EXCLUSIVE: Mohamed Diab is set to direct Leap, a high concept action thriller script by Source Code writer Ben Ripley and produced by The Picture Company.
EXCLUSIVE: Mohamed Diab is set to direct Leap, a high concept action thriller script by Source Code writer Ben Ripley and produced by The Picture Company.
Bob Vylan have called out “cowardly” bands Sleaford Mods and IDLES for not speaking out in support of Palestine.The comments against the bands came during Bob Vylan’s show in Dublin last night (November 9), when the frontman spoke directly to the crowd to share his support of those caught up in the Palestine/Israel conflict.Referring to some of the distressing scenes shown on the news and social media of those in Gaza, they recalled their annoyance at the “cowardly” bands who claim to be politically-motivated and left-wing, but have stayed silent about the war.“It’s not just local, its world-fucking-news, and we are watching fucking babies being burned…Children being pulled from the rubble of fucking buildings that have been absolutely levelled after spending days under that. How the fuck can you call yourself a political left-wing band if you are not fucking speaking up for people that have no voice at the moment?” they said.“It’s a cowardly fucking thing.
Angelique Jackson Veeps, the streaming platform founded by Joel and Benji Madden, is expanding its reach to include a comedy vertical featuring new specials from superstars like David Cross, Brad Williams, Katherine Ryan, and Reggie Watts. The Live Nation Entertainment-affiliated company will also be the exclusive streaming home for select sets from SF Sketchfest’s 21st edition in early 2024.
A.D. Amorosi Across 30 studio albums since 1970, Buffett fueled his scenic songs’ tropical, country-ish lilt with a smart, conversational brand of daylight-noir storytelling.
Bob Dylan keeps on chugging along.The 82-year-old Rock and Roll Hall of Fame inductee, who is currently midway through his ‘Rough And Rowdy Ways Tour,’ has 21 U.S. concerts remaining on his schedule.That includes seven (!) shows in New York and New Jersey from Nov. 7-21.First, the inimitable Nobel Prize winner will perform back-to-back nights at Port Chester, NY’s Capitol Theatre on Tuesday, Nov.
EXCLUSIVE: Ron Bass, the scribe best known for his Academy Award-winning work on Rain Man, has been set to write and produce Music on the Bones, a new film inspired by real events.
Bob Dylan delighted his fans with a surprise cover of Leonard Cohen’s classic song ‘Dance Me to the End of Love’ at his Montreal concert on Sunday, October 29.The cover was performed live for the first time by Dylan, who had previously released the cover on his website and YouTube channel as part of his ongoing series of ‘Murder Most Foul’ playlists. Watch fan-filmed footage of the performance below.The cover received a standing ovation from the audience at the Salle Wilfrid-Pelletier, Place des Arts, where Dylan performed as part of his ‘Rough and Rowdy Ways’ Tour.
Richard Hawley has celebrated his latest greatest hits LP with an intimate live set at The Grapes in Sheffield.Last month, the singer-songwriter announced his first compilation, ‘Now Then: The Very Best Of Richard Hawley’, which features 36 songs from across his entire back catalogue along with a re-recording of ‘Not The Only Road’, originally released as ‘The Only Road’ in 2003, which he recently re-worked for The Full Monty TV series.It also includes his 2019 cover of Bob Dylan’s ‘Ballad Of A Thin Man’, which was recorded for the finale of season five of Peaky Blinders.As a celebration of the compilation’s release, Hawley performed a live set at The Grapes, a pub in Sheffield which is also the same place the Arctic Monkeys played their first ever gig as a band.Earlier this year, Hawley spoke to NME about his musical, Standing At The Sky’s Edge and his new material.Standing at the Sky’s Edge features classic songs by Hawley to portray “a love letter to Sheffield and ode to the iconic Park Hill Estate”, a brutalist housing area that has gone through various eras of dilapidation and regeneration. The show “charts the hopes and dreams of three generations over the course of six tumultuous decades”.“The great test will be how well it travels.
Cat Power has released her covers of Bob Dylan‘s ‘Mr Tambourine Man’ and ‘Like A Rolling Stone’, taken from her upcoming live Dylan tribute album.Back in July 2022, the singer-songwriter announced that she would be recreating Bob Dylan’s 1966 Royal Albert Hall show in full. The original gig appeared towards the end of the ‘Dylan goes electric’ tour, where Dylan actually played the Manchester Free Trade Hall. However, a bootlegged version of the concert mislabelled its location, and it has been known as the ‘Royal Albert Hall’ show ever since.Power officially played the recreated gig in November 2022, where she spoke to The Guardian beforehand: “It’s important for me to not do my thing.
