Cannes 2023: Where the Palme d’Or Race Stands

K.J. Yossman She’s perhaps best known for her turn as David Tennant’s companion Donna in “Doctor Who” (a role she’ll reprise on screen this fall) but, for her latest project, Catherine Tate has swapped the Tardis for tiaras. Titled “Queen of Oz,” the new BBC comedy sees Tate play a disgraced British princess who is sent Down Under after screwing up one too many royal engagements. In the show, Tate plays Princess Georgiana who, after yet another public catastrophe (involving a school visit and plenty of alcohol-induced vomit), is banished to Australia. Tate says she was attracted by the “fish out of water” concept but, despite many royal-related headlines in recent years, is keen to point out that no real royals inspired Georgiana’s character. “I wasn’t thinking of anyone, because it’s nice to create something from scratch,” says the comedian, who co-wrote and stars in the series.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday. Visit the prediction pages for the respective ceremonies via the links below:

That’s what friends are for! Kate Beckinsale opened up about a time when Keanu Reeves and Robert Sean Leonard came to her rescue on the red carpet at Cannes Film Festival. 

Cannes jury head has described the process of selecting the Competition winners as a “very intense experience”, at the jury press conference following the Palme d’Or victory for Justine Triet’s Anatomy Of A Fall. You can see the full list of winners here.

The stars are stepping out for the premiere of Disney & Pixar’s new movie!

It’s a wrap for the 2023 edition of the Cannes Film Festival, where French director Justine Triet’s courtroom thriller “Anatomy of a Fall” has won this year’s Palme d’Or for best film.

The 2023 Cannes Film Festival ends tomorrow, but awards for the fest start today, at least in the Un Certain Regard category. With John C.

In less than 10 years, Alice Rohrwacher has carved out a formidable reputation for herself, notably by gatecrashing the boys’ club that is traditionally the Cannes competition, and the fact that she did so in 2014 with only her second film, The Wonders, is further proof of a distinctive talent. One competition slot doesn’t guarantee another, yet Rohrwacher was back in 2018 with the follow-up, Happy as Lazzaro. Both films won prizes — Grand Prix and Best Screenplay, respectively — which means that expectations are high for the Oscar-nominated 41-year-old Italian, whose new film, La chimera, makes it three in a row.

Orlando Bloom is stepping out to promote his new movie at the 2023 Cannes Film Festival!

Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard. The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”). “The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Ramin Setoodeh Co-Editor-in-Chief There was Gatsby. At 11:30 p.m. at the Hotel du Cap-Eden-Roc, the amfAR Cannes gala quietly welcomed one of the biggest movie stars in the world to a tent off the Mediterranean Sea. Leonardo DiCaprio had been missing for several years at the glitzy charity auction that marks the end of partying at the Cannes Film Festival, but this year, he not only stopped by, he brought a date — his mom, Irmelin Indenbirken.  At Table 15, near the stage where celebrities tried to wrangle nepo babies and oligarchs for hundreds of thousands of dollars for lavish pieces of arts, vacations and even a car, DiCaprio tried to go incognito (as if that was possible). He wore a baseball cap to the black-tie dinner and kept his head down. (Though baseball caps are part of DiCaprio’s typical uniform, this festival, he’s been all over Cannes, sans hat, for the premiere of his film, “Killers of the Flower Moon.”)

Glitz and glamour! Hollywood’s biggest names brought their fierce fashion sense to France at the 2023 amFAR Gala during the 76th annual Cannes Festival.   

CANNES: Docudramas are inherently difficult to master. You’re attempting to meld real-life footage or people with actors and, often, fictionalized accounts that may substantially differ from the truth.

Clayton Davis Senior Awards Editor A24’s “The Zone of Interest” is spoken in German, but was filmed in Poland and is written and directed by a British auteur. So what does that mean for its prospects for best international feature at the Oscars? Written and directed by Jonathan Glazer, “The Zone of Interest” premiered last week at the Cannes Film Festival where it emerged as an early favorite for the coveted Palme d’Or after receiving widespread acclaim. The film tells the story of a commandant of Auschwitz, Rudolf Höss (Christian Friedel), and his wife Hedwig (Sandra Hüller) who strive to build a dream life for their family in a house and garden next to the camp that was one of the sites where six million Jews were murdered.

for minutes of applause. So entrenched is this French farce that trade publications routinely time the euphoria and judge the response to the new films based on the length of the cheering at the Grand Théâtre Lumière. Cannes’ longest-ever roar? Guillermo del Toro’s “Pan’s Labyrinth,” which premiered there in 2006, at 22 minutes. This year’s fest is in full swing, and so is the ceaseless hand-slapping.Here are Cannes’ standing ovations so far, from triumphant to tepid.The most ecstatic response to a film so far at this year’s festival, which runs until May 27, was for Martin Scorsese’s latest drama. The historical movie from Apple and Paramount brings together two popular Scorsese stalwarts, Leonardo DiCaprio and Robert De Niro, plus last year’s Best Actor Oscar winner Brendan Fraser and Jesse Plemons.

Clayton Davis Senior Awards Editor “There’s no such thing as simple. Simple is hard.” – Martin Scorsese   Legend. Master.

adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.

Clayton Davis Senior Awards Editor Whether Lily Gladstone decides to campaign for lead actress or supporting (and there’s a case for either), a spot will be reserved for her in a lineup. That’s because her powerfully complex role in Apple Original Films’ “Killers of the Flower Moon,” which debuted at the Cannes Film Festival on a rainy Saturday night, is too good to ignore. Gladstone delivers an uncompromising portrayal as Mollie, an Indigenous woman whose family and tribal community are being murdered at the hands of a sinister group of white men, driven by their thirst for greed and power. She’s a magnificent force. It became clear almost 10 minutes into Martin Scorsese’s epic adaptation of David Grann’s 2017 non-fiction book “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI” that the audience of attendees were witnessing the birth of a star.

 got a boisterous 9-minute standing ovation after the three-hour epic premiered Saturday at the 76th annual Cannes Film Festival.Leonardo DiCaprio, director Martin Scorsese and the rest of the cast soaked up every second of the ovation displayed at Palais des Festivals in Cannes, France.  posted a snippet of the thunderous applause, and outlet's co-editor-in-chief, Ramin Setoodeh, reports that the nine-minute standing ovation is «the biggest and loudest» of the film festival so far.According to, Scorsese took the mic after the ovation and addressed the excited crowd.«Thank you to the Osages,» he said. «Everyone connected with the picture.