Christopher Vourlias Latest Celebrity News & Gossip

Christopher Vourlias Palestinian director Hana Elias’ “If These Stones Could Talk,” which follows a Palestinian man’s return to his homeland to restore his family’s ancestral garden, and Argentine filmmaker María Silvia Esteve’s “Mailin,” about a woman’s painful struggle to overcome her childhood trauma, took the top prizes at the Thessaloniki Documentary Festival’s industry award ceremony Wednesday night. During an emotionally charged conclusion to the festival’s Agora strand, in which several filmmakers voiced their strident support for Palestine and called for a ceasefire to the more than five-month-old Israel-Hamas war in Gaza, a tearful Elias took the stage alongside producer Asmahan Bkerat to receive the top prize in the Agora’s pitching forum, a €10,000 ($10,900) cash prize from the International Emerging Film Talents Assn. (IEFTA).

Christopher Vourlias Iranian filmmaker Farahnaz Sharifi‘s “My Stolen Planet,” an intimate family portrait of life during Iran’s 1979 Islamic revolution, won the Golden Alexander at the Thessaloniki Documentary Festival on Sunday, bringing a close to an emotional and politically charged week in Greece’s second city. Using both the director’s personal archives and 8mm recordings of strangers’ lives, the film — which world premiered in the Berlin Film Festival’s Panorama strand — uses an essayistic style to present the joy and vitality of life in Tehran in the 1970s, in contrast with the oppression imposed on the Iranian people by the country’s hardline regime.

Christopher Vourlias Viola Davis and Julius Tennon’s JuVee Productions, which recently wrapped the action-thriller “G20” for Amazon Studios and MRC Film in Cape Town, is planning to return to South Africa to film the true story of a young African refugee’s improbable journey to the U.S., the company’s head of film production and development, Melanie Clark, revealed this week at the Joburg Film Festival. Developing the film with a working title of “The Refugee,” Clark said Davis and Tennon’s production banner is “actively working on [it] with some local partners and are in the process of figuring out how to shoot it” in South Africa, adding that “we do plan to shoot that here.” The veteran production executive described the project as “the true story of a young Sierra Leonean boy who lost his mother in [the country’s civil war] and found himself alone, because no family would take him in any refugee camp.

Christopher Vourlias South Africa’s Known Associates, the fast-growing parent company of Johannesburg-based Known Associates Entertainment (KAE) and Cape Town-based Moonlighting Films, is launching into unscripted programming, Variety can reveal. The company has acquired a 60% stake in Zero Gravity, a production outfit founded in 2017 by former Endemol Shine Africa and Trace Studios CEO Sivan Pillay, and will team up with South African media giant Primedia to “relaunch multiple new high-end unscripted formats,” according to Pillay.

Christopher Vourlias Akin Omotoso, the filmmaker behind Disney Plus’ Giannis Antetokounmpo biopic “Rise,” has been attached to direct “The Plot to Save South Africa,” an adaptation of Justice Malala’s gripping book about a 1990s white supremacist plot that almost plunged the young democracy into civil war. “The Plot to Save South Africa” will be produced by Johannesburg-based production outfit Ochre Moving Pictures, which signed a deal with Netflix last year to adapt multiple books for the streaming service alongside Omotoso.

Christopher Vourlias “The Man With the Crooked Arm,” a Western drama series created by Perivi Katjavivi that was presented at the Berlinale Co-Production Market, is the latest attempt by the Namibian filmmaker to wrestle with the legacy of German colonialism in his southern African nation. The eight-episode limited series follows a notorious Black cowboy who sets off on horseback across colonial-era Africa with stolen loot and an orphaned boy.

Christopher Vourlias Abel Ferrara has made a career out of staring unflinchingly into the abyss, interrogating man’s weakness and depravity and daring his audiences to look away. Faced with the catastrophic violence of the war in Ukraine, however, which he chronicles in the Berlin-premiering documentary “Turn in the Wound,” even the iconoclastic director finds himself at a loss — for words, and for easy answers.

