Christopher Vourlias Latest Celebrity News & Gossip

Christopher Vourlias When he began working on his sophomore documentary feature, “Iron Butterflies,” in 2019, Ukrainian filmmaker Roman Liubyi said he was “making the film as a warning, before the Third World War.” The film, which world premiered at Sundance, follows the Russian disinformation campaign surrounding the downing of Malaysian Airlines flight MH17 in Ukraine in 2014, a tragedy that was determined by a Dutch court in Nov. 2022 to have been caused by a missile supplied by the Russian military to separatists in Eastern Ukraine. Many Ukrainians thought the tragic event, which killed 289 civilian passengers and crew, would serve as a wake-up call to Europe and the U.S., which had largely turned a blind eye to Russia’s meddling in the region, said the director. But the years dragged on and the long-running conflict in Donbas retreated from the headlines — until an increasingly emboldened Vladimir Putin launched a full-scale assault on Ukraine last year.

Christopher Vourlias The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights. This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews). Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the Venice Film Festival’s Golden Lion award.

Christopher Vourlias Steven Spielberg has confessed that the coronavirus pandemic forced him to reckon with age and mortality, acknowledging that his fears are what drove him to make his multi-Oscar-nominated film “The Fabelmans.” “The fear I felt about the pandemic gave me the courage to tell my personal story,” Spielberg said during a press conference at the Berlin Film Festival on Tuesday. The director, who has not participated in many press events this awards season, will receive the festival’s honorary Golden Bear for lifetime achievement Tuesday night before a screening of his semi-autobiographical look at growing up as a film-obsessed teenager. “The Fabelmans” is nominated for seven Academy Awards, including in the directing, writing and best picture categories.

Christopher Vourlias Sean Penn said he was happy to be a “propagandist” for the Ukrainian war effort and called Russian president Vladimir Putin a “creepy little bully” Saturday in Berlin, after the world premiere of his gonzo documentary “Superpower,” a gripping, courage-under-fire portrait of Ukrainian president Volodymyr Zelenskyy. “This is not an unbiased film because this is not an ambiguous war,” he said, calling the conflict “extremely personal.” “I’m very happy to be considered a propagandist. I was happy to make an unbiased film because that is the true story we found.” Donning a black jacket and hoodie and sporting a camouflage trucker cap, Penn repeatedly called on the Biden administration to send precision, long-range missiles to Kyiv to support the Ukrainian war effort.

Christopher Vourlias “Perpetrator,” director Jennifer Reeder’s provocative new horror noir that she describes as a “celebration of the girl gone wild,” world premieres Feb. 17 in the Panorama section at the Berlin Film Festival. Written and directed by Reeder, “Perpetrator” follows an impulsive teenage girl who must unlock a mysterious power to survive when the young women in her town continue to go missing. The film stars Kiah McKirnan (“Mare of Easttown”), Christopher Lowell (“My Best Friend’s Exorcism”), Melanie Liburd (“The Idol”), Ireon Roach (“Candyman”), and Alicia Silverstone (“Clueless”). It is produced by Gregory Chambet for WTFilms and Derek Bishé for Divide/Conquer.

Christopher Vourlias Belarusian filmmakers and industry professionals gathered in Berlin on Friday to announce the launch of the Belarusian Film Academy (BIFA), an organization formed to give a platform to independent filmmakers in the repressive former Soviet republic and staunch Kremlin ally. Born in the wake of the Russian invasion of Ukraine, when more than 130 Belarusian filmmakers signed a collective statement condemning the unprovoked act of aggression, the academy was created to “solidify, unite and support” their voices, according to co-founder Volia Chajkouskaya. “Living under state censorship and control, we have been searching for ways to unite for a long time,” said Chajkouskaya, a producer, director and founder of the Northern Lights Film Festival. “Since [the start of the Ukraine war], we all continued to face challenges individually and felt that we should unite in solidarity to form a unified front.”

