Catherine Corsini Latest Celebrity News & Gossip

The Cannes Film Festival red carpet is usually accustomed to protests and demonstrations. Last year there were multiple.

Leo Barraclough International Features Editor In Christine Angot‘s documentary “A Family,” which premieres Sunday in the Encounters section of the Berlin Film Festival, the French novelist explores how various members of her family reacted to the revelation that she was repeatedly raped by her father from the age of 13. The film starts with a startling confrontation between Angot and her stepmother in Strasbourg, with Angot pushing her way into her stepmother’s apartment with a camera-person and proceeding to question the woman about Angot’s late father’s crimes and the wife’s view on that. Angot says that this incident was not planned at all.

France’s César Academy has unveiled its annual Revelations list showcasing 32 emerging acting talents making their mark in the French-speaking cinema world.

EXCLUSIVE: Deadline spoke to leading international sales firm Playtime about why it made sense to join new European film and TV studio Vuelta Group, which we revealed earlier this morning.

Leading French producer Marc Missonnier, who had his Cannes Film Festival accreditation revoked after he publicly criticized its selection of Catherine Corsini’s Homecoming, has finally received a badge.

Elsa Keslassy International Correspondent Leading French producer Michael Gentile’s Paris-based outfit The Film is about to start shooting Julie Delpy’s next directorial outing, “The Barbarians,” and Laurence Arné’s “Les Hennedricks” starring Dany Boon. Delpy’s comeback to French filmmaking since “Lolo,” “The Barbarians” is a satirical comedy unfolding in a small town in Brittany which is preparing to welcome Ukrainian refugees after voting unanimously to greet them in exchange for subsidies from the government. But instead of seeing Ukrainians come into town, they see Syrian refugees, causing some tensions among locals and testing their liberal beliefs. Delpy will star in the film opposite Sandrine Kiberlain (“Mademoiselle Chambon”), Laurent Lafitte (“Elle”) and Ziad Bakri (“The Weekend Away”), India Hair (“Angry Annie”), Mathieu Demy (“The Bureau”) and Delpy’s father Albert Delpy.

Welcome, Insiders. Cannes is now well under way while the picket lines remain busy in LA. Jesse Whittock here in London. I’ve rounded up all the big and important news from film and TV, so sit back and enjoy the read. Subscribe here.

The European Producers Club (EPC) has issued a statement expressing solidarity for French producer Marc Missonnier who has had his Cannes accreditation revoked for criticizing the festival on social media.

If you thought Maïwenn’s Johnny Depp movie Jeanne du Barry arrived at Cannes with a lot of baggage, Catherine Corsini’s Homecoming didn’t spare in its ruffling of French media feathers with stories about harassment of workers on the pic’s set and a masturbation scene involving minors.

Guy Lodge Film Critic The story template of “Homecoming” is a standard one: Years after an unexplained trauma, a family returns to the place they once called home, where hidden truths come to light and bitter conflicts arise over the course of one seemingly idyllic summer. Yet for all the secrets and lies that shape the narrative of Catherine Corsini’s straightforwardly told but consistently intriguing new film, its most interesting tensions often emerge from things its characters already know, even if they haven’t acknowledged them out loud. For Black single parent Khédidja (Aïssatou Diallo Sagna), arriving at the Corsican birthplace of her children after 15 years away, disinterring a buried past throws her maternal insecurities into sharp relief; for her teenage daughters Jessica (Suzy Bemba) and Farah (Esther Gohourou), what revelations the trip yields only underline their respective senses of not-belonging in their own small family.

Cannes Film Festival in as many days, Catherine Corsini’s “Homecoming” is vastly more interesting than that other film maudit, “Jeanne du Barry,” though the pair make for worthy foils.While Maïwenn’s stuffy historical epic drew protests on the Croisette due to the extracurricular activities of its stars, Corsini’s windswept jaunt very nearly didn’t make the trip – the title was omitted from the competition when news of irresponsible on-set practices broke just before the selection was announced. That the lack of oversight involved a minor seemed to seal the project’s fate before a subsequent investigation and the absence of any formal complaints put the title back on track.