Christopher Vourlias Greek filmmaker Yorgos Zois, who’s set to bow his sophomore feature, “Arcadia,” in the competitive Encounters strand of the Berlin Film Festival Feb. 18, is developing his first TV series. “Play” follows a lone cinephile who joins a mysterious group of strangers that reenact scenes from movies in real life.

Christopher Vourlias A lonely widower wrestling with the loss of his wife finds himself in the thralls of a mental health crisis, setting the stage for a moving tale of grief and acceptance in Mamadou Dia’s “Demba,” which premieres Feb. 17 in the Encounters section at the Berlin Film Festival. “Demba” follows its titular protagonist, an archivist in a provincial Senegalese town being nudged toward an early retirement after nearly 30 years in the civil service.

Christopher Vourlias K5 Intl., the international sales arm of K5 Media Group, has acquired world sales rights excluding North America to “Stay Online,” a tense Ukraine war drama that was entirely shot in the Eastern European country after the Russian invasion, the company announced at the European Film Market. The film, which debuted last year at Montreal’s Fantasia Film Festival, recently sold to Dark Star Pictures for North American distribution in a deal brokered by XYZ Films. A U.S.

Christopher Vourlias Palestinian filmmaker Mohamed Jabaly, who won the best director award at documentary festival IDFA on Thursday for “Life Is Beautiful,” has expressed his sense of helplessness amid the rising death toll in Gaza, where he was born. On Oct. 7, Hamas – a terrorist organization that has ruled Gaza since 2006 – launched coordinated attacks in Israel, killing over 1,200 civilians, and taking over 240 civilian hostages.

Christopher Vourlias Sofia Exarchou’s “Animal” won the Golden Alexander at the 64th Thessaloniki Film Festival on Sunday, marking the first time in 30 years that a Greek film took home the top honors at the country’s longest-running film event. Exarchou’s sophomore feature, which premiered at the Locarno Film Festival, was praised by Variety’s Jessica Kiang as “a poignant portrait of life amid the sequins and the seediness of a Greek resort.” The film follows a group of entertainers at an all-inclusive island resort preparing for the busy tourist season who are forced to wrestle with the dark reality that the show must go on as the sultry Mediterranean nights turn violent.

Valerie Wu Intern “Poor Things,” starring Emma Stone and Mark Ruffalo, has already generated a substantial amount of Oscars buzz, becoming a major contender for next year’s awards season. What less people might know about the film is that it was shot in Budapest, Hungary — a location that appealed to the “Poor Things” filmmakers for its “abundant studio space,” “highly skilled crew base,” “favorable costs” and “attractive 30% cash rebate,” according to Christopher Vourlias of Variety. Not only that, but Hollywood filmmakers have historically used Hungary in their productions, with films like “Dune,” “Blade Runner 2049” and “Black Widow” all being shot in Budapest.

Christopher Vourlias When Roma actress-turned-director Alina Șerban reflects on her life, rising from an impoverished background in Bucharest to become an acclaimed and groundbreaking force on stage and screen, she describes it as “an urban Cinderella story.” A review from one of her first stage shows, she says, sums it up best: “Roma actress beats the odds.” As a multi-faceted artist, Șerban has dedicated her life and career to reframing the narrative about her marginalized community. Now she’s developing her feature-length directorial debut, “I Matter,” a deeply personal story about a young Roma woman studying to be an actor who, faced with the threat of being kicked out of her orphanage, must suddenly confront the reality of making it through life on her own.

Christopher Vourlias When the Thessaloniki Intl. Film Festival kicks off its 64th edition on Nov. 2, the organizers will unveil a host of changes while renewing their commitment to serving audiences at one of Europe’s longest-running film events — all at a time of almost unprecedented uncertainty over the future of cinema and even the very purpose of festivals themselves.

