Jonathan Glazer Latest Celebrity News & Gossip

French director Justine Triet’s Cannes Palme d’Or winning film Anatomy Of A Fall swept the awards at 36th European Film Awards in Berlin this evening, winning Best European Film, Director, Screenplay (with Arthur Harari) and actress for Sandra Hüller.

Cinema professionals from across Europe are gathered in Berlin this evening for the 36th European Film Awards.

Leo Barraclough International Features Editor The 36th European Film Awards are underway at the Arena in the German capital of Berlin. The awards have been voted on by the 4,600 members of the European Film Academy.

Cinema professionals from across Europe are gathering in Berlin this weekend for the ceremony of the 36th European Film Awards on Saturday evening.

It’s been about ten years since filmmaker Jonathan Glazer’s last feature, the chilling and dazzling “Under The Skin,” starring Scarlett Johansson as an alien who begins to learn empathy. His latest, “The Zone Of Interest,” is arguably the opposite, about a family and community of affluent Germans and Nazis, who arguably ignore their sense of empathy, living next door to the most famous concentration camp of all time.

Leo Barraclough International Features Editor Jonathan Glazer’s “The Zone of Interest” and Aki Kaurismäki’s “Fallen Leaves” led the European Film Awards race after nominations for the major categories were revealed Tuesday. The films were nominated in all five major categories – European film, director, screenwriter, actor and actress. Justine Triet’s “Anatomy of a Fall” was close behind with four nominations – film, director, screenwriter and actress.

Finnish filmmaker Aki Kaurismäki’s Fallen Leaves and UK director Jonathan Glazer The Zone Of Interest lead the nominations in the main categories of the 36th European Film Awards which will take place in Berlin on December 9.

Leo Barraclough International Features Editor A24 has forged an exclusive output deal with Happinet Phantom Studios covering the distribution in Japan of A24’s upcoming releases, including Alex Garland’s action film “Civil War,” starring Kirsten Dunst, which has a highly anticipated launch at AFM this week. Happinet and A24 have worked together on the release of a number of films in Japan, including triple Oscar winner “Moonlight,” and “Midsommar,” whose gross in the territory was the biggest outside North America.

“The events of the last couple of days have been quite difficult for everybody,” said filmmaker Jonathan Glazer as his film about a Nazi commander at Auschwitz screened Sunday at the New York Film Festival.

Ben Croll Remarking on the sterling success of Yorgos Lanthimos’ “Poor Things” in Venice and of Jonathan Glazer’s “The Zone of Interest” in Cannes, “All Quiet on the Western Front” director Edward Berger has noticed a trend – and he hopes to apply that recognition back to the German industry. “Film4 came and took [filmmakers like Jonathan Glazer,] Yorgos Lanthimos and Steve McQueen and gave them the opportunity, fostering them and sheltering them and [helping] them make their movies — and look where they are now,” said Berger at a Venice Film Festival panel.

Christopher Vourlias When U.K. writer-director Jonathan Glazer approached Polish cinematographer Łukasz Żal about “The Zone of Interest,” a provocative Holocaust drama adapted from a 2014 novel by Martin Amis, he had a bold proposition for the film, which centers on the domestic life of an Auschwitz commandant and his family living in the shadow of the notorious concentration camp. What if, Glazer suggested, they shoot the scenes inside the Höss family home without a single camera on set? Working on location, production designer Chris Oddy and his crew built a replica of the camp commandant’s real-life house.

French filmmaker Claire Denis has been announced as the jury president for the Official Section of the 71st San Sebastian Film Festival, running from September 22-30.

Clayton Davis Senior Awards Editor Actor Sandra Hüller could be the critical darling of awards season with two acclaimed performances in two high-profile international feature contenders, France’s “Anatomy of a Fall” from Justine Triet and United Kingdom’s “The Zone of Interest” from Jonathan Glazer. The German performer has opted to campaign her work in Glazer’s Holocaust-era drama for best supporting actress, Variety can reveal exclusively, greatly increasing her chances for possible double acting recognition this year. Her work in Triet’s French Oscar hopeful will be submitted for lead actress consideration.

Matt Donnelly Senior Film Writer Malia Obama, Oscar-winning directors The Daniels and “The Mandalorian” star Pedro Pascal were just a few of the notables who turned up in force for the first Los Angeles screening of A24’s holocaust drama “The Zone of Interest” on Tuesday night. The intimate gathering at West Hollywood’s London Hotel was something akin to a bucket of ice water in a social Mojave, as the ongoing Hollywood strikes have shuttered red carpets and made party RSVPs into war room fodder for talent publicists and studio communications executives.

