Meri Brown got emotional while reflecting on how she suffered a miscarriage a little more than 15 years ago.
15.05.2023 - 18:33 / deadline.com
Wim Wenders could be the Bob Dylan of European cinema: always around, always the same, always different. Sometimes he’ll arrive in Cannes with a documentary, like 2018’s Pope Francis: A Man of His Word, and sometimes he’ll come with a work of fiction, like his timeless 1984 Palme d’Or winner Paris, Texas. This year, he’s coming with one of each: Anselm, a 3D portrait of artist Anselm Kiefer, and Perfect Days, the story of a Tokyo toilet cleaner. Ironically, Wenders thought he’d have more time on his hands after the pandemic and moving on from his role at the European Film Academy. How wrong he was…
DEADLINE: You have two films in Cannes. Which would you prefer to start with?
WIM WENDERS: Let’s start with the one that was in the works longer. That would be Anselm, which was shot all through the pandemic and took quite a bit longer.
DEADLINE: You’ve become very prolific in terms of documentaries lately in your career. What appeals to you about documentaries, and why Anselm Kiefer?
WENDERS: I feel that the field of documentaries is wide open, and that you have the freedom to redefine it with each film. I’ve explored it extensively, let’s say, from Buena Vista Social Club to Pina or The Salt of the Earth, and each time the result was an entirely different language. I love it when the subject invents its own form, and I really prefer that to imposing a formula or method to a film beforehand. Then you not only discover a new world, but also the way to approach it from scratch. I’m convinced that audiences feel that energy, that they are taking part in a whole new adventure of discovery.
The idea for a film with Anselm Kiefer didn’t come out of the blue. I’ve known him for a good 30 years, and even in the beginning of our
Meri Brown got emotional while reflecting on how she suffered a miscarriage a little more than 15 years ago.
Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.
Leo Barraclough International Features Editor Wim Wenders’ “Perfect Days,” which won the best actor award for Koji Yakusho at the Cannes Film Festival, has sold out worldwide. The Match Factory is handling international sales. As previously announced, North American rights went to Neon and France went to Haut et Court. Further sales included U.K./Ireland/Latin America/Turkey (MUBI), Australia/New Zealand (Madman), Benelux (Paradiso), China (DDDream), Italy (Lucky Red), Spain (A Contracorriente), Switzerland (DCM), Baltics (A-One Baltics), Bulgaria (Art Fest), CIS (A-One), Czech Republic and Slovakia (Aerofilms), Former Yugoslavia (MCF), Greece (Feelgood Entertainment), Hong Kong (Edko Films), Hungary (Cirko), Israel (Lev Cinemas), Poland (Gutek), Portugal (Alambique), Romania (Bad Unicorn), Scandinavia (Future Film) and Taiwan (Applause).
Ali Wong is discussing her new life as she catapults into superstardom as her smash series, “Beef”, earns the praises of critics and the viewing public.
Leo Barraclough International Features Editor “Perfect Days,” which world premiered in Competition at the Cannes Film Festival, is reminiscent – in some ways – of “Groundhog Day,” but whereas in the latter film Bill Murray’s character, Phil, is trying to escape the repetitive nature of his existence, in Wim Wenders’ film the protagonist, Hirayama, is “embracing it,” the German director tells Variety. Both films show the lead characters waking at the same time each morning, but whereas, in “Groundhog Day,” Phil is awoken by an alarm clock, in Wenders’ film, as he points out, Hirayama, played by Cannes best actor winner Koji Yakusho, “wakes up on his own, or he wakes up because there’s an old lady brushing the street outside, always on time. He doesn’t need an alarm clock. He doesn’t even own one.” There is a sense that this is a man in harmony with nature, and at peace with his existence, rather than wrestling with it.
Leo Barraclough International Features Editor Wim Wenders, whose immersive 3D portrait of artist Anselm Kiefer, “Anselm,” had its world premiere at the Cannes Film Festival as a Special Screening, is a passionate advocate of the 3D format, which he believes engages the human brain in ways that 2D fails to do. “You could just as well be brain dead in some movies, because the amount of brain activity is minimal. In 3D, however, your whole brain is aflame,” he tells Variety. “Parts of your brain are working to establish the space – which is something you’re doing yourself: you get two separate images on the screen and your brain is putting them together, just like you do in life with your two eyes. So, your brain is enormously active, but other parts of your brain are active as well – you are emotionally more involved as you are more ‘there’.
The official synopsis for Wim Wenders’ “Perfect Days” is one of those rare occasions when a tightly-described premise encapsulates the immensity of a film: a janitor in Japan drives between jobs listening to rock music. In this case, the janitor is Hirayama (Koji Yakusho), an older man whose job is cleaning Tokyo’s elegantly designed public toilets.
“Perfect Days” makes a perfect debut.PERFECT DAYS. Did Wim Wenders just make his best film since UNTIL THE END OF THE WORLD? Holy crap.Wim Wenders’ “Perfect Days” was the hero of the day, earning strong notices and the now-standard standing ovation.
A third Wings of Desire centering on the angels that watch over us, is not in the cards, German director Wim Wenders said today at the Cannes press conference for his latest in competition title at the fest, Perfect Days.
EXCLUSIVE: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.