Christopher Vourlias Latvian director Viesturs Kairiss, who won the international narrative competition at the Tribeca Film Festival last year with his coming-of-age drama “January,” is prepping his next feature film. “Ulya” is based on the real-life story of Ulyana Semjonova, a girl raised in the Latvian countryside who reaches a height of seven feet and would go on to become a famous professional basketball player. Set in the 1970s in Latvia, which was then part of the Soviet Union, the film follows its titular heroine from the time she leaves the countryside at the age of 14 and travels to Riga to play basketball. Kairiss described that as a “crucial stage” in Semjonova’s life, as her body was undergoing dramatic — and traumatic — changes for a teenage girl, while she also began to learn how to overcome adversity and, through basketball, find her place in life.

Christopher Vourlias When a rock festival held in Tallinn in the summer of 1988 was shut down by Soviet authorities, thousands of Estonians took to the streets, waving Estonian flags and singing patriotic songs in a bold show of defiance of Soviet rule. By the festival’s final night, some 200,000 people had joined what would later be dubbed the Singing Revolution, a catalyst for the non-violent movement that swept across Estonia, Latvia and Lithuania in the early-‘90s and paved the way for independence. Even under Moscow’s thumb the Baltics demanded to be heard. For decades the three small nations have drawn on their historical, cultural and economic ties to create a sum that’s bigger than its parts, a collaborative spirit that’s also energized the countries’ growing screen industries, which will share the stage as joint Countries in Focus at this year’s European Film Market.

Christopher Vourlias When the European Film Market kicks off in Berlin on Feb. 16, the three Baltic nations of Estonia, Latvia and Lithuania will share the stage as the EFM’s joint Countries in Focus. The showcase, which is supported by the Estonian Film Institute, the National Film Center of Latvia and the Lithuanian Film Center, will offer a range of events within the framework of the EFM, along with a selection of market premieres and screenings of Baltic films already making waves on the festival circuit. Twelve up-and-coming Baltic producers will also be presented to the international industry during a happy hour on Feb. 17 in the Gropius Bas. Here’s a selection of Baltic buzz titles that the region’s top producers will be taking to Berlin:

Christopher Vourlias Steven Spielberg’s “The Fabelmans” will open the 44th edition of the Cairo Film Festival, the Arab world’s venerable cinematic showcase, which takes place Nov. 13 – 22. The Oscar-winning director’s semi-autobiographical film, which follows the formative years of a young man who discovers movies as a means to help him see the truth about others and himself, earned a standing ovation following its premiere at the Toronto Film Festival. This year’s event in the Egyptian capital, which takes place as most film festivals and industry events have returned to business as usual after two years of pandemic cancellations and disruptions, nevertheless unfolds against a backdrop of global uncertainty.

Christopher Vourlias Finnish director Katja Gauriloff won the top prize this week at the Finnish Film Affair’s showcase of fiction works in progress for “Je’vida,” an intimate historical drama that is the first film ever shot in the Skolt Sámi language. The film centers on Iida, an elderly Skolt Sámi woman who finds herself in the process of selling her family’s old house and land while keeping her cultural heritage secret from her niece. It’s the story of a woman who has abandoned her past under the pressures of assimilation, weaving across three different historical eras to examine the fate of Finland’s Indigenous peoples in the post-war period.

Christopher Vourlias Former Netflix executive Tania Zarak Quintana has joined Iceland’s Truenorth, one of the leading production services companies in the Nordics, as it looks to ramp up development of original content. The production outfit is developing a slate of original shows including “Starlungar,” a 10-part series it’s dubbed “‘The Godfather’ of the 13th century” that follows four wealthy and powerful clans as they fight to gain power over Iceland, and “Eyland,” a dystopian series set in present-day Iceland that questions what would happen if communication with the rest of the world suddenly stopped. Truenorth is also attached to co-produce a feature-film adaptation of bestselling Icelandic author Ragnar Jónasson’s thriller “Outside,” which was optioned by Scott Free Productions.

