moore. The couple buckles under the pressure as Portman probes as deeply as she can for an honest performance.

After a stellar 2022 edition, the Cannes Film Festival is gearing up for its 76th edition next month. Today, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, revealed most of the In Competition, Un Certain Regard, and Out of Competition slates.

EXCLUSIVE: Elizabeth Yu and Hilda Martin have been added to the cast of the upcoming NBC drama pilot from Jenna Bans and Bill Krebs formerly known as Murder by the Book.

EXCLUSIVE: Up-and-comers Piper Curda (May December) and Nico Greetham (American Horror Story) have signed on to star in Something Casual — an independent romantic dramedy from writer-director Brandon Buczek (Your Own Road).

EXCLUSIVE: Sky has picked up UK rights to Jason Statham and David Ayer action film The Beekeeper from Miramax.

EXCLUSIVE: Charles Melton has landed the coveted lead in May December opposite Natalie Portman and Julianne Moore in the next film by director Todd Haynes.

What’s Todd Haynes up to since his first documentary, “The Velvet Underground,” about the iconic band, won over critics at Cannes last year and audiences on AppleTV+? He has “May December” on deck, announced at the virtual Cannes market last June, which reunites the director with Julianne Moore and will be his first time working with Natalie Portman.

Stuart Ford’s AGC Studios is expanding its sales and distribution team with the hiring of Diane Ferrandez as Senior Vice President of Worldwide Sales and Distribution.

Natalie Portman and Julianne Moore are reuniting!

The Virtual Cannes Film Market is underway, which means many deals and projects are coming together in hot packages. Just revealed, Oscar-winning actresses Natalie Portman and Julianne Moore are attached to lead director Todd Haynes‘ new film, “May December.” The drama will see Gloria Sanchez Films, Killer Films, and Portman’s MountainA producing.

Matt Donnelly Senior Film WriterOscar-winning actors Natalie Portman and Julianne Moore are set to headline a new drama from acclaimed director Todd Haynes.“May December” will see the heavyweights pair for the story of a Hollywood actress (Portman) who travels to the picturesque coast of Maine to study the real-life woman (Moore) she’s set to play in a film. The woman in question was the subject of a tabloid scandal two decades prior, for marrying a man 23 years her junior.

Natalie Portman and Julianne Moore are set to star in Rocket Science’s May December for Carol director Todd Haynes. The screenplay was written by Samy Burch with the story by Burch and Alex Mechanik. Rocket Science is handling international sales beginning at the Virtual Cannes Market, where UTA Independent Film Group and CAA Media Finance are representing U.S rights.

Flag Day,” which is playing in competition and was just picked up by MGM.