Prince Harry is now a California resident and he finally got the chance to see Los Angeles during a private tour with his friend James Corden!
07.02.2021 - 01:17 / hollywoodnews.com
One of the Sundance Film Festival titles this year expected to spark a bidding war was Passing, the directorial debut from Rebecca Hall. The movie, an ambitious period piece, had plenty of buzz going into the festival, and that continued with largely positive reviews.
As expected, the flick generated some chatter, and that in turn has led to a deal out of the fest. Netflix has acquired Passing, presumably with the intention of making it one of their Academy Award hopefuls next year.
Prince Harry is now a California resident and he finally got the chance to see Los Angeles during a private tour with his friend James Corden!
Prince Charles checked in on his father, Prince Philip.ET confirmed that the Prince of Wales visited his father at the King Edward VII hospital in London amid his recovery on Saturday.
Approved! Before Amanda Stanton made her romance with boyfriend Michael Fogel Instagram official, he had to pass the test of two very important people: the Bachelor in Paradise star’s daughters, Kinsley and Charlie.
James Charles has debuted a shocking new look!
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As she explained to us in an interview of the Deep Focus podcast, Rebecca Hall has been working a long time bringing her directorial debut, “Passing,” to life. Even though the debut was delayed due to the pandemic, the period drama finally premiered as part of this year’s Sundance Film Festival.
It’s remarkably rare that anyone makes a hand-drawn animated feature for adults, let alone one as strikingly surreal and seriously minded as Dash Shaw’s “Cryptozoo.” READ MORE: 25 Most Anticipated 2021 Sundance Film Festival Premieres This Sundance premiere – honored with the fest’s Innovator Award in its NEXT section for “pure, bold works distinguished by an innovative, forward-thinking approach to storytelling” – takes place in an alt-history 1960s secretly populated by “cryptids,” including
Netflix has acquired the worldwide rights to splashy Sundance title Passing, the directorial debut ofRebecca Hall that stars Tessa Thompson and Ruth Negga. Sources peg the deal as being north of $15 million.
Big news for Rebecca Hall!
Irene (Tessa Thompson) rarely passes for white. She fears for her safety too much to do so.
EXCLUSIVE: Netflix is nearing a deal to acquire worldwide rights to Passing, the Rebecca Hall-directed and scripted drama that stars Tessa Thompson, Ruth Negga, Andre Holland, and Alexander Skarsgard. Sources said the deal will land just north of $15 million.
13-year-old Sammy Ko (Miya Cech) is a problem child. Prone to skipping class, smoking cigarettes, and mouthing off to her teachers, she’s the opposite of the meek model student Hollywood typically imagines when writing young Asian-American characters.
Literally opening, as the title implies, with “The Dog Who Wouldn’t Be Quiet,” Argentinian director Ana Katz’s melancholic rumination on the life of Sebastian (Daniel Katz, the filmmaker’s brother), a languishing writer turned migrant worker, is a visually stunning, but oftentimes opaque experiment. Filmed in lush black and white, with animated interludes used to portray the more devastating aspects of Sebastian’s life, Katz’s film unfurls as a series of vignettes.
With her frayed blonde hair and moody coal-black eye makeup, rock band singer Marian (Alessandra Messa) doesn’t immediately appear to resemble her identical twin sister. Practically a Stepford wife with her demure manner and neat brown bob, Vivian (Ani Messa) lives with her loser husband (Jake Hoffman) in the same house the sisters grew up in.
Exquisite performances from Tessa Thompson and Ruth Negga provide the pulsing, emotionally heightened center to Passing, Rebecca Hall's assured move behind the camera, adapted with great sensitivity from the 1929 novel by Harlem Renaissance author Nella Larsen. "We're all of us passing for something or other, aren't we?" muses Thompson's melancholy character Irene Redfield.
Sundance Film Festival Cinema Café talk on Sunday with Rebecca Hall. “Everybody was a judge and there was so much bullying going on.
Jessica Kiang It starts in sweltering heat; it ends in freezing weather. And in between, as the temperature gradually drops, Rebecca Hall’s “Passing,” based on Nella Larsen’s 1929 novel, calmly brings the diffuse racial landscape of prohibition-era New York City into crystalline, gorgeously shot focus.
Irene (Tessa Thompson) rarely passes for white. She fears for her safety too much to do so.
The presumed dead-and-buried practice of racial passing by light-skinned blacks in the United States decades ago is returned to center-stage in Passing, a delicate, sensitive, intentionally claustrophobic and not entirely limber directorial debut from the protean British stage performer Rebecca Hall.