There is the good sister, with A grades, university prospects and a sense of decorum in company. And then there is the younger sister who can’t see a volume button without turning up the music, who is quick to complain or pick an argument, who spots someone else’s drug stash and thinks she could steal it and maybe make some pocket money selling deals on the beach, because what – what – could possibly go wrong with that plan?

A French producer who called for a boycott of the Cannes Film Festival over its selection of Catherine Corsini’s Competition film Homecoming, claims his accreditation has been cancelled in retaliation.

Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.

Elsa Keslassy International Correspondent Catherine Corsini, an outspoken queer activist and co-founder of France’s feminist organization 50:50, should have been celebrating her new film’s inclusion in the competition lineup of the Cannes Film Festival. Instead, she found herself in the middle of a firestorm after “Homecoming,” her coming-of-age story, failed to get the proper government approvals for a scene of a sexual nature involving two minors.   Corsini admits that mistakes were made. But she says that she took every effort to protect her young actors from being exploited.   That scene, which was eventually cut from the movie, became the object of wild rumors, which Corsini said are false, “crazy, completely out of control.” “I’m hallucinating at things I’m reading, accusing me of having forced Esther to do a blowjob or masturbate herself,” she said. 

The 76th Festival de Cannes already had a jury president in two-time Palme d’Or winner Ruben Ostlünd. It now has eight more members to fill out its jury.

Playtime has unveiled a strong Cannes film market sales slate, which includes competition titles “About Dry Grasses” and “Homecoming.” “About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.

French director Catherine Corsini and her producer Elisabeth Perez have published an open letter denying wrongdoing on the set of upcoming Cannes Palme d’Or contender Le Retour.

Elsa Keslassy International Correspondent Catherine Corsini, the French director of “Le Retour,” which was added to the competition lineup for the 76th edition of Cannes on Monday, has addressed the reports in French media of alleged inappropriate incidents during production of the film. Corsini’s competition slot was on hold for nearly 10 days after Cannes’s administration board heard that a scene of a sexual nature involving the 15-year old female protagonist of the film was added to the script and allegedly filmed without the consent of the Commission des Enfants du Spectacle, a government-backed organization. French reports also said Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors.

COMPETITION“Black Flies” (Jean-Stéphane Sauvaire)“LE RETOUR“Le Retour” (Catherine Corsini)CANNES PREMIÈRE“Perdidos en la Noche” (Amat Escalante)“L’Amour et les Forets” (Valérie Donzelli)“Eureka” (Lisandro Alonso)OUT OF COMPETITION“L’abbe Pierre – Une Vie de Combats” (Frédéric Tellier)UN CERTAIN REGARD“Only the River Flows” (Wei Shujun)“Une Nuit” (Alex Lutz)The film will be screened Out of Competition – Closing Un Certain RegardSHORT FILM“Filles du Feu” (Pedro Costa)SPECIAL SCREENINGS“Little Girl Blue” (Mona Achache)“Bread and Roses” (Sahra Mani)“Le Theoreme de Marguerite” (Anna Novion)MIDNIGHT SCREENING“Hypnotic” (Robert Rodriguez)“Project Silence” (Kim Tae-gon)

Elsa Keslassy International Correspondent Jean-Stéphane Sauvaire’s “Black Flies” starring Sean Penn, and Catherine Corsini’s “Le retour” have been added to the competition lineup of the upcoming 76th Cannes Film Festival. As many as 13 movies have been peppered across several sections, including the competition, special screening, Un Certain Regard and out of competition. Robert Rodriguez’s “Hypnotic” and Kim Tae-gon’s “Project Silence” are joining the Midnight Screening roster, while Amat Escalante’s Mexican drama “Perdidos en la Noche” and Argentinian helmer Lisandro Alonso’s thriller “Eureka” starring Viggo Mortensen and José María Yazpik, will bow at Cannes Premiere, a non-competitive section launched in 2021. Alonso previously won Cannes’ Un Certain Regard with his 2014 movie “Jauja.” Also slated for Cannes Premiere is Valerie Donzelli’s drama “L’Amour et les forets.”