Chris Willman Senior Music Writer and Chief Music Critic Gregg Sutton, a songwriter and musician who recorded as a solo artist, was a member of Lone Justice, toured with Bob Dylan and was the musical director for comedian Andy Kaufman, died Sunday in Los Angeles. He was 74. No cause of death was immediately given.
Timothee Chalamet is set to play Bob Dylan in the forthcoming biopic A Complete Unknown, and he took inspiration from another star who delivered an Oscar-nominated performance in a musical biopic – Austin Butler.
Brent Lang Executive Editor Elle Fanning will make her Broadway debut in the upcoming production of “Appropriate,” a darkly comic family drama from Branden Jacobs-Jenkins. The show is directed by Lila Neugebauer, the director of the acclaimed 2018 revival of “The Waverly Gallery.” Fanning, best known for her work on Hulu’s “The Great” and “Super 8,” joins a previously announced ensemble that includes Natalie Gold, Alyssa Emily Marvin, Sarah Paulson and Corey Stoll. Jenkins is an Obie Award-winning playwright whose credits include “An Octoroon” and “Gloria.” “Appropriate” follows the Lafayette family as it returns to their late patriarch’s Arkansas home to deal with the remains of his estate.
The next evolution in Timothée Chalamet‘s acting career? Singing onscreen, which he’ll do first in Paul King‘s “Wonka” and again in James Mangold‘s upcoming Bob Dylan bioopic “A Complete Unknown.” But is Chalamet prepared to take on the role of the iconic singer-songwriter? You bet he is, thanks to his “Dune: Part Two‘ co-star Austin Butler.
Elvis in preparation to play Bob Dylan.The actor is set to play the musician in upcoming biopic, A Complete Unknown, from director James Mangold (Indiana Jones And The Dial Of Destiny, Walk The Line).In a profile interview with GQ, Chalamet detailed how he’s been working with the same dialect and vocal coach as Butler, who is his co-star in Dune: Part Two.“I’ve basically been working with his entire Elvis team for my Dylan prep,” Chalamet said. “There’s a wonderful dialect coach named Tim Monich.
Timothée Chalamet is shooting down speculation once and for all that his appearance in Luca Guadagnino’s 2022 cannibal movie Bones and All had anything to do with Armie Hammer.
Sir Billy Connolly has revealed that he wants “You’re Standing on My Balls” etched on his gravestone in TINY writing.
Jimi Hendrix Experience cover of The Beatles ‘Sgt Peppers’ Lonely Hearts Club Band’ has been unearthed and released to the public – listen to it below.The track had its world premiere on the SiriusXM radio show Breakfast With The Beatles, which was guest hosted by former Rolling Stone editor David Fricke. “Here is the sound of the most exciting new group in the world, the Jimi Hendrix Experience, live in rock’s greatest year – and performing the opening theme song from The Beatles’ Summer of Love masterpiece,” Fricke said as he introduced the song.He added: “It is a pleasure and honour to play it, for the first time anywhere, on the Beatles Channel.” The cover serves as the lead song on ‘Jimi Hendrix Experience: Hollywood Bowl August 18, 1967’, which is set for release on November 10.In addition to their re-imagining of ‘Sgt.
Jack White is set to release his collaborative live version of ‘Ball and Biscuit’ with Bob Dylan – find all the details below.Back in 2004, White joined Dylan on stage in Detroit, Michigan to perform a joint rendition of The White Stripes‘ 2003 song from the band’s fourth studio album, ‘Elephant’.White announced yesterday (October 5) that an official recording of the team-up will be released as part of a new vinyl collection, ‘The White Stripes – Live In Las Vegas’. The 3xLP package is due to arrive on October 31 via Third Man Records.To order the special set, fans are required to subscribe to the label’s ‘Vault’ by October 31.
Hard-Fi’s Richard Archer has spoken to NME about the ‘00s rock band’s first tour in over a decade, new material in the works and getting kicked off David Walliams’ table at the Mercury Prize in 2005.The band, who reunited last year following a 10 year hiatus, have played sporadic shows including a sold-out gig at the Kentish Town Forum last October. But their first full tour since 2012 kicks off tonight (October 5) at the Cambridge Junction, culminating at London’s Troxy on October 21.At their peak, the Staines indie rockers sold over a million copies of 2005 debut ‘Stars Of CCTV’ and were nominated for the Mercury Prize, reportedly missing out by just one panel vote to ANOHNI’s ‘I Am a Bird Now’.
