Patti Smith, Pavement and The Walkmen lead line-up for The National’s Homecoming 2023

Tatiana Siegel “The Flash” is almost here, and the rollout has been anything but typical.  With just 13 days to go before the film’s June 16 release, titular star Ezra Miller has done no press and will make a low-profile appearance at the Los Angeles premiere on June 12, only posing for photos rather than doing interviews. The film’s director, Andy Muschietti, and cast members Ben Affleck, Sasha Calle and Michael Shannon, as well as fellow DC Universe superhero Jason Momoa, will also hit the red carpet that will be missing the standard press gauntlet. Typically, the star of a $190 million tentpole will promote the film in interviews across print, TV and oftentimes podcasts spanning multiple continents. (Harrison Ford has been ubiquitous in the run-up to the June 30 bow of “Indiana Jones and the Dial of Destiny,” including a high-profile showing at the Cannes Film Festival.)

together.To kick off Gemini season, published a series of photos taken of Chalamet and over the past month, including photos from a casual BBQ attended by the alleged couple's sisters and Pauline Chalamet. You may recognize Pauline as one of the leading ladies from HBO comedy series, .

The Boogeyman” is here.Based on the short story by Stephen King (originally published in a 1973 issue of Playboy competitor Cavalier and collected in King’s 1978 anthology “Night Shift”), the slender story was first adapted by “A Quiet Place” writers Scott Beck and Bryan Woods in 2018 for 20th Century Fox. When Disney acquired the company in 2019, development was canceled, only to be revived in late 2021.

Ariana Madix and Raquel Leviss came face-to-face in the same room for the first time since that “Vanderpump Rules” cheating scandal was revealed during the season 10 reunion that aired on Wednesday.

Splash Mountain, the Disneyland flume ride which has been criticized for racist and stereotyping related to its roots in the 1946 Disney film Song of the South, will officially close at the end of the day today to begin its renovation into an attraction based on the more modern film The Princess and the Frog. Walt Disney World closed its version of the ride in January.

Leo Barraclough International Features Editor Family animated movie “Pirate Mo and the Legend of the Red Ruby” proved to be a smash hit with international distributors during the Cannes Film Market, with sales agency The Playmaker Munich delivering the film to multiple buyers. During the market, The Playmaker announced first presales to Benelux (Just4Kids), Turkey (Filmarti), Baltics (GPI), Greece (Rosebud) and Bulgaria (Pro Films). The company has now revealed further sales to Poland (M2 Films), Scandinavia (Njuta Films), Hungary and Romania (ADS), Portugal (Outsider Pictures), and Yugoslavia (Blitz Film).

Stephanie Mills is opening up about her experience playing Dorothy in the Broadway musical The Wiz and all the “hate mail” she received for playing a character that a white woman played before. Mills compares the negativity that Halle Bailey is now experiencing as the star of the live-action adaptation of The Little Mermaid.

Only nine directors have ever won the Palme d’Or twice. Francis Ford Coppola did it in the ’70s with The Conversation and Apocalypse Now. Ruben Östlund joined the club last year after following The Square with Triangle of Sadness. But this year, there is a very real possibility that, at 86, Ken Loach may go above and beyond that by winning a third Palme for his new film, The Old Oak. Loach first won in 2006 with the historical Irish drama The Wind That Shakes the Barley, then doubled up in 2016 with I, Daniel Blake, a caustic study of Britain’s healthcare crisis. After that came Sorry, We Missed You, a no-less withering look at the punitive gig economy. Like the latter two films, The Old Oak is set in the North East of England and completes an unofficial trilogy, this time with a slightly more optimistic bent. Like all of Loach’s output since 1996, it was written by Paul Laverty, and the pair sat down with Damon Wise to discuss the film’s themes of humanity and social responsibility.

Elizabeth Olsen is taking viewers behind-the-scenes of her and co-star Jesse Plemons’ intimacy scenes in “Love & Death”.

