Matters of the heart. Natalie Portman was private about her romantic life prior to her 2012 nuptials to husband Benjamin Millepied.
20.05.2023 - 22:27 / deadline.com
Todd Haynes has a way with female stars. I would even call him the new-age George Cukor in that regard. Whether in Carol with Cate Blanchett and Rooney Mara, or his HBOlimited series Mildred Pierce with Kate Winslet, or his homage to the director of so many so-called “women’s pictures” of the ’50s Douglas Sirk in Far From Heaven with Julianne Moore, he seems to be in his comfort zone with women. That has never been more apparent than his latest, May December, a deliciously entertaining showcase for Natalie Portman and Moore (her and Haynes’ fourth film together), which just had its world premiere Saturday in competition at the Cannes Film Festival.
The title is fine, but watching the film I kept thinking a really great title for it from Hollywood’s past would have been Imitation of Life from the aforementioned Sirk, not that this movie has anything else in common with that 1959 weepie, but its title does in terms of the basic concept here — about a TV actress who descends upon Savannah, Georgia to spend a few days researching her latest role, playing a real-life 36-year-old wife and mother who was the rage of tabloids 20 years earlier due to her affair and later marriage to a 13-year-old boy.
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The premise had me at hello, truly the stuff of classic Hollywood melodrama, but with a smart contemporary spin. Portman, also a producer on it who brought the Samy Burch script to Haynes, plays TV series star Elizabeth Berry, who has been cast in an independent film as Gracie Atherton-Yoo (Moore), who scandalized the world, landed on every tabloid cover, went to jail, gave birth to twins and got married there to a guy 23 years younger named Joe Yoo (Charles
Matters of the heart. Natalie Portman was private about her romantic life prior to her 2012 nuptials to husband Benjamin Millepied.
Natalie Portman was all smiles at Paris Saint-Germain's Ligue 1 match amid reports of her husband, Benjamin Millepied's alleged infidelity.Portman, who was in attendance at Parc des Princes Saturday to see PSG take on Clermont Foot 63, rocked a plaid blazer over a white shirt and blue jeans. The actress accessorized the look with a bold, red lip and a pair of cat-eye sunglasses.In addition to cheering on PSG, Portman, who helped co-found the Los Angeles National Women's Soccer League team, Angel City FC, was seen chatting with tennis star, Novak Djokovic, who was seated a few rows behind her.Like many of the fans in the stands, Portman was also captured taking photos of the match, which despite a loss from PSG, ended with the famed football club earning the Ligue 1 title for the 11th time.The smiling photos mark the first public appearance for Portman since French outlet alleged that Millepied had been having an affair with a 25-year-old woman.A source told that the alleged affair was «short-lived and it is over,» adding that the Oscar winner and her dancer husband have been privately working through their marital struggles despite the allegations.«He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,» the source told the outlet.
Natalie Portman and her husband Benjamin Millepied were snapped kissing not long before news of his alleged affair with Camille Étienne emerged online.
Was Natalie Portman dropping hints about her marriage problems before her husband Benjamin Millepied’s shocking affair was exposed?
This is a wild one, y’all!
Natalie Portman and her husband, Benjamin Millepied, are reportedly working on their marriage following allegations of cheating.According to multiple reports, Millepied's alleged affair with a 25-year-old woman was revealed in the French outlet . A source told that the alleged affair was «short-lived and it is over,» adding that the Oscar winner and her dancer husband have been privately working through their marital struggles despite the allegations.«He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,» the source told the outlet.
Natalie Portman‘s husband Benjamin Millepied has been accused of having an affair.
Natalie Portman has called out “the different” ways men and women are still expected to act in society and at events like the Cannes Film Festival.
Recently, after his new film, “May December,” debuted at Cannes, filmmaker Todd Haynes teased what might be his next project. All that was said is the film will star Joaquin Phoenix and will be about two gay men in the 1930s.