Ethan Shanfeld Forest Hills Stadium could have been a condominium. The legendary Queens, New York, tennis-stadium-turned-amphitheater — longtime home of the U.S. Open, which would later host outdoor concerts by the likes of the Beatles, Frank Sinatra, Bob Dylan, Joni Mitchell, Ray Charles and the Rolling Stones — had gone decades without live music and was casually courting offers from developers to knock down the stadium and build housing units.
Ed Sheeran has said he is still “waiting” to meet his hero Bob Dylan.The singer-songwriter, who last week released his new album ‘Autumn Variations’, explained in a recent interview that Dylan was the last of his idols that he hasn’t met.“I’ve met them all, apart from Dylan… but if you meet Bob Dylan prematurely… I don’t want the picture thing,” Sheeran told the Daily Star (via Virgin Radio UK).“My rule was always I am never going to seek someone out to meet them, I’m going to wait for them to meet me.”The musician also recalled meeting Eminem, saying: “I wanted him to be like, ‘I like your stuff’.“I waited and after four years he said, ‘We should do a song’ and we became like friends.”Sheeran previously compared Dylan and Eminem in an interview with WatchMojo. “You might look at them and say they’re two totally different acts, but all you have to do with Eminem is put a guitar behind his words and it’s a very similar thing,” he said.“Folk music tells stories and hip hop tells stories, there’s just a beat that separates it.
EXCLUSIVE: Rock icon Bob Geldof is collaborating on a stage musical about the global phenomenon that was Live Aid. The show, called Just For One Day, devised and directed by Luke Sheppard (& Juliet), will have its world premiere at the Old Vic Theatre in London early next year.
U2 kicked off their Las Vegas residency at the new MSG Sphere venue last night (September 29) – see clips from the show and the full setlist below.The Irish rock band’s residency is centred on a full play-through of their seventh album, ‘Achtung Baby’ (1991) but, as confirmed by reports, the setlist will be broken up by a secret segment focusing on a different U2 album.Variety reports that singer Bono revealed to the crowd the they plan to focus on a different album (or possibly other people’s albums, he added, teasingly), however, he didn’t clarify whether that would mean a setlist switch-up on each of the residency’s 25 shows.Last night U2 played the first eight songs of ‘Achtung Baby’ before breaking into a four-song secret segment of their a hybrid live/studio album ‘Rattle And Hum’.The band’s debut residency gig, which opened on the same day that they released their first new song in two years, ‘Atomic City’, was attended by a host of famous faces including Paul McCartney and Snoop Dogg. NME writer Damian Jones also confirmed that Dr Dre and Flavor Flav were at the concert.Ahead of performing ‘Angel Of Harlem’ from ‘Rattle And Hum’, Bono said: “The macca [McCartney] is in our prescience.
Chris Willman Senior Music Writer and Chief Music Critic How much is Paul Westerberg like Bob Dylan? That’s a provocative question — maybe one we need to save for when we know each other better. So let’s just start a related, but easier, one.
Bob Dylan made a surprise appearance at Farm Aid last night (September 23), marking the first time he’d appeared at the charity concert since he helped to conceive it.The annual event was founded by Willie Nelson and has taken place since 1985 and raises money to support family farmers in the US. The idea came about when, during his performance at Live Aid to raise money to help support farmers during the Ethiopian famine, Dylan wondered whether a similar event could be worked on to support American farmers.
Longtime TV director and producer Stan Harris, a three-time Emmy nominee and DGA Award winner who directed TV specials for Jack Benny, Dolly Parton, Bob Dylan, David Bowie and John Wayne, among many others, died of natural causes Monday while surrounded by family in Toronto, his son Danny Harris tells Deadline. He was 92.
Rolling Stone magazine has issued a statement following the recent controversial comments made by its founder Jann Wenner.The founder faced a wave of backlash last week after an interview for his new book titled The Masters saw him conduct discussions with seven “philosophers of rock”, all of whom were white and male.These included Bono, Bob Dylan, the late Jerry Garcia, Mick Jagger, the late John Lennon, Bruce Springsteen and Pete Townshend, and when interviewed by David Marchese of The New York Times, Wenner stated:“Joni [Mitchell] was not a philosopher of rock’n’roll. She didn’t, in my mind, meet that test.
Billboard reported the deal was valued at $225 million, citing sources.