Christopher Vourlias When she arrived in Warsaw just weeks after the Russian invasion of Ukraine, Yanina Kucher — an entertainment industry veteran with more than a decade’s experience in her country’s film business — wasn’t prepared for an extended stay. She’d left first Kyiv, then Lviv, with her cousin’s wife and young niece in tow, traveling to neighboring Poland to wait out what she hoped would be a short-lived skirmish. Warsaw felt somehow familiar, less geographically and culturally removed than the alien metropolises of Western Europe. She had a personal and professional network in the Polish capital that was quick to find her a home. Yet her thoughts never strayed far from the war: to the parents who stubbornly refused to leave Kyiv; to the reports of the Russian army’s brutal, terrifying advance. “It’s every day,” she tells Variety. “I have friends who died in this war. I’m always in touch with my relatives and my friends.”

Christopher Vourlias Producer Ilya Stewart has launched an independent studio based in Europe that will operate on a global scale, working with international talent and focusing on English-language feature films and television series, Variety can exclusively reveal. Hype Studios is the new venture from Stewart, the formerly Moscow-based producer who in recent years has been a fixture at the Cannes Film Festival, where his collaborations with Russian auteur Kirill Serebrennikov, including “Petrov’s Flu” and “Tchaikovsky’s Wife,” have premiered in competition. Among the co-productions with American and European partners currently on Hype Studios’ slate is Zach Wigon’s “Sanctuary,” starring Margaret Qualley and Christopher Abbott, which premieres as a Special Presentation next month at the Toronto International Film Festival and was produced with Rumble Films and Mosaic Films, along with Charades. Also on the slate is Pietro Marcello’s French-language “Scarlet,” produced in partnership with CG Cinéma’s Charles Gillibert, which opened this year’s Directors’ Fortnight in Cannes and will receive its North American premiere at the New York Film Festival.

Christopher Vourlias British filmmaker Michael Winterbottom says he has “no regrets” that the events depicted in his upcoming Sky series “This England,” which follows the COVID-19 response of outgoing U.K. Prime Minister Boris Johnson’s government, did not include the turbulent period that led to Johnson’s resignation in July.Speaking to Variety at the Sarajevo Film Festival, where the director will be giving a masterclass on Friday, Winterbottom said it was his intention from the start to end the six-part limited series after the first wave of the pandemic, a decision that didn’t change with the dramatic events that forced Johnson to step down.“There are limitations in ending it there, but I still think that was the best idea,” the director said.

Christopher Vourlias When it comes to creative pedigree, it would be hard to argue with the bona fides of Bosnian crime drama “The Hollow,” which was co-created by Oscar-winning director Danis Tanović (“No Man’s Land”) and had a splashy premiere Saturday night at the Sarajevo Film Festival. The series is directed by Tanović and Bosnian filmmaker Aida Begić, whose latest feature, “A Ballad,” also received the red-carpet treatment this week in Sarajevo’s official competition.More than just a prestige drama from a region that’s increasingly exporting its shows to the world, however, “The Hollow” could represent a paradigm shift in the countries of the former Yugoslavia, where global streaming services have been acquiring titles such as “The Paper” (Netflix) and “The Silence” (HBO Max) but are yet to put significant investment into local production.

Christopher Vourlias Ukrainian documentary “Dad’s Lullaby” and Romania’s “Between Revolutions” won the Docu Talent Awards, chosen from a field of nine documentary features from Central and Eastern Europe, at the Sarajevo Film Festival on Monday.The Docu Talent Award for the most promising project went to “Dad’s Lullaby” (pictured, above), directed and produced by Lesia Diak. It tells the story of a Ukrainian veteran who returns home burnt out and traumatized from war but hoping to find peace for himself and his family.

