‘Parallel Mothers’ Film Review: Pedro Almodóvar Both Fulfills and Upends Expectations

riot tonight,” says the girlfriend of numbers runner Harold (Leslie Odom Jr.), right before the Newark riots of 1967 start. Worse than this is the scene where baby Christopher cries whenever he sees his uncle Tony and an older female family member says the infant might know something they don’t.The new characters are all one-dimensional, and we learn nothing new about the old characters from the series.

Wendy Williams is reportedly being evaluated.

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Jamie Lang Spain has selected a high profile trio of films as finalists for the country’s 2021 International Feature Oscar submission.The favorite, at least at this early stage, is Pedro Almodóvar’s “Madres paralelas,” which just saw lead Penelope Cruz take the Volpi Cup for Best Actress at the Venice Film Festival.

does for “The Eyes of Tammy Faye.” But Ben Foster’s transformation in Barry Levinson’s “The Survivor,” which had its world premiere at TIFF on Monday, is something different — because he morphs into Holocaust survivor Harry Haft from two different directions in the same film.In scenes set in the latter stages of Haft’s life, Foster is doughy and sluggish, only slightly recognizable as the actor we know from films like “The Messenger” and “Leave No Trace.” In scenes set during World War II, when

th Century Women” to Lee Isaac Chung’s “Minari,” from John Boorman’s “Hope and Glory” to Alfonso Cuaron’s “Roma.” Writer-director-actor Kenneth Branagh has now tried his hand at the genre, and to say that “Belfast” brings out the best in him would be an understatement.Visually stunning, emotionally wrenching and gloriously human, “Belfast” takes one short period from Branagh’s life and finds in it a coming-of-age story, a portrait of a city fracturing in an instant and a profoundly moving lament

There’s no escape for the women in Hany Abu-Assad’s blistering new film “Huda’s Salon,” a fearless statement on gender oppression shaped as an edge-of-your-seat thriller. Back in top form, the acclaimed director behind stunners such as “Paradise Now” and “Omar” returns to dissecting the perilous Palestinian experience under Israeli control.

harpy?” David asks when Jo gives him one too many instructions in the car.

Liza Foreman It’s not often that films shoot in the Occupied Golan Heights, Israel’s contested border territory with Syria and Lebanon.Characterized by sloping mountains and the ruins of more than 100 Syrian villages, destroyed (by Israel) after the Six Day War in 1967, it makes for an atmospheric filming location.

“Why does it take so long to break up? Why does no one talk about the fact that [divorce] is endless trauma?” Jessica Chastain asks in a heartbreaking moment from HBO’s devastating marital and breakup mini-series “Scenes From A Marriage.” A modern adaptation of Swedish filmmaker Ingmar Bergman’s brutally emotionally honest 1970s series, now written, directed, and executive produced by Israeli filmmaker Hagai Levi, (“Our Boys,” “The Affair,” and “In Treatment”), this new HBO version is intimate,

It’s a tale as old as time: someone loves someone who loves someone else entirely. That special type of pain and longing was forever immortalized in Edmond Rostand’s play “Cyrano de Bergerac” back in the 19th century.

th Century, if not of all time.

In movies as disparate and vividly imagined as Il Divo, Loro, the Oscar winning The Great Beauty, as well as English language efforts like This Must Be The Place, Youth, and his TV miniseries The Young Pope and The New Pope  Paolo Sorrentino has always seemed to be a director with a large brush and even more of a Fellini influence in some cases.

Penelope Cruz and Milena Smit coordinate their black and white looks for the premiere of Madres Paralelas during the 2021 Venice International Film Festival on Wednesday (September 1) in Venice, Italy.