Christopher Vourlias When director Yorgos Lanthimos approached production designers James Price and Shona Heath with a vision for his latest feature, “Poor Things,” the Venice sensation and Golden Lion winner that’s landed the filmmaker and lead actress Emma Stone at the forefront of this year’s Oscar race, the notoriously meticulous and demanding director had no shortage of notes for the duo. Nor did he have any reservations about the scale of what he wanted to achieve.

Christopher Vourlias Annecy Cristal Prize winner Áron Gauder, who won the festival’s top prize in 2005 for his time-traveling love story “The District!”, returned to the prestigious French animation event this year with “Four Souls of Coyote,” an epic adventure inspired by a Native American myth about the creation of the universe that scooped the festival’s Jury Award. Produced by Budapest-based animation studio Cinemon Entertainment and written and created by Gauder, the 2D-animated project is Hungary’s selection for the best international feature film race at the 96th Academy Awards and plays next at the Hungarian Film Festival of Los Angeles, which runs Oct. 27 – Nov.

Christopher Vourlias Polish filmmaker Agnieszka Holland has remained defiant despite a wave of vicious political attacks and online hate speech as she prepares to release her Venice Special Jury Prize-winning refugee drama “Green Border” in Poland on Sept. 22.

Christopher Vourlias Finnish director Marika Harjusaari makes her feature debut with the female-centered, 19th-century-set horror “The Mire,” which follows a woman who must use her mysterious powers to save a Finnish village from a malevolent spirit. The film will be presented this week as part of a showcase of upcoming Finnish titles at the Finnish Film Affair.

Christopher Vourlias When U.K. writer-director Jonathan Glazer approached Polish cinematographer Łukasz Żal about “The Zone of Interest,” a provocative Holocaust drama adapted from a 2014 novel by Martin Amis, he had a bold proposition for the film, which centers on the domestic life of an Auschwitz commandant and his family living in the shadow of the notorious concentration camp. What if, Glazer suggested, they shoot the scenes inside the Höss family home without a single camera on set? Working on location, production designer Chris Oddy and his crew built a replica of the camp commandant’s real-life house.

Christopher Vourlias When the last American transport plane left the tarmac at Kabul’s international airport in August 2021, ending a chaotic withdrawal from Afghanistan and marking an unceremonious conclusion to what had been known as the “forever war,” the U.S. left more than unfulfilled promises and unanswered questions in its wake: Also left behind was more than $7 billion in military equipment, now in the hands of an Islamist government that rose to power not at the ballot box, but at the barrel of a gun.

Christopher Vourlias Receiving a lifetime achievement award this week at the Sarajevo Film Festival, Scottish director Lynne Ramsay teased a slew of projects currently in the pipeline, heralding her much-anticipated return to the director’s chair since wowing Cannes in 2017 with the Joaquin Phoenix-starring thriller “You Were Never Really Here.” Among them are a second collaboration with Phoenix, who earned best actor honors on the Croisette for that performance, as well as “Stone Mattress,” a revenge thriller set aboard a luxury Arctic cruise that stars Julianne Moore and Sandra Oh. There’s also “Die, My Love,” starring Jennifer Lawrence, which is based on the novel by Argentinian writer Ariana Harwicz about a woman living in isolation in rural France who loses her mind amid marriage and motherhood.

Christopher Vourlias Ukrainian filmmaker Roman Bondarchuk is winding down post-production on his latest feature film, “The Editorial Office,” a dramedy set on the eve of the Russian invasion. It’s among the works in progress being presented this week at CineLink Industry Days, the industry arm of the Sarajevo Film Festival.

Christopher Vourlias U2 frontman Bono made a surprise appearance Friday night at the opening ceremony of the Sarajevo Film Festival, with the Irish pop star leading a rapturous crowd in a cappella rendition of Bob Marley’s “Redemption Song.” The legendary vocalist, appearing alongside bandmate the Edge, took the stage after an emotional screening of “Kiss the Future,” director Nenad Cicin-Sain’s documentary, produced by Ben Affleck and Matt Damon, about U2’s relationship with war-torn Sarajevo in the 1990s. Based on American-born aid worker Bill Carter’s “Fools Rush in: A Memoir,” the film chronicles the band’s efforts to publicize the plight of the city’s besieged civilians during the Bosnian War.