Rebecca Rubin Film and Media Reporter Netflix landed North American rights for “May December,” a soapy romantic-drama directed by Todd Haynes and starring Natalie Portman and Julianne Moore, which debuted at Cannes Film Festival. It sold for $11 million, marking the first big sale of this year’s festival. Several bidders, including Neon, were in the mix before Netflix emerged victorious. The streamer hopes to position “May December” as an Oscar contender in the fall. A scandalous age-gap relationship plays out at the center of “May December,” which debuted on Saturday to raves and earned a six-minute standing ovation. Moore plays the “December” to Charles Melton’s much-younger “May,” who was just 13 when the two fell in love. Given their 20-year age gap, their marriage inspired a national tabloid scandal. Decades later, their relationship is put to the test as an actress (Portman) travels to Georgia to study the life of Moore’s character, whom she’s set to play in a film.
Actor Ray Stevenson – known for films including King Arthur and Punisher – has died at the age of 58, his representatives have confirmed.
Coming into Cannes 2023, there was a lot of discussion about Todd Haynes’ new dramedy, “May December.” Haynes is one of the most acclaimed filmmakers working today and his latest stars none other than Julianne Moore and Natalie Portman, two of the most respected actors in the world. It appears, judging by early reviews, “May December” delivers the goods and is likely going to be in the mix come awards season.
Todd Haynes is having a great Cannes, isn’t he? His new film, “May December,” has earned rave reviews (including our own), with folks already predicting Oscars love. And now, it appears he has nothing but amazing projects to talk about coming in the future, including a new film with Joaquin Phoenix.
Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.
There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.
CANNES – Perhaps it was the fact we’ve reached the halfway point of the 2023 Cannes Film Festival and the media have reached an inevitable breaking point with lack of sleep. Or maybe it was the often (but not talways) demure personalities of “May December’s” Oscar-winning stars, Julianne Moore and Natalie Portman.
CANNES (Reuters) - Natalie Portman and Julianne Moore anchor director Todd Haynes' attempt at a fourth Palme d'Or in the drama "May December," which premiered at the Cannes Film Festival on Saturday night. Moore plays an older star who became tabloid fodder two decades earlier because of her relationship with a much younger man, played by Charles Melton - best known for "Riverdale.
Matt Donnelly Senior Film Writer Todd Haynes brought delicious psychodrama to the Cannes Film Festival on Saturday, with the world premiere of his “May December” starring Natalie Portman and Julianne Moore. Captivating the Cannes crowd the film earned a 6-minute standing ovation at the festival’s Grand Palais. “May December” stars Natalie Portman as Elizabeth, an actor who heads to Savannah to study the lives of Gracie (Moore) and Joe (“Riverdale” star Charles Melton). Years prior, Gracie and Joe’s scandalous cross-generational affair sparked a national controversy due to their age gap and the fact that Gracie was Joe’s boss at a local pet store. Twenty years later, Elizabeth is playing Gracie in a film version of the scandal, but her arrival puts a disruptive pressure on Gracie and Joe’s marriage.
Peter Debruge Chief Film Critic In the experimental montage that opens “Persona,” a bare-chested teenage boy caresses a screen upon which the faces of two women slowly morph back and forth. It’s easy to imagine Todd Haynes being tempted to start his deep-as-you-want-to-go rabbit-hole drama “May December” the same way, seeing as how this endlessly fascinating movie focuses on the blurring of the lines between a Hollywood star (Natalie Portman) and her Heartland subject (Julianne Moore), who was caught in a sexual relationship with a 7th grader at the age of 36. The movie wants to know: Can playing this Mary Kay Letourneau-like tabloid sensation really answer what makes such a woman tick? A heady director whose entire oeuvre feels ripe for film-studies dissertations, Haynes makes movies not merely to be watched, but to be analyzed and deconstructed after the fact. From the rich Douglas Sirkian pastiche of “Far From Heaven” to the queer twist on classical “woman’s pictures” provided by “Carol,” his style can be chilly and distancing. Not so “May December.” As layered and infinitely open-to-interpretation as any of his films, it’s also the most generous and direct, beginning not with Ingmar Bergman references (those come later), but with footage of monarch butterflies. They’re symbols of transformation, too, but also something nice to look at (and listen to, underscored by a lush reworking of the piano theme from “The Go-Between”) before these two women meet.
Mary & George, an upcoming queer period drama, has just released the first-look images of Julianne Moore in character. In this dramatic retelling of real-life British history, the actress plays Mary Villiers, a ruthless woman who used multiple avenues to rise to the height of English society — including bribing politicians and working with criminals.