The Cannes Film Festival has announced a raft of new additions to the Official Selection of its 76th edition running May 16 to 27.

Elsa Keslassy International Correspondent French director Catherine Corsini was meant to be the seventh female director in competition at the 72nd edition of Cannes with her film “Le Retour” (The Return). But her competition slot is on hold for now after news broke about several alleged inappropriate incidents during filming. The night before the press conference on April 13, Cannes chief Thierry Fremaux confirmed to the director that she would have a competition slot, but shortly before the start of the announcement, the festival’s administration board decided to hold off on including the title as part of the lineup. The delay came after the board discovered that Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors, according to French reports. Fremaux told Variety the “administration board wished to gather more information about the situation around the film before taking a decision on whether to include the film in its Official Selection.”

European Film Academy will honor Italian director March Bellocchio for his mini-series Exterior Night at its 35th European Film Awards ceremony on December 10 in the Icelandic capital of Reykjavik.

Naman Ramachandran Italian auteur Marco Bellocchio will be presented with the European Film Academy’s Award for European Innovative Storytelling for his miniseries “Exterior Night.” The director will be guest of honor at the 35th European Film Awards ceremony on Dec. 10 at Reykjavik. In “Exterior Night,” Bellocchio returns to the case of the kidnapping and assassination of former Italian Prime Minister Aldo Moro by the Red Brigades in 1978, a subject that he tackled in his feature film “Good Morning, Night,” for which he received the FIPRESCI Prize at the 2003 European Film Awards. The academy has also revealed nominations in several categories for the awards.

Juliette Binoche, Marion Cotillard, Isabelle Huppert and other French actresses have cut their hair in solidarity with Iranian women. The trio joined 50 other French cinema icons such as Isabelle Adjani, Charlotte Gainsbourg and Alexandra Lamy to give themselves a haircut to express their support for the widespread civil unrest in Iran that was kickstarted by the state-sanctioned killing of the 22-year-old activist Mahsa Amini after she refused to follow the law forcing women to don the hijab on September 16. The video - which was hashtagged with the phrase Hair For Freedom and was posted on Wednesday (05.

Elsa Keslassy International Correspondent Award-winning filmmakers Alice Diop (“Saint Omer”), Audrey Diwan (“Happening”), Julia Ducournau (“Titane”), Michel Hazanavicius (“The Artist”), Jacques Audiard (“Dheepan”), and actors Juliette Binoche, Marion Cotillard, Isabelle Huppert, Lea Seydoux are among nearly 1,000 prominent French film figures who have signed an open letter to support Iranian women and civil rights activists in their revolt over the death of 22 year-old Mahsa Amini, as well as denounce the “murderous violence” of the Iranian regime. Amini, a Kurdish woman, died in custody on Sept. 16, three days after being arrested in Tehran because she allegedly breached the Islamic republic’s strict dress code for women. Her death has sparked protests across Iran, including in Tehran, Isfahan and Yazd, and in cities around the world, including in Paris, Istanbul and Los Angeles. Amnesty International said Iranian authorities have been “intentionally using lethal force against the protesters,” causing more than more 52 deaths (as of Sept. 30). The organization has urged international action “beyond statements of condemnation” to prevent more people from being killed.

The number of female filmmakers selected for Cannes Film Festival’s Competition program dipped this year, with three of the 18 titles unveiled this morning helmed by women. However, because the selection is smaller this time, the percentage remained consistent.

Elsa Keslassy International CorrespondentAudrey Diwan’s Venice’s Golden Lion prize-winning “Happening,” has won France’s Alice Guy Award for the best female-directed French film of the year.The Alice Guy Prize, which was named in honor of the first female helmer, was created by veteran film journalist Veronique Le Bris in 2018 to highlight the work of women directors. The other four movies which were vying for the prize were Aissa Maiga’s lushly-lensed documentary feature “Marcher sur l’eau” and Catherine Corsini’s timely social drama “La fracture” which world premiered at last year’s Cannes in the official selection; as well as Aurélie Saada’s uplifting dramedy “Rose” and Charlène Favier’s “Slalom,” a coming-of-age film set in the world of competitive skiing.

