Peacock’s ‘The Tattooist of Auschwitz’ Is a Gruesome and Grueling Holocaust-Set Love Story: TV Review
02.05.2024 - 13:31
/ variety.com
Amber Dowling Specific images of the Holocaust have endlessly punctuated the film and TV landscape: The barbed wire of a concentration camp. Naked bodies rendered to skin and bone, tossed in discarded piles. Gleeful abuse and random killings by evil Nazis.
Hollywood has repeatedly ingrained that imagery when presenting this horrific time in history, so to continue conjuring it adds to the collective trauma of an entire people. Yet all these displays and more are the Sky Studios and Peacock co-production “The Tattooist of Auschwitz.” That makes it a challenging show to sit through, let alone binge six episodes of, when the event series drops on Peacock on May 2. The series finds inspiration in Heather Morris’ controversial, bestselling 2018 book of the same name.
Morris wrote the debut novel after spending time with a Slovakian Holocaust survivor named Lali Sokolov (nee Ludwig Eisenberg), who was a tattooist at Auschwitz II-Birkenau. The book, and now the show, tells Lali’s story from his arrival at the camp in 1942 to his escape in 1945. While there, he met a woman named Gita Furman while tattooing an identification number into her flesh.
It was love at first sight, and the pair found ways to communicate and meet while at the camp. Eventually, after many close calls and gruesome encounters, Furman also escaped. The two reunited, married, moved to Australia and had a son.
The gist of the story happened in real life, but the book was published as fiction. Still, historians and scholars questioned the details, claiming the book contains misrepresentations and errors. Some of the big ones were the description of the camp and its layout, the train route characters took, and the number Sokolov tattooed onto his eventual
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