TELLURIDE – At a festival full of gutsy films Daina O. Pusić’s directorial feature debut, “Tuesday,” may be the most visionary of them all.

Over the past 20+ years, filmmaker Jonathan Glazer has only released a total of 3 films, with his last one being 2013’s “Under the Skin, a film that is often regarded as one of the best of the 2010s. So, needless to say, folks are really excited to see the long-awaited WWII drama, “The Zone of Interest,” Glazer’s upcoming film, which has finally been given an official release date.

Over the past 20+ years, filmmaker Jonathan Glazer has only released a total of 3 films, with his last one being 2013’s “Under the Skin, a film that is often regarded as one of the best of the 2010s. So, needless to say, folks are really excited to see the long-awaited WWII drama, “The Zone of Interest,” Glazer’s upcoming film, which has finally been given an official release date.

Clayton Davis Senior Awards Editor A24’s “The Zone of Interest” is spoken in German, but was filmed in Poland and is written and directed by a British auteur. So what does that mean for its prospects for best international feature at the Oscars? Written and directed by Jonathan Glazer, “The Zone of Interest” premiered last week at the Cannes Film Festival where it emerged as an early favorite for the coveted Palme d’Or after receiving widespread acclaim. The film tells the story of a commandant of Auschwitz, Rudolf Höss (Christian Friedel), and his wife Hedwig (Sandra Hüller) who strive to build a dream life for their family in a house and garden next to the camp that was one of the sites where six million Jews were murdered.

Clayton Davis Senior Awards Editor The Cannes Film Festival has had its fair share of impressive movie premieres this year, with audiences embracing new films from the likes of Jonathan Glazer, Todd Haynes and and Hirokazu Kore-eda. But even the most sustained standing ovation doesn’t guarantee that a movie will walk away with the Palme d’Or, Cannes’ highest honor. It all depends on the vagaries of the jury’s taste, and this one is headed up by Ruben Östlund, a two time Palme d’Or winner for “Triangle of Sadness” and “The Square.” And it’s not just Östlund’s decision to make. The ultimate victor will come down to the personal opinions of jury members Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi, Damián Szifrón and Julia Ducournau.

“The Zone of Interest,” which premiered on Friday, the British director Jonathan Glazer said he’s been thinking about making a film about the Holocaust for many years, but only figured out the story he wanted to tell after he visited Auschwitz a few years ago. “When we started the film I wasn’t sure what film we were going to make, what perspective it would be from,” he said. But then he visited the camp where 1 million European Jews were gassed and incinerated, and 150,000 others murdered as well. “It began to evolve from my own journey, that visit,” Glazer said. “The house and garden the commandant lived in … Its proximity to the camp was jaw-dropping.

Rebecca Rubin Film and Media Reporter “The Zone of Interest,” writer-director Jonathan Glazer’s searing Nazi drama about the banality of evil, became the talk of Cannes Film Festival after its debut on Friday night. But the director admits he didn’t know the story he wanted to tell before the cameras were rolling. “You never really know why you tackle and subject. It’s an ever-evolving journey,” he said at Saturday’s press conference for the movie. “It wasn’t one particular moment that I knew I was going to make this film. When I started the process, I didn’t know what perspective we were coming from.” In the end result, “The Zone of Interest,” which is loosely based on the 2014 novel by Martin Amis, tells the story of Rudolf Höss, a Nazi commandant who designed and built Auschwitz. It also looks at his relationship with his wife Hedwig, as they create their dream life directly next door to the concentration camp. In crafting a portrait of the Holocaust, Glazer says he conducted an “enormous amount of research” to capture the divide between the Höss family’s mundane domestic dramas and Auschwitz, which lies on the other side of the garden walls.

Zack Sharf Digital News Director Jonathan Glazer just delivered the first instant sensation of the 2023 Cannes Film Festival. “The Zone of Interest,” only the director’s fourth feature film after “Sexy Beast,” “Birth” and “Under the Skin,” earned a six-minute standing ovation following its world premiere. Glazer’s film is austere and challenging as it tells the story of the commandant of Auschwitz and his wife, who have created their dream home directly next to the concentration camp. The constant screams of prisoners, gun shots and smoke from the gas chambers haunt their paradise, but their indifference to such horrors creates a terrifying and sinister juxtaposition.