Christopher Vourlias Paul Negoescu’s fourth feature, “Men of Deeds,” which world premieres in competition Sunday at the Sarajevo Film Festival, is at first glance a departure from the Romanian director’s previous work. Set in the rural region of Bucovina, it’s a world removed from the swanky bars and bistros of his last film, the Bucharest-set “The Story of a Summer Lover.”The film follows llie (Iulian Postelnicu), a small-town police chief who hopes to settle into a modest, comfortable life. A man of low expectations and dubious morals, he sets his sights on a small plot of land that’s up for sale — an orchard in the countryside where he imagines he can make a fresh start.Nothing, however, goes according to plan.

Christopher Vourlias Bogdan George Apetri’s “Miracle” took home the top prize in the Romanian Days competition at the Transilvania Intl. Film Festival, which saw nine first-time directors among the 12 filmmakers competing in the annual showcase of domestic cinema.It’s the first time such a formidable number of debuts have featured in the competition, offering a snapshot of what the fest’s artistic director Mihai Chirilov describes as a “balanced landscape” of new and established voices in Romania’s celebrated film industry.It’s been nearly two decades since Cristi Puiu’s “The Death of Mr.

Christopher Vourlias When Dumitrana Lupu took over as the head of the Transilvania Film Festival’s industry program earlier this year, she was tasked with a two-fold mission of continuing to discover and boost emerging talents from the host country, as well as ensuring that the Romanian festival remains a vital meeting place for filmmakers from Southeastern Europe and the surrounding region.To do so, she and the organizing team revamped some of TIFF’s industry sections while ensuring that long-running programs provide continuity for a festival that unspools its 21st edition from June 17 – 26.With a focus on the Black Sea region and its neighboring countries, the Transilvania Pitch Stop has emerged as one of the leading co-production and co-financing platforms for the region’s filmmakers. Among the films supported by the TPS since its inception in 2014 include “Apples,” by Greece’s Christos Nikou, which opened the Horizons sidebar of the Venice Film Festival; “The Man Who Surprised Everyone,” a Horizons prize winner from Russia’s Alexey Chupov; and “La Civil,” by Teodora Ana Mihai, which won the Prize of Courage in the Cannes Film Festival’s Un Certain Regard sidebar last year.

Christopher Vourlias Zeynep Atakan, the producer of Nuri Bilge Ceylan’s Palme d’Or winner “Winter Sleep,” has come on board to co-produce and handle international sales for “Hilal, Feza and Other Planets,” director Kutluğ Ataman’s follow-up to his 2014 Berlin Film Festival player, “The Lamb.”The film begins soon after Turkey’s September 1997 coup, when Hilal and Fatma leave their Muslim town near the Turkish capital, Ankara, to study at the state university in Istanbul. A new law bars Fatma from entering the campus if she wears her religious head scarf.

Christopher Vourlias Powerhouse producers Valeriy Fedorovich and Evgeniy Nikishov, the creative duo behind Netflix’s first Russian original series, “Anna K,” quietly left 1-2-3 Production in early March and are now focused on their Moscow-based shingle MC2.Though the announcement was formally made just days removed from Russia’s invasion of Ukraine, Fedorovich said the plan to leave the Gazprom-Media-backed production outfit had been set in motion long ago.“When we set up our own company, it was clear that we [would] have to say goodbye to 1-2-3 Production,” Fedorovich told Variety. “We used to work for others; now we want to work for ourselves.”As the co-heads of the Moscow-based outfit which they launched in 2018, Fedorovich and Nikishov were the creative force behind the plague thriller “To the Lake,” a series that made top 10 lists across the globe after it was acquired by Netflix, and wrapped production last year on the streamer’s first original Russian drama series, “Anna K,” a contemporary retelling of Leo Tolstoy’s classic novel “Anna Karenina.” They were also tapped to produce the Netflix original series “Nothing Special.” But the war in Ukraine, which entered its fourth month this week, has left many high-profile Russian film and TV projects in limbo, as global streaming platforms, international distributors and a range of industry partners have either suspended or pressed pause on their Russian operations.Fedorovich and Nikishov could not comment on the status of either of the two Netflix series currently in the pipeline.