Bob Dylan and Aretha Franklin and was the father of Spike Lee, has died aged 94.The musician died at his Brooklyn home yesterday (May 24), according to a publicist for Spike Lee, confirmed to The New York Times.

Marks and Spencer fans have been blown away how comfortable the brand's £56 wicker Summer garden chairs are, and have hailed them both 'classy' and 'stylish'. M&S' Set of 2 Lois Garden Armchairs offer a unique design that can help bring a feeling of effortless style to any space for the Summer, and look a lot more expensive than they are.

The Warehouse Project will be back in September, with the likes of Bicep, Honey Dijon, The Blessed Madonna and Jamie Jones on the bill for its 2023 season. It’s also revealed that it will be opening up two new areas of its Depot Mayfield home, including the roof.

When the credits rolled at the Lumiere Theatre Monday evening following the debut of Sam Levinson’s The Idol, the loudest and heartiest cheer was handed to actor Da’Vine Joy Randolph.

Anna Marie de la Fuente Latin American companies have descended on the 60th LA Screenings, mindful of the ever-shifting panorama in content distribution and production.  The ongoing writers’ strike is viewed by some as a boon for international content. Take what Netflix co-CEO Ted Sarandos said at the company’s first quarter financials report presentation when the writers’ strike was looming: “If there’s a strike — and we want to work really hard to make sure we can find a fair and equitable deal so we can avoid one — but if there is one, we have a large base of upcoming shows and films from around the world.” “The global market is finally realizing that Latin America, with almost 700 million inhabitants that speak the same language, is a territory that has a huge penetration in terms of OTT and – still – pay tv subscribers,” says Mexico City-based Manuel Marti, Fremantle’s head of scripted development, Latin America. “At the same time, it has a long history of producing local content with a distinctive genre that’s slowly being embedded into American culture via the 62 million Latinos that live in the U.S.,” he adds.

Natalie Portman is looking back on her “Star Wars” era.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

Owen Gleiberman Chief Film Critic “Indiana Jones and the Dial of Destiny” is a dutifully eager but ultimately rather joyless piece of nostalgic hokum. It’s the fifth installment in the “Indiana Jones” franchise, and though it has its quota of “relentless” action, it rarely tries to match (let alone top) the ingeniously staged kinetic bravura of “Raiders of the Lost Ark.” How could it? “Raiders,” whatever one thinks of it as a movie (I always found it a trace impersonal in its ’40s-action-serial-on-steroids excitement), is arguably the most influential blockbuster of the last 45 years, even more so than “Star Wars.” Back in 1977, George Lucas took us through the looking glass of what would become our all-fantasy-all-the-time movie culture. But it was Steven Spielberg, teaming up with Lucas in “Raiders,” who introduced the structural DNA of the one-thing-after-another, action-movie-as-endless-set-piece escapist machine. This means that “Indiana Jones and the Dial of Destiny” isn’t just coming after four previous “Indiana Jones” films. It’s coming after four decades of high-priced Hollywood action decadence, from the “Fast and Furious” series to the “Mission: Impossible” and “Terminator” and “Lara Croft” and “Transformers” and latter-day “Bond” films (not to mention the Marvel space operas), all of which owe a boundless debt to the aggro zap of the “Raiders” aesthetic.

Rafa Nadal and his family are getting ready to move to their forever home. Rafa and his wife Mery Perelló welcomed their son Rafael this past October, and have been preparing to move into their new home over the past three years. Rafael Nadal and his wife Mery Perelló shine at the first edition of the Rafa Nadal Foundation AwardsRafael Nadal pulls out of Monte Carlo, ‘still not prepared to compete’Rafael Nadal’s Father-in-Law, Miquel Perelló passes away at 63According to the Spanish newspaper El Diario de Mallorca, Rafa’s new home is located in the town of Manacor, in Mallorca, where he was born.

big while still retaining the necessary amount of heart. And Edwards is always good about grounding oversized sci-fi concepts like a giant monster attacking a city or a go-for-broke suicide mission to steal plans for the Death Star, in actual human stakes and emotion.