Christopher Vourlias When the Sarajevo Film Festival returned to full strength last year after successive, slimmed-down pandemic editions, a robust turn-out was to be expected. For nearly three decades, the audience-facing event has been the cultural lifeblood of the lively, cosmopolitan city it calls home. The 2022 edition broke attendance records set in 2019, and just days after its online ticketing system launched this month, the fest appears on pace to surpass that mark again.

Christopher Vourlias Berlin Golden Bear winner Radu Jude, whose latest feature, “Do Not Expect Too Much From the End of the World,” premieres Aug. 4 in competition at the Locarno Film Festival, is in post-production on his next film, Variety can reveal.

Christopher Vourlias Greek filmmaker Sofia Exarchou’s drama “Animal,” which world premieres Aug. 3 in competition at the Locarno Film Festival, has secured its first distribution deals and released a teaser (see below). The anticipated follow-up to Exarchou’s first feature, “Park,” which premiered at the Toronto Film Festival and won the New Directors Award in San Sebastian, “Animal” will be distributed in France by Shellac and in Austria by Filmgarten.

Christopher Vourlias “Stay Online,” a Ukraine war drama from director Yeva Strelnikova which uses the innovative Screenlife format, has dropped a trailer ahead of its world premiere July 22 at Montreal’s Fantasia Film Festival. Variety has been given exclusive access (see below). Set after the Russian invasion of Ukraine last February, the film begins when a young woman (Liza Zaitseva) volunteering in Kyiv is given one of the thousands of laptops donated by ordinary Ukrainians to support the war effort. She’s asked to install a sensitive military application and deliver the laptop to her brother serving on the frontline. But the woman receives a mysterious video call from a young boy searching for his father, the laptop’s previous owner, who went missing during the Russian army’s brutal massacre of innocent civilians in Bucha. Reluctantly, she agrees to help find his missing parents — a decision that will ultimately force her to risk the lives of her own loved ones.

Christopher Vourlias Iranian filmmaker Dornaz Hajiha took home the top prize Saturday at the Transilvania Film Festival, as the jury awarded the first-time director with the Transilvania Trophy for “Like a Fish on the Moon,” a moving family drama about two parents coping with the emotional fallout when their young son suddenly stops talking. In the jury’s citation, Mexican filmmaker Michel Franco highlighted “the originality of its premise, the power of its performances, and the intelligence with which it explored very difficult subject matter,” describing “Like a Fish on the Moon” as “a film that resonated long after it ended.” Hajiha was visibly moved as she took the stage to accept the award, which was presented to her by Transilvania Lifetime Achievement Award winner Geoffrey Rush moments after the Australian actor delivered an impassioned and at times whimsical tribute to the power of cinema.

Christopher Vourlias Romanian filmmaker Cosmin Nicolae’s “Pyrrhic,” a feature debut about an army veteran sent into a downward spiral after returning home from Afghanistan, took home the top prize Friday at the Transilvania Pitch Stop, the co-production forum of the Transilvania Film Festival. The Chainsaw Europe Post-Production Award comes with €25,000 ($27,400) in post-production services for the winning project. Nicolae’s war drama follows a veteran returning to her hometown on the Black Sea coast, where a harrowing discovery jeopardizes the process of coming to terms with her traumas and with a drifting society. The film is produced by Velvet Moraru of Bucharest-based Icon Production.

Christopher Vourlias When “Avatar 2: Way of the Water” surged to the top of the Romanian box office earlier this year to become the highest-grossing film of all time, it marked an auspicious sign for a theatrical business still looking to recover from the doldrums of the coronavirus pandemic. Yet local industry-watchers were even more encouraged to see a historic first in 2022, with two Romanian films cracking the top 10 at the year-end box office — a striking achievement for an industry that hasn’t historically been known for cranking out crowd-pleasing hits. Topping the list was “Teambuilding,” a satirical workplace comedy from directors Matei Dima, Alex Coteț and Cosmin Nedelcu, which briefly reigned as the top-grossing film ever in Romania before being knocked from its perch by James Cameron’s blockbuster, which has raked in more than $8.3 million to date.

