Natalie Portman and Rosamund Pike had a bit of a wardrobe mishap while attending the 2024 Golden Globes!
Natalie Portman and Rosamund Pike had a bit of a wardrobe mishap while attending the 2024 Golden Globes!
Jon Burlingame Taking an old film score and dropping it into a new film is “like wearing somebody else’s underwear,” veteran composer Earle Hagenused to say. Hagen, the Oscar-nominated, Emmy-winning composer of such classic themes as “The Andy Griffith Show,” “The Dick VanDyke Show” and “The Mod Squad,” would have been appalled by the musical choices in Netflix’s “May December.” A scene from that film, with Julianne Moore opening her refrigerator door to a melodramatic piano cue, has gone viral. It’s a funny moment if you don’t recognize that music.
Natalie Portman and Julianne Moore are speaking out after Vili Fualaau slammed their new movie May December.
2024 Golden Globes, Mark Hamill finally linked up with Natalie Portman, who played Padmé Amidala — mother of his “Star Wars” character, Luke Skywalker.“Now I have finally met my ‘mother’, thanks to the @goldenglobes,” Hamill, 72, wrote alongside a picture with Portman, 42, on X, the platform previously known as Twitter.Portman was nominated at the Globes for her role in the Netflix film “May December,” while Hamill was in attendance to present “Barbie” with the Cinematic and Box Office Achievement award. The Post has contacted reps for Hamill and Portman for comment.In 2018, Hamill revealed in a tweet that he “never met” Portman.
Natalie Portman is opening up about New Year’s resolutions, career milestones and her plant-based diet.
Zack Sharf Digital News Director Jennifer Lawrence provided the 2024 Golden Globes with one of its funniest and most unforgettable gags. As the award for best actress in a motion picture comedy or musical was being announced, the Oscar winner mouthed “If I don’t win, I’m leaving!” direct to the camera when her nomination was said.
The cast of May December is hitting the red carpet at the 2024 Golden Globe Awards!
May December has said he is “offended” by the film.Directed by Todd Haynes (Carol, I’m Not There), May December is a darkly dramatic film starring Natalie Portman as an actress who is preparing to play the part of Julianne Moore’s character Gracie in a film. Gracie is infamous for her long-term relationship with Melton’s character Joe, which began when he was only 13 years old.Screenwriter Samy Burch has confirmed that Gracie and Joe were inspired by the real life story of Mary Kay Letourneau and Vili Fualaau.
The National Society of Film Critics 58th annual awards has honored Celine Song’s directorial debut Past Lives for its top prize, beating out runners-up Oppenheimer and The Zone of Interest for Best Picture.
Barbie director Greta Gerwig emerged from the elevator at the Château Marmont with producer David Heyman and her agent Jeremy Barber in tow.
Lily Gladstone and Charles Melton were among the big winners at the 2024 New York Film Critics Circle Awards this week!
former teacher and convicted child rapist, Mary Kay Letourneau, says he is “offended” that no one involved in the new Netflix movie, “May December,” reached out to him before its release. The film, which stars Natalie Portman and Julianna Moore, tells a story similar to Fualaau’s real-life ordeal. Fualaau was her second-grade student in suburban Seattle when he first met Letourneau.
The late Mary Kay Letourneau‘s former partner Vili Fualaau is reacting to May December.
The Costume Designers Guild has fashioned the nominees for its 2024 awards.
Charles Melton opened up about his new movie May December, touching on both his costars and his diet in a new interview.
The Barbie movie is expected to receive a lot of love at the 2024 Academy Awards, but there’s been a surprise change to its eligibility status.
Owen Gleiberman Chief Film Critic Every few years, the Golden Globe awards have a category hiccup. In 2015, the Ridley Scott/Matt Damon Robinson-Crusoe-in-space sci-fi movie “The Martian” was nominated (and won) for best motion picture — musical or comedy, even though the movie contained no songs and no one thought it was a comedy. A month ago, in that same category, the Globes gave a nomination to “May December,” Todd Haynes’ acclaimed but hard-to-categorize film based, not so loosely, on the true story of Mary Kay Letourneau.
Natalie Portman has arrived.
Zack Sharf Digital News Director “Oppenheimer” may not be streaming on Peacock until the new year, but “Barbie” is ready to watch from home right this second courtesy of Max. And it’s far from the only great movie in 2023 to find itself available on streaming as the year comes to a close. From Netflix’s Oscar contenders to Hollywood tentpoles such as “Spider-Man: Across the Spider-Verse,” “The Little Mermaid” and “Dungeons & Dragons: Honor Among Thieves,” there’s no shortage of great 2023 titles streaming on Netflix, Prime Video, Hulu, Peacock, Max and more platforms.
Even by the HFPA’s eccentric standards, Todd Haynes’ May December is a wild card in the Best Musical or Comedy category. But it does feature elements of both, in a deceptively dark story that harks back to the days of Hollywood’s self-imposed censorship code, when ingenious directors found sensitive and intelligent ways to address taboo subjects in mainstream movies. Here, the inspiration is the real-life case of Mary Kay Letourneau, a 35-year-old married teacher who, in 1997, seduced a pupil and was sentenced to prison for it, twice. A year after her release in 2004, claiming their love was “eternal and endless”, Letourneau married the boy, then 21. That wedding, and their subsequent life together, was covered, flatteringly, by the media. May December is not their story, but it does address two key points. What was she thinking. And how did the media become so complicit?