CANNES – If anyone tells you the world doesn’t need any more films about the holocaust or the atrocities perpetrated by the Nazis in 2023, we’d suggest you politely correct them. Despite over eighty years of cinema on the subject, there continue to be new stories waiting to be told (and some re-told).

Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.

You wouldn’t be wrong, as a film fan, to have your festival sights set on the upcoming Cannes Film Festival. That’s perhaps the premier festival each and every year.

Kicking off on May 16, the Cannes Film Festival is around the corner, and the lineup was announced this morning alongside the names of six female filmmakers that will be participating this year that have films in competition. It’s a small number, but a new record for the festival.

Good afternoon Insiders, Max Goldbart here penning the weekly mailer a day after Cannes revealed its long-awaited lineup. Read on for all the details and plenty more, and sign up to the International Insider here.

Kicking off on May 16, the Cannes Film Festival is around the corner, and the lineup was announced this morning alongside the names of six female filmmakers that will be participating this year that have films in competition. It’s a small number, but a new record for the festival.

“Killers of the Flower Moon” will screen out-of-competition on May 20, while James Mangold’s “Indiana Jones and the Dial of Destiny,” the final installment in the franchise begun in 1982 by Steven Spielberg and George Lucas, will also screen in an out-of-competition slot.French director and actress Maïwenn will have the opening-night film with “Jeanne du Barry,” which stars Johnny Depp in his first film since his court battle with Amber Heard. And Pedro Almodovar’s short film “Strange Way of Life,” which stars Ethan Hawke and Pedro Pascal, was also confirmed in advance of Thursday’s announcement.Other films screening out of competition include “The Idol,” directed by Sam Levinson and starring The Weeknd, and “Occupied City,” a film about Amsterdam from British director Steve McQueen.The Un Certain Regard section, which is typically devoted to films from less established directors, includes Australian director Warwick Thornton’s “The New Boy,” starring Cate Blanchett.Additional films are typically added to the Cannes lineup in the weeks leading up to the festival.

After a stellar 2022 edition, the Cannes Film Festival is gearing up for its 76th edition next month. Today, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, revealed most of the In Competition, Un Certain Regard, and Out of Competition slates.

Although he is rightly judged as being in the vanguard of British independent cinema, Mark Jenkin nonetheless seems out of place in such company. Unlike his contemporaries—Peter Strickland, Lynne Ramsay, Andrea Arnold, Clio Barnard, and Jonathan Glazer, among others—he is a strict formalist, creating expressions through the rhythms and combinations of images and sounds rather than through conventional narratives or theatrical gestures.

We haven’t had a proper feature film from filmmaker Jonathan Glazer (“Sexy Beast”) since his gritty sci-fi thriller “Under The Skin” from 2013. That acclaimed film starred Scarlett Johansson as a seductive alien in human form, kidnapping and killing men in Scotland by using her feminine charms to lure them at night.

internet is once again thirsting over Adam Driver after Burberry released new photos from their latest men’s fragrance campaign. The British luxury label shared never-before-seen images for the Burberry Hero Eau de Parfum today.

Ben Croll For some time, the French VFX sector suffered an acute case of brain drain, as young professionals would graduate from internationally admired institutions and nearly immediately take their talents abroad.“Years ago, when I spoke with students from [the renowned school] ArtFX, something like 95% of them planned to leave after graduation,” says VFX supervisor Emmanuel Pichereau. “Only when I consulted with this year’s graduating class, I saw many of them change their mind about staying in France.”What changed, of course, has much to do with France’s newly revamped tax plan, which now offers a 40% rebate to productions that spend at least $2.27 million with local VFX studios.

Under The Skin has been named the best British film of the 21st century in a critics poll.Conducted by MASSIVE Cinema, the poll consisted of 60 film reviewers from national newspapers, leading film magazines and freelance critics. Any British film released from January 1 2000 was eligible, with 179 films receiving at least one vote.Directed by Jonathan Glazer, Under The Skin starred Scarlett Johansson as a shape-shifting alien who drives around Glasgow to prey on unsuspecting men.

The centaur situation. It’s nearly impossible to ever forget Burberry’s Hero campaign. Because between Adam Driver’s insane abs and the fact that he inexplicably merged bodies with that of horse in a matter of a minute, the viral video left a lasting mark.