Christopher Vourlias Romania’s culture minister Lucian Romașcanu is confident that the country’s beleaguered cash rebate system is back on track, insisting in Cannes on Sunday that the government is committed to “repairing” a scheme that has ground to a halt in recent years. “Everyone in politics, starting with the future Prime Minister MarcelCiolacu, understands the importance of that,” said Romașcanu, outlining plans to rebuild confidence in an incentive program that faces stiff competition in the region. “There is definitely a ‘yes’ from the political world.” According to Romașcanu, the administration is now determined to clear a backlog of roughly €100 million ($108.2 million) owed to foreign productions that have lensed in the Eastern European nation since the rebate was introduced, after a host of lawsuits over outstanding payments pushed the cashback program to a breaking point.

Christopher Vourlias Debutante director Ramata-Toulaye Sy will join one of world cinema’s most select clubs when she climbs the stairs of the Grand Theatre Lumière on May 20 for the premiere of “Banel & Adama,” which unspools in the main competition at the Cannes Film Festival. It marks just the second time in the French fest’s 76-year history that a Black woman will compete for the Palme d’Or, a glass ceiling that was shattered only four years ago by Sy’s French Senegalese compatriot, Mati Diop (“Atlantics”). While acknowledging the honor, it is a club, Sy admits, about which she has some ambivalence. “I really hope that soon all this will be taken for granted — that we won’t be counting the Black directors, that we won’t be counting women,” the helmer tells Variety. “It means that there’s still something wrong, that there’s still something that hasn’t become completely normal and natural.”

Christopher Vourlias Actor Sebastian Stan has come on board to produce “Blue Banks,” the feature debut of Romanian director Andreea Cristina Borțun, whose 2021 short film “When Night Meets Dawn” premiered in Directors’ Fortnight. Pic follows Lavinia, a single mother trying to make a better life on her own terms for herself and her 13-year-old son, who live in a poor Romanian village. She is impulsive, prone to misreading situations, and not sure how to love. But her son, on the threshold between childhood and adolescence, needs his mother more than ever, and over the course of four seasons their relationship is put to the test. Stan, who was born in Romania, will produce the film alongside Romanian producer Gabi Suciu, French co-producers Jean-Laurent Csinidis and Jerome Nunes and Slovenian co-producer Ales Pavlin. Shooting will take place in Romania throughout the year and is set to wrap in October.

Christopher Vourlias Four African episodic screenwriters will take the stage Tuesday at Series Mania to pitch the genre-flavored series they currently have in development, a crop of shows that reflect the rich and fertile landscape for African series creators looking to tap into the global TV market.  The shows are created by the first graduating class of the AuthenticA Series Lab, a training program for African episodic screenwriters launched last year by Realness Institutein partnership with Geneva-based philanthropic organization The StoryBoard Collective and Series Mania. The four participants have spent the past six months in a collaborative environment that included both online workshops and residencies in South Africa and Switzerland, while attending masterclasses with leading industry professionals and working with a mentoring team comprised of creative producer Mehret Mandefro and story expert Selina Ukwuoma.

Christopher Vourlias The Thessaloniki Documentary Festival has called off its opening ceremony on Thursday as the Greek government declared three days of national mourning following a train crash Tuesday night that claimed at least 36 lives. In a statement posted on Facebook Wednesday evening, the festival said it had canceled its official curtain raiser, “as well as all festive events and concerts scheduled to be held within the framework of the 25th Thessaloniki International Documentary Festival, taking part in the three-day mourning declared following the unprecedented tragedy of the train collision in Tempi. “In these hours of grief and pain, our thoughts are with the families of the victims, to whom we express our most sincere condolences,” the statement read.