Katy Perry has sold the rights to her music, for a reported $225million (£180.5million).The deal comes after months of rumours alleging that the American pop star was underway with the process of selling her catalogue, and sees Perry transfer the rights to her music over to Litmus Music.The company is co-founded by former Capitol Records president Dan McCarroll, and the deal was completed today (Monday, September 18) for a reported £225million (£180.5m).It covers the master royalty income and publishing rights for five of the albums the 38-year-old released between 2008 and 2020. These include ‘One Of The Boys’ (2008), ‘Teenage Dream’ (2010), ‘PRISM’ (2013), ‘Witness’ (2017) and her latest studio LP ‘Smile’, which was released back in 2020.The company that purchased the music rights is also co-founded by Hank Forsyth with Carlyle Global Credit, and has previously purchased the back catalogue from both Keith Urban and Benny Blanco since its launch last summer.“Katy Perry is a creative visionary who has made a major impact across music, TV, film, and philanthropy.
Jann Wenner, who co-founded Rolling Stone magazine and also was a co-founder of the Rock & Roll Hall of Fame, has been removed from the hall’s board of directors after making comments that were seen as disparaging toward Black and female musicians. He apologized within hours.
The New York Times this week, Wenner said female and black artists aren’t “intellectual enough” to be interviewed for his new book, The Masters.In response, the Hall Of Fame decided to remove Wenner from the board, and the Rolling Stone founder shared a statement of apology.Shared via the publisher of his book, Wenner said: “In my interview with The New York Times I made comments that diminished the contributions, genius and impact of Black and women artists and I apologise wholeheartedly for those remarks.“The Masters is a collection of interviews I’ve done over the years that seemed to me to best represent an idea of rock ’n’ roll’s impact on my world; they were not meant to represent the whole of music and its diverse and important originators but to reflect the high points of my career and interviews I felt illustrated the breadth and experience in that career.”He added: “They don’t reflect my appreciation and admiration for myriad totemic, world-changing artists whose music and ideas I revere and will celebrate and promote as long as I live. I totally understand the inflammatory nature of badly chosen words and deeply apologise and accept the consequences.”Within his new book, Wenner asks questions of seven “philosophers of rock”, notably all white men – Bono, Bob Dylan, the late Jerry Garcia, Mick Jagger, the late John Lennon, Bruce Springsteen, and Pete Townshend.In the introduction of the book, Wenner writes that women and artists of colour were not in his zeitgeist.
Just hours after he was removed from the Rock and Roll Hall of Fame Foundation board of directors, Rolling Stone co-founder Jann Wenner issued an apology for saying he chose interviews with a pantheon of white male musicians who he dubs the “philosophers of rock” because Black and female musicians were not “articulate at that level.”
NEW YORK — Jann Wenner, who founded Rolling Stone magazine and was a co-founder of the Rock & Roll Hall of Fame, has been removed from the hall’s board of directors after making comments that were seen as denigrating Black and female musicians.“Jann Wenner has been removed from the Board of Directors of the Rock & Roll Hall of Fame Foundation,” the hall said Saturday, a day after Wenner’s comments were published in a New York Times interview.A representative for Wenner, 77, did not immediately respond for a comment.Wenner created a firestorm doing publicity for his new book “The Masters,” which features interviews with musicians Bob Dylan, Jerry Garcia, Mick Jagger, John Lennon, Bruce Springsteen, Pete Townshend and U2’s Bono — all white and male.Asked why he didn’t interview women or Black musicians, Wenner responded: “It’s not that they’re inarticulate, although, go have a deep conversation with Grace Slick or Janis Joplin. Please, be my guest.
Jem Aswad Executive Editor, Music A day after the publication of a New York Times interview in which Rolling Stone magazine founder Jann Wenner said that Black and female musicians “didn’t articulate at the level” of the white musicians featured in his new book of interviews, the Rock and Roll Hall of Fame announced that he has been removed from its board of directors. “Jann Wenner has been removed from the Board of Directors of the Rock & Roll Hall of Fame Foundation,” a terse statement from a rep reads in full; contacted by Variety, a rep for the Hall had no further comment. Wenner is a co-founder of the Rock and Roll Hall of Fame, which was launched in 1987, and had served as its chairman until 2020.
Controversial interview remarks by Rolling Stone founder Jann Wenner have led to his removal from the Rock and Roll Hall of Fame Foundation board of directors.
Rolling Stone and co-founder of the Rock & Roll Hall Of Fame, has said female and black artists aren’t “intellectual enough” to be interviewed for his new book, The Masters.Within the book, Wenner asks questions of seven “philosophers of rock”, notably all white men – Bono, Bob Dylan, the late Jerry Garcia, Mick Jagger, the late John Lennon, Bruce Springsteen, and Pete Townshend.In the introduction of the book, Wenner writes that women and artists of colour were not in his zeitgeist. He faced questions about this in an interview with David Marchese of The New York Times, and argued it wasn’t a “deliberate selection”.“It was kind of intuitive over the years; it just fell together that way. The people had to meet a couple criteria, but it was just kind of my personal interest and love of them.
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