Anton Corbijn Latest Celebrity News & Gossip

The Anchoress, aka Catherine Anne Davies, has paid homage to Depeche Mode in her stripped-back new cover of ‘Enjoy The Silence’ – watch the video on NME first below.The cover is the latest from Davies’ new album, ‘Versions’, released today (October 6) – a project that has seen her re-imagine ten songs by artists including Manic Street Preachers, The Cure, Nirvana, Nico and Halsey.The latest cover is accompanied by a video directed by JJ Eringa and is a scene-by-scene recreation of the original video released by Depeche Mode in 1990 and created by Anton Corbijn.Speaking to NME about the new song and video, Davies said: “The concept behind the album was for me to flex my production and arrangement skills and revisit classic songs to challenge the listener to think about them in a new way, so when JJ suggested to me that we attempted a loving frame by frame recreation of the original video for Depeche Mode’s ‘Enjoy The Silence’ it seemed like the perfect fit for the intentions of the project.“The original video had a much more impressive travel budget than we had but with the ingenuity of director JJ Eringa…we were able to pretty much approximate every shot from Anton Corbijn’s original video. Half was shot on a DIY green screen in my manager’s living room while the other half was shot guerilla style around the local countryside.

Depeche Mode kicked off the 2024 leg of their ‘Memento Mori’ tour at The O2 in London last night (Monday January 22). Check out photos, footage and the setlist below.Last night marked the first gig of the band’s lengthy run of arena shows in the UK, Ireland and Europe, touring in support of their 15th and most recent album ‘Memento Mori’ and marking their first date in the capital since their acclaimed show at London’s Twickenham Stadium last summer.Following a support slot from Nadine Shah, the band took to the stage to ‘Memento Mori’s atmospheric opener ‘My Cosmos Is Mine’ with an ambitious stage production repeating the light show and Anton Corbijn visuals from the stadium run.Frontman Dave Gahan, while animated in his dancing and showing off his white leather footwear during ‘Walking In My Shoes’, was sparing in his on-stage banter – aside from thanking London for their reception and paying tribute to the “angelic” vocals of bandmate Martin Gore who took the lead for a short acoustic segment.

Sometimes, a cinematographer works enough with an actor that when they’re set to do their directorial debut, that actor is in. That seems to be the case with “Mother’s Instinct,” the directorial debut of well-renowned French DP Benoît Delhomme.

Marta Balaga “Hesitation Wound” and “Hollywoodgate” were named winners at the Zurich Film Festival, as the 19th edition of the Swiss festival came to a close. Selman Nacar’s drama “Hesitation Wound” impressed the Feature Film Competition jury.

Netherlands photographer and director Anton Corbijn has been named as president of the main feature film jury for the upcoming Zurich Film Festival.

NME about his new documentary Squaring The Circle, which focuses on Hipgnosis, the art studio behind iconic album sleeves from Pink Floyd, Led Zeppelin, Wings, and more.From their psychedelic debut album artwork for Pink Floyd’s ‘A Saucerful Of Secrets’ in 1968 to their dissolution in 1983, Hipgnosis – which consisted primarily of Storm Thorgerson and Aubrey ‘Po’ Powell – created some of the most striking cover images in rock’n’roll history.Now, the company behind Pink Floyd’s famous ‘The Dark Side Of The Moon’, ‘Wish You Were Here’ and ‘Animals’ covers, as well as equally memorable images for Led Zeppelin, Wings, 10cc, Peter Gabriel and many others, is the subject of the new, feature-length documentary. The film includes interviews with Paul McCartney, Pink Floyd, Peter Gabriel, and other key players and is set for a cinematic release on Friday (July 14).NME spoke to Corbijn about the new documentary, the power of Hipgnosis and their turbulent journey from down-at-heels hippies to rock art heroes.“Po came to Amsterdam and asked me to be the man making the documentary about Hipgnosis.

Paul McCartney, Noel Gallagher, and members of Pink Floyd, Led Zeppelin and more are set to appear in legendary photographer and director Anton Corbijn’s first feature-length film Squaring The Circle: The Story Of Hipgnosis – in cinemas and on demand from July 14. Check out the trailer below.Hipgnosis was the collective of Storm Thorgerson and Aubrey Powell – and later Peter Christopherson – who created iconic record sleeves for the likes of Pink Floyd, T.

Chris Willman Senior Music Writer and Chief Music Critic In the history of album cover art, only two parties have become arguably almost as famous as some of the bands they shot or designed for: Hipgnosis, in the 1970s, and Anton Corbijn, from the mid-‘80s forward. Those two forces come together with a new documentary, “Squaring the Circle (The Story of Hipgnosis),” directed by Corbijn, about the era of artwork that entranced him, like most music fans, as a youth. Forty years after Hipgnosis ceased to be a going concern as we knew it, the company’s covers for Pink Floyd, Led Zeppelin and countless others continue to be collected in coffee-table books. And when it comes to the stories behind the sleeves, rock fans still just can’t get enough… to quote a band that Corbijn came to be associated with a little bit later.

Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some of the most recognizable covers of all time. It features new interviews with Paul McCartney, Roger Waters, Jimmy Page, Robert Plant, Noel Gallagher and others.

Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that had Mayor Eric Adams urging people to home.