Christopher Vourlias Ukrainian filmmaker Sergei Loznitsa’s latest documentary, “The Natural History of Destruction,” bows May 23 in the Cannes Premiere section of the Cannes Film Festival. The director returns to the Croisette one year after his last feature, “Babi Yar.

Christopher Vourlias Ukrainian director Olha Zhurba and producer Darya Bassel are teaming up on a documentary about Ukraine’s refugee crisis after their last collaboration, “Outside,” premiered at Copenhagen’s CPH:DOX festival this year.The project, with a working title “Displaced,” is being produced by Bassel’s Kyiv-based Moon Man production outfit in co-production with Germany’s Koberstein Film and Denmark’s Final Cut for Real.Zhurba began filming not long after the Russian invasion on Feb. 24, capturing footage of the thousands of Kyiv residents who had flocked to the capital’s railway station for safety.

Christopher Vourlias Ukrainian filmmaker Oleh Sentsov and producer Denis Ivanov are teaming up again after their last collaboration, the ‘90s-set crime drama “Rhino,” premiered in the Venice Film Festival’s Horizons sidebar last year.The new feature, “Shining World,” centers on a mother and her young son living in a small American town in the 1960s. Described by Ivanov as a “fairy tale” with echoes of Wes Anderson’s whimsical tone, it unspools in both the real world and in the imagination of its young protagonist after he learns an amusement park is being built nearby.“Shining World” was written by Sentsov while imprisoned on what his supporters insist were trumped-up charges after Russia’s annexation of Crimea in 2014.

Christopher Vourlias “Million Dollar Pigeons,” which had its world premiere this week at Hot Docs, follows a colorful cast of pigeon masters from far and wide who compete in the most lucrative pigeon races on the planet. Variety has been given exclusive access to the trailer, and speaks to the director, Irish filmmaker Gavin Fitzgerald.The third documentary feature from Fitzgerald, the film enters the world of the passionate “pigeon fanciers” who put their reputations and livelihoods at stake in pursuit of ever-growing prize purses.

Christopher Vourlias Irish director Frankie Fenton explores the movement of global activists who believe nuclear power is our best hope to fight climate change in “Atomic Hope: Inside the Pro-Nuclear Movement,” which world premieres May 3 at the Hot Docs Canadian International Documentary Festival. Paris-based documentary specialist Java Films, which is handling world sales on the film, has given Variety exclusive access to the trailer.Intimately filmed across more than a decade, “Atomic Hope” follows the small movement of nuclear-energy advocates from Japan to Switzerland, America to Australia, as they try to win over a skeptical public – despite stiff opposition from traditional environmentalists and other interest groups.Fenton admits he was as much a nuclear-energy skeptic as the next when he began researching the film.

Christopher Vourlias “Taylor Swift: Miss Americana” director Lana Wilson is developing a documentary feature about psychics that she’ll be presenting this week at CPH:FORUM, the international financing and co-production event held during the Copenhagen Intl. Documentary Film Festival (CPH:DOX), which runs March 23-April 3.“Look Into My Eyes” is a poetic exploration of what Wilson describes as “the oldest and most popular form of therapy,” told through a series of intimate sessions with psychics and their clients.

Christopher Vourlias “I Am Greta” director Nathan Grossman will be taking two new projects in development to the Copenhagen Intl. Documentary Film Festival (CPH:DOX), one of which he’s revealed exclusively to Variety.The documentary feature, with the working title “Amazonia,” follows a series of expeditions into the Amazon led by Sydney Possuelo, considered the leading authority on Brazil’s remaining isolated indigenous peoples.

