The potential of police hubs in Dumbarton and Alexandria town centres will be raised by West Dunbartonshire Council’s leader later this month.
01.09.2022 - 22:20 / theplaylist.net
If you ever questioned it before, let “Bardo” — wordily subtitled ‘or False Chronicle of a Handful of Truths,’ as was the director’s wont with 2014’s “Birdman” — lay your queries to rest: Alejandro Iñárritu really, really loves Fellini. He’s not the only one, naturally: comparisons to “8 ½” are par for the course whenever a filmmaker comes out with a notionally autobiographical work, as with Pedro Almodóvar’s “Pain and Glory” in 2019.
The potential of police hubs in Dumbarton and Alexandria town centres will be raised by West Dunbartonshire Council’s leader later this month.
Standing between Steve Buscemi’s newest directorial effort, “The Listener,” and his last time on the director’s chair for the Sienna Miller-starring drama “Interview” is a whopping 15 years. Buscemi has been open about his desire to direct again, but nothing seemed to work out until Oscar-nominated writer Alessandro Camon knocked on his door, script in hand.
Lightning strikes twice for filmmaker Bill Pohlad in his sophomore feature “Dreamin’ Wild.” The producer-turned-writer-director follows up the promise of his bifurcated Brian Wilson biopic “Love & Mercy” with another moving tale of personal and artistic redemption. His recounting of Donnie and Joe Emerson’s resurgence over three decades after the release of their only album captures not just musicians but also something of the quality of the music itself.
Heavy on Loachian social realism and undergirded by the intensity and heavy stakes of a Safdie Brothers flick, Juan Diego Botto’s gritty eviction thriller “On the Fringe” — produced by Penélope Cruz, who also lends her name to the billing sheet — makes for hard-hitting stuff. Premiering at the Venice Film Festival today in the Orrizonti section, here’s a slice of agitprop that feels as timely as ever, with the energy crisis surging across Europe, the costs of living rocketing from shore to shore, and society’s most marginalized left to pick up the tab. Anyone with half a heart and half a brain will be quickly won over by its interweaving stories, following three different people in the same Spanish city living under the cold, foreboding shadow of red-stamp eviction notices: though a little baggy in the second act, the first and final thirty-minutes are appropriately earnest and affecting.
Over the weekend, we saw a number of high-profile films get major premieres at the Venice Film Festival. One of the most anticipated features to debut is Alejandro G.
Following her outstanding and irreverent directorial debut, “Booksmart,” actor-turned-filmmaker Olivia Wilde returns with a much more ambitious effort in “Don’t Worry Darling.” Taking the mystery box route, “Twilight Zone” meets “The Stepford Wives,” with a little dash of “The Matrix,” the audacious film is ultimately a misfire because of its overextending mystery conceit. But regardless, it’s a well-crafted film that shows Wilde’s debut was no fluke.
Benvenuti in Italia! Harry Styles and Olivia Wilde arrived in Venice separately ahead of the Don’t Worry Darling world premiere on Sunday, September 4.
Clayton Davis At 8:45 PM mountain time, the Werner Herzog theater looked about halfway full with patrons sitting down for the North American premiere of Alejandro Gonzalez Iñárritu’s latest film “Bardo (or False Chronicle of a Handful of Truths)” at the Telluride Film Festival. Maybe it was the 174-minute runtime after a long day of screenings that kept viewers at bay. Nevertheless, just shy of midnight, there was a round of applause as the credits rolled. Though, it’s unclear what exactly what everyone was clapping for. Perhaps themselves for having survived this rambling opus of cinematic over-indulgence. After debuting in Venice, where the Oscar hopeful was pummeled by critics, the Netflix awards pony was looking for a comeback stateside to at the very least lift its Rotten Tomatoes score, which currently sits in the low 50s. Those numbers are likely to remain depressed. To be frank, Iñárritu probably doesn’t need to clear out his calendar this awards season. It would be hard to imagine “Bardo” having the chops to even represent Mexico for the international feature category, let alone make the shortlist. But it’s not clear what else the country would even choose.
If you ever questioned it before, let “Bardo” — wordily subtitled ‘or False Chronicle of a Handful of Truths,’ as was the director’s wont with 2014’s “Birdman” — lay your queries to rest: Alejandro Iñárritu really, really loves Fellini. He’s not the only one, naturally: comparisons to “8 ½” are par for the course whenever a filmmaker comes out with a notionally autobiographical work, as with Pedro Almodóvar’s “Pain and Glory” in 2019.
TELLURIDE – The events at a Mennonite colony in Bolivia during the late ’00s spurred headlines around the world. Men from the extremely conservative religious group had raped multiple women in their community while they slept.
Cannes Film Festival. Yet, the Venice Film festival pre-dated its French film counterpart, with its inaugural festival taking place at the Excelsior hotel in Venice, Italy, in the year 1932.
There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.
As a child growing up in the United States, you’re taught that betraying the country is a terrible act, punishable by death. Every morning, in most public schools, you’re forced to recite the Pledge of Allegiance, which overtly puts your patriotism at the forefront of the day’s events.
EXCLUSIVE: When he comes to a film festival with his latest film, Alejandro G. Iñárritu cuts a supremely confident swath. As he premiered his film Bardo in Venice, the writer/director seemed a bit more vulnerable. This is understandable because the film is a mix of dream and reality, a deep dive into his own life tragedies, the identity conflict facing an immigrant who becomes wildly successful in their adopted country, and the inevitable need to face one’s mortality.
Victoria Beckham reportedly hijacked her son Brooklyn's first dance with his new wife Nicola Peltz at their wedding back in April.The 27 year old Transformers actress and her other half Brooklyn, 23, tied the knot in front of their friends and family in Florida, but rumours of tensions rising between the families have been circulating ever since. It's said to have started before their actual nuptials, when the bride decided to wear a dress by Valentino Haute Couture rather than one designed by Victoria.
The stars are giving us major fashion moments at the 2022 Venice Film Festival!
Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition. The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande. A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.