Elsa Keslassy International CorrespondentFrance’s equivalent to the Oscars, the Cesar Awards, are taking place this evening in Paris. Among the nominees, and in attendance, are “Annette” star Adam Driver and Cate Blanchett, who will receive the Honorary Cesar Award.The in-person ceremony is being hosted at the Olympia theater in Paris under tight COVID restrictions, as all guests have to wear a mask, be vaccinated and present a test dating from less than 24 hours.Driver is up for best actor for his performance as a tormented comedian opposite Marion Cotillard in Leos Carax’s drama musical “Annette.” Only two other American actors have been previously nominated at the Cesar Awards — Kristen Stewart for Olivier Assayas’ “Clouds of Sils Maria” and Adrien Brody for Roman Polanski’s Oscar-winning “The Pianist.” Both actors won, in 2015 and 2003, respectively.

Elsa Keslassy International CorrespondentXavier Giannoli’s sprawling period piece “Lost Illusions,” Valerie Lemercier’s Celine Dion biopic “Aline” and Leos Carax’s musical romance “Annette” with Marion Cotillard and Adam Driver are leading the race at France’s 47th Cesar Awards, France’s equivalent to the Oscars. Other top Cesar contenders include Cedric Jimenez’s action-packed cop drama “Bac Nord,” Catherine Corsini’s social drama “La fracture,” Yann Gozlan’s thriller Boite noire,” Jacques Audiard’s contemporary love drama “Paris, 13th District” and Arthur Harari’s WW2-set “Onoda: 10,000 Nights in the Jungle.” Audrey Diwan’s Venice Golden Lion-winning “Happening” and Julia Ducournau’s Cannes’ Palme d’Or-winning “Titane” earned four nods each.

A sweeping social protest met with utter chaos in an emergency room—especially to the American festival-goer at Cannes, this brief sounds like an unpleasant evocation of 2020. And indeed, filmed in the immediate aftermath of the gilets jaunes protests in France, Catherine Corsini’s “The Divide” (“La fracture”) both reflects the past year and eerily foreshadows the true disaster in emergency rooms that followed the events of the film.

Peter Debruge Chief Film CriticLesbian couple Julie and Raphaëlle are on the brink of breaking up when the latter slips and smashes her elbow in “The Divide,” but if you zoom out, all of France seems to be at similar risk of shattering. The French title for “Replay” director Catherine Corsini’s 14th feature (her first to compete at Cannes since 2001), “La fracture,” does a better job of suggesting all the ways the country and her characters can’t be put back together again.

Cannes Film Festival has again tied its personal best number of four female filmmakers in its Competition program, matching 2019 and 2011. However, the percentage of women represented is smaller as the overall number of titles in the section is larger this year.

MAIN COMPETITION“Ahed’s Knee,” Nadav Lapid“Annette,” Leos Carax“Benedetta,” Paul Verhoeven“Bergman Island,” Mia Hansen-Love“Drive My Car,” Ryusuke Hamaguchi“Flag Day,” Sean Penn“The French Dispatch,” Wes Anderson“Haut et Fort” (“Casablanca Beats”), Nabil Ayouch“A Hero,” Asghar Farhadi“Hytti Nro 6” (“Compartment No.

Elsa Keslassy International CorrespondentGregoire Melin’s Kinology, the Paris-based company handling Leos Carax’s and Mia Hansen-Love’s next films, has added a string of ambitious new films from a mix of emerging and seasoned directors.Kinology has launched sales on “A Girl’s Room,” a stylish psychological thriller directed by Finnish up-and-coming helmer Aino Suni; “The Divide,” a stars-packed film by French director Catherine Corsini (“Three Worlds”); “Third Grade” by veteran director Jacques