Christopher Vourlias “Fahrenheit 11/9” producers and Academy Award nominees Carl Deal and Tia Lessin (“Trouble the Water”) are developing a documentary that explores the world of climate profiteering and how the planet’s wealthiest are planning to weather the uncertain century ahead.The duo will be pitching their project during CPH:FORUM, the international financing and co-production event held during the Copenhagen International Documentary Film Festival (CPH:DOX), which runs March 21-April 3.“Sink or $wim” is inspired by journalist McKenzie Funk’s bestseller “Windfall: The Booming Business of Global Warming,” which details how a growing legion of corporations, high-stakes gamblers and entrepreneurs are cashing in on the climate crisis. “We’ve all seen a lot of movies about climate change.

Christopher Vourlias Thessaloniki Film Festival director Orestis Andreadakis was on summer vacation last August when he got a call from Stavros Benos, the head of the newly appointed National Reconstruction Committee, which was tasked with responding to a series of devastating wildfires that had recently swept across the island of Evia.Just weeks before, Greece’s second-largest island had been a densely wooded paradise famous for its production of honey and resin. But nearly a third of Evia was reduced to ash and cinders during a scorching summer that saw an estimated 300,000 acres of forest and bushland incinerated by wildfires across Greece, as soaring temperatures hit a record high of 115.3 degrees.Benos was calling the festival topper with a plea.

Christopher Vourlias Jordanian director Rama Ayasra’s “Harvest Moon,” a documentary that tells the story of two activists on a mission to bring back the cultivation of wheat and its lost heritage to its original homeland of Jordan, took the top prize in the Pitching Forum of the Thessaloniki Documentary Festival’s Agora Docs industry program, which wrapped March 16.The award ceremony Wednesday night brought a close to a successful session that saw more than 300 industry professionals taking part both physically and online. “I think it’s the best proof that the industry is ready to be back in business – if it ever stopped,” said the festival’s general director, Elise Jalladeau.In its selection of “Harvest Moon” (pictured), which is produced by Mariam Salim (New Productions) and co-produced by Asmahan Bkerat, the jury offered its hope that the award “can help the seeds of an idea grow into a beautiful and important documentary.” “The winning pitch had integrity, a deep affinity to its characters and a clear awareness of the potential social impact of the film,” read the jury’s statement.

Christopher Vourlias Before the Russian army launched an invasion of Ukraine on Feb. 24, French war correspondent Loup Bureau was embedded in Donbass, the restive borderland in Eastern Ukraine, which since 2014 has been the site of an ongoing conflict between Russian-backed separatist groups and Ukrainian government forces.Reports were circulating of an impending Russian attack. Bureau, who had already spent time in the region while shooting his feature-length documentary “Trenches” – screening next week at the Thessaloniki Documentary Festival – expected it to be a localized skirmish.

Christopher Vourlias A fortnight ago, documentary filmmaker Vera Krichevskaya was anticipating the Russia release of her latest feature, “F@ck This Job,” a spirited, behind-the-scenes portrait of the country’s last independent broadcaster, TV Rain. But just days before the film’s Moscow premiere, Russian military forces invaded Ukraine.

Christopher Vourlias Denis Ivanov, the Ukrainian producer of critically acclaimed films including Myroslav Slaboshpytskiy’s “The Tribe,” Sergey Loznitsa’s “Donbass” and Oleh Sentsov’s “Rhino,” has penned an impassioned letter against Russia’s war in Ukraine, describing it as a “genocide against Ukrainians” and accusing the Russian military of war crimes.In the letter, Ivanov gave his full-throated support to a boycott on Russian films, demanding “no more ‘business as usual’ with Putin’s Russia.”“I think some festival selectors, film professionals and cultural managers just do not get what is happening in Ukraine,” he wrote, in light of an ongoing campaign by the Russian military that has escalated in recent days. “This war of aggression by the Russians has turned into a war on independence and a war for values and rights.

Christopher Vourlias Rwandan director Kivu Ruhorahoza’s “Father’s Day,” which bows in the competitive Encounters strand of the Berlin Film Festival, is a timely story of fatherhood in a country that saw a generation orphaned by one of the worst atrocities of the 20th century.The film presents a trio of interwoven stories set in the East African nation. A mother tries to cope with the loss of her only son.