Led Zeppelin and Paul McCartney’s post-Beatles band Wings.The new documentary “Squaring the Circle (The Story of Hipgnosis)” — which opened at NYC’s Film Forum on Wednesday and rolls out nationwide later this month — goes inside the studio that created the visuals for some of the biggest acts of the 1970s. “The importance of an album sleeve will never be the same as in the ’70s, and to make a documentary about the most prominent album covers of the era that are all done by one design team is really important for people who have missed that period,” said renowned rock photographer Anton Corbijn, who directed the film.

How did album covers become an art form all its own? Anton Corbijn looks at one of the medium’s most respected duos in “Squaring The Circle (The Story of Hipgnosis).” Storm Thorgerson and Aubrey “Po” Powell’s art design studio Hipgnosis is behind some of the music industry’s most legendary covers, including Pink Floyd‘s “Dark Side Of The Moon.” And while the pair’s visionary work inspired artists around the world,their story wasn’t without its pitfalls.

Depeche Mode kicked off their 2023 world tour in the US last night (March 23) – check out photos, fan-shot footage and the full setlist below.The synth-pop duo – comprising Dave Gahan and Martin Gore – delivered a 23-track set at the Golden 1 Center arena in Sacramento, California. To open the concert, they performed ‘My Cosmos Is Mine’ from their new album ‘Memento Mori’ for the first time.They also debuted ‘Speak To Me’ and ‘Soul With Me’ from the record, and played their recent single ‘Ghosts Again’.Elsewhere, Depeche Mode dedicated a live rendition of their 1990 single ‘World In My Eyes’ to their late bandmate Andy Fletcher.

The Night Manager producer The Ink Factory is forging a TV version of John Le Carré’’s A Most Wanted Man almost a decade after making a feature film version, with Snabba Cash writer Oskar Söderlund attached as showrunner.

Angelique Jackson Award-winning German actor Nina Hoss has signed with CAA for representation. Hoss stars opposite Cate Blanchett in Todd Field’s “Tár,” which will open theatrically on Oct. 7 via Focus Features. The film debuted to rave reviews at the Venice and Telluride film festivals, with Variety Senior Awards Editor Clayton Davis suggesting that Hoss could land her first Oscar nomination for her supporting performance as wife to Blanchett’s trailblazing composer, who becomes the first woman to conduct a major German orchestra. In his awards analysis, Davis described Hoss as the “heart and soul of the film.” Best known for her acclaimed performances in Christian Petzold’s films “Phoenix” and “Barbara,” as well as Anton Corbijn’s “A Most Wanted Man,” Hoss made her debut in 1996 with “A Girl Called Rosemary.” Additional credits include “Yella” and Petzold’s “Something to Remind Me” and “Wolfsburg.”

It may be the most famous album cover ever created.

Chris Willman Senior Music Writer and Chief Music Critic When it comes to coffee-table books that survey the great album covers of the classic rock era, there are generally two kinds: those that include a lot of the work of the 1970s design team called Hipgnosis, and those that consist entirely of Hipgnosis’ work. Virtually any rock superstar who had the cachet to ask his record company to blow hundreds of thousands of dollars on a Hipgnosis cover went for the splurge of commissioning an original piece of art that might join classic LP jackets from Pink Floyd and Led Zeppelin in a renaissance of 12’x12′ photographic surrealism. Only Hipgnosis could shoot a photo of a cow against a blue sky, put it on a Floyd cover (“Atom Heart Mother”), and make it look like an act of mysterious profundity on a level with the greatest works of Magritte.

Think of the most iconic rock album covers of all time from the 1970s: Pink Floyd’s Dark Side of The Moon and Wish You Were Here, Led Zeppelin’s Houses Of The Holy and Presence, T. Rex’s Electric Warrior, Paul McCartney & Wings’ Band On The Run, AC/DC’s Dirty Deeds Done Dirt Cheap, all of Peter Gabriel’s early albums, etc.

If you’re a fan of a particular era of British rock ’n’ roll, this is the right year to be at the Telluride Film Festival. The festival’s opening day brought onetime photographer Anton Corbijn’s “Squaring the Circle,” which looked at the rock design company Hipgnosis through memories from Paul McCartney, Jimmy Page, Roger Waters, Noah Gallagher and many others.

ARMAGEDDON TIME (d. James Gray, U.S., 2022) BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (d. Alejandro González Iñárritu, Mexico-U.S., 2022) BOBI WINE, GHETTO PRESIDENT (d.

Peter Hook has discussed the Joy Division biopic Control in an Ask Me Anything session on Reddit, calling it “TOO accurate”.The film was directed by Anton Corbijn, who worked closely with the band as a photographer, and was released in 2007.A fan on the Joy Division subreddit asked Hook what he thought about the movie and whether he thought it gave an accurate portrayal of his former band. “To be honest it was TOO accurate!” the bassist replied.“I recognised my ex-bandmates very well in the film. Anton knew us very well and schooled the actors religiously to capture all of our little quirks.

Naman Ramachandran In today’s Global Bulletin, U.K.’s National Theatre filmed plays to stream on Amazon Prime Video in the U.K.

Control filmmaker Anton Corbijn has boarded Dancer II, a follow-up to the documentary Dancer again starring ballet superstar Sergei Polunin.

It has never previously been released in its entirety