Even by the HFPA’s eccentric standards, Todd Haynes’ May December is a wild card in the Best Musical or Comedy category. But it does feature elements of both, in a deceptively dark story that harks back to the days of Hollywood’s self-imposed censorship code, when ingenious directors found sensitive and intelligent ways to address taboo subjects in mainstream movies. Here, the inspiration is the real-life case of Mary Kay Letourneau, a 35-year-old married teacher who, in 1997, seduced a pupil and was sentenced to prison for it, twice. A year after her release in 2004, claiming their love was “eternal and endless”, Letourneau married the boy, then 21. That wedding, and their subsequent life together, was covered, flatteringly, by the media. May December is not their story, but it does address two key points. What was she thinking. And how did the media become so complicit?
The sound of music was back with us this week in the form of two polar opposite productions that may intrigue audiences but challenge marketers.
Andrew Haigh’s drama All of Us Strangers has landed nine London Critics’ Circle Awards nominations, ahead of Christopher Nolan’s Oppenheimer, which has scored seven.
Charles Melton is looking back at his time on Riverdale.
Julianne Moore has some major beef with mashed potatoes.
Paul Mescal and Natalie Portman are in conversation!
Natalie Portman and Paul Mescal are actors whose craft inspires as much admiration as the finished product on-screen. Portman, whose career now spans more than 30 years, including films like “Black Swan” and “Thor: Love and Thunder,” keeps us enthralled — this time, with her simmering performance in Todd Haynes’ psychodrama “May December.” The Oscar winner portrays an actress preparing to play a tabloid fascination (Julianne Moore), who became romantically involved with her husband (Charles Melton) when he was 13.
In response to his Golden Globe nomination Monday for Best Performance by a Male Actor in a Supporting Role in Any Motion Picture for May December, Charles Melton starts the conversation with gratitude towards his mother, Sukyong Melton, who he recently deemed his hero in a heartfelt speech while being honored at the Critics Choice Celebration of Black, Latino & AAPI Achievements last week. Though he admits to sleeping through the ceremony and being informed by his team about the nomination, he made sure to call her as soon as he found out. “She was so proud, and I am so happy.” Melton said.
were announced Monday morning, and the biggest shocker is … that they still exist!Like a post-apocalyptic Twinkie, the 80-year-old ceremony has survived against all odds. There’s been scandal after scandal, the disbanding of the Hollywood Foreign Press Association, a sale to Dick Clark Productions and a move from NBC to CBS.
The movie May December is expected to receive a lot of award nominations this season, but one thing might surprise you.
Jazz Tangcay Artisans Editor Is “May December” camp or not? That’s the question the internet is currently obsessing over, but whether you fall on the “definitely” or “no, rude question!” side, one clue can be found in the dark comedy’s notably prominent score by Marcelo Zavros. Ten minutes into the Todd Haynes movie that’s loosely based on the story of Mary Kay Letournau, Julianne Moore, playing Gracie, the wife and mother, opens the fridge while getting ready for a family barbecue. As she casually comments, “I don’t think we have enough hot dogs,” the lush chords familiar from the 1971 movie “The Go-Between” burst loudly into the scene, lending the mundane moment an unexpected melodramatic punch.
With the latest full frontal scenes from Charles Melton in May December and Barry Keoghan in Saltburn, we’re taking a look back to see who used prosthetics and who showed the real thing.
The American Film Institute has announced their annual year-end top 10 lists and, as always, it was filled with several awards contenders. This year’s crop of film honorees includes “American Fiction,” “Barbie,” “The Holdovers,” “Killers of the Flower Moon,” “Maestro,” “May December,” “Oppenheimer,” “Past Lives,” “Poor Things” and “Spider-Man: Across the Universe.” The television selections are “Abbott Elementary,” “The Bear,” “Beef,” “Jury Duty,” “The Last of Us,” “The Morning Show,” “Only Murders in the Building,” “Poker Face,” “Reservation Dogs” and “Succession.” READ MORE: “American Fiction,” “May December” and “Past Lives” top 2024 Spirit Awards Nominations It should be noted, that the AFI committee is not always the best predictor for a Best Picture nomination.
The list of the 10 films chosen for the prestigious AFI Awards is out, and it is good news for Barbenheimer.
Clayton Davis Senior Awards Editor The “Barbenheimer” craze continues with Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” being named among AFI Awards 2023 top 10 best films of the year. Netflix led studios with two movies making the list — Bradley Cooper’s Leonard Bernstein biopic “Maestro” and Todd Haynes’ black comedy “May December.” With an eclectic mix of critically acclaimed and consumer friendly titles, the list of top movies also includes films by newcomers (Cord Jefferson’s “American Fiction” and Celine Song’s “Past Lives”), veterans (Martin Scorsese’s “Killers of the Flower Moon” and Alexander Payne’s “The Holdovers”) and stylish visionaries (Yorgos Lanthimos’ “Poor Things” and Joaquim Dos Santos, Kemp Powers and Justin K.
Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Todd Haynes-directed May December starring Julianne Moore, Natalie Portman and Charles Melton. It made a splash at Cannes this year when the darkly comedic and complex feature, loosely based on the story of Mary Kay Letourneau, was picked up by Netflix in a splashy $11 million rights deal.
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