Cannes Film Festival on Thursday, he is a modest toilet cleaner – and this gentle, philosophical character study is all the more mesmeric for it.The 77-year-old director’s fictional work has been overshadowed by his documentaries lately, but his new film, a fictional work which sometimes resembles a documentary, is a significant return to form for the director who won the Palme d’Or in 1984 for “Paris, Texas.” It begins by introducing us to the middle-aged Hirayama (Koji Yakusho) as he wakes up alone in his small flat. Once he’s cleaned his teeth, trimmed his moustache and spray-misted his plants – yes, no detail is spared – he puts on a boilersuit with “The Tokyo Toilet” printed on the back, buys a can of coffee from the machine by his building, and drives his blue van through the city’s forest of skyscrapers to the first of several public toilets he is due to clean.He treats every one of these as if it’s a royal throne, even using a small mirror – the kind that’s usually seen in bomb-disposal thrillers – to check for dirt that might be hidden from view.
Michael Schneider Variety Editor at Large Last year, Jesse Collins won an Emmy. This year, he’s producing the Emmys. Fox and the Television Academy are set to announce on Thursday that Jesse Collins Entertainment has been tapped to serve as producers of this year’s landmark 75th edition of the Primetime Emmy awards. No host has been named as of yet, and there are still a lot of questions to be answered as to how the writers strike may impact this year’s Emmy Awards, or if the calendar might shift. But for now, the main event is still scheduled to air on Monday, Sept 18 at 8 p.m. ET/5 p.m. PT on Fox. Jesse Collins Entertainment takes over from Done+Dusted and Hudlin Entertainment, which had jointly produced the Emmys in 2020, 2021 and 2022, the first two of which were COVID-impacted events. D+D had actually produced the Emmys for five consecutive years, having already been producing the Emmys telecast for two years when it was paired with Hudlin in 2020 to handle the unconventional, no-audience COVID-impacted Emmys. At the time, Hudlin made history as the first Black executive producer of the Primetime Emmys.
The dignity of labor is explored with gentle humor and a very melancholy sense of joie de vivre in Wim Wenders’ second 2023 Cannes entry after his 3D documentary Anselm. Shot entirely in Japan, with very little English spoken, Perfect Days is an unusual film from a westerner since it does nothing to “other” a country that is often romanticized as a series of specific cultural signifiers (as in the well-meaning Lost in Translation, for example). It’s a compliment to say that Jim Jarmusch could have made it.
Guy Lodge Film Critic Before you ask, yes, Lou Reed’s rock standard “Perfect Day” does indeed make an appearance in Wim Wenders’ “Perfect Days”: on the protagonist’s stereo as suitably ideal sunlight pours into his small, neat Tokyo apartment, before swarming the soundtrack as we head out into the city on a calm weekend afternoon. If that sounds a little obvious, basic even, said protagonist Hirayama — a mellow, soft-spoken toilet cleaner beautifully played by Kōji Yakusho — would probably agree with a shrug. He’s into simple pleasures, not deep cuts. His solitary life is built around the things that make him happy and the work that keeps him solvent. He’s not inclined to wonder what other people make of it. Wenders’ film, in turn, is sincere and unassuming, and owns its sentimentality with good humor.
Winning American Idol isn’t necessarily the slam dunk it’s chalked up to be.
Organisers of the Silver Clef Awards – which raise money each year for music therapy charity Nordoff And Robbins – have announced some of the artists who will be honoured at this year’s event, which takes place in London on 30 Jun.Stormzy will be presented with the actual Silver Clef Award, while Wet Leg will receive the New Music Award, Ayanna Witter-Johnson the Classical Award and Biffy Clyro the Best Live Act prize. An Outstanding Achievement Award will go to Neneh Cherry and an Icon Award to Mark King of Level 42.Says Stormzy said: “Throughout my career people have tried to box me in as an artist.
Manori Ravindran Executive Editor of International Wim Wenders’ “Perfect Days” is a hot property in Cannes, and it’s yet to even premiere. Several buyers are currently circling the Japan-set, music-infused title from master filmmaker Wenders, which bows in competition on Thursday. Sources tell Variety that interested parties so far include Utopia, MUBI, Magnolia, Sideshow and Janus Films and Sony Pictures Classics. Wenders’ “Perfect Days” follows Tokyo toilet cleaner Hirayama, who seems content with his simple life. Outside of his everyday routine, he enjoys his passion for books and, in particular, for music. Over the course of the film, a series of unexpected encounters gradually reveal more of his past.
That Harrison Ford sure has some stamina for someone in their 81st year.
Leo Barraclough International Features Editor Variety has been given a sneak peek of the trailer (below) for Wim Wenders’ “Perfect Days,” which world premieres in Competition at the Cannes Film Festival. The film is a deeply moving and poetic reflection on finding beauty in the everyday world around us. It follows Hirayama, who seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected encounters gradually reveal more of his past. Koji Yakusho leads the cast. In 2005, he co-starred in “Memoirs of a Geisha,” which was nominated for six Academy Awards. In the following year, he co-starred in “Babel,” a film that was honored by the Cannes Film Festival and earned Golden Globes and Academy Awards.
Ed Meza @edmezavar German cinema is in Cannes with new works by Wim Wenders and films that explore Nazi propaganda, gender identity, economic crisis, romance, betrayal and fast cars. In addition to domestic films, a dozen German co-productions are screening in this year’s Cannes Film Festival lineup, including major works from the likes of Wes Anderson, Aki Kaurismäki and Jessica Hausner. Wenders is in Cannes with “Perfect Days,” which is vying for the Palme d’Or, and the documentary “Anselm” in Special Screenings. “Perfect Days” tells the story of a Tokyo janitor (Kôji Yakusho) who seems very content with his simple life, structured routines and passion for music, books and photography. A series of unexpected encounters gradually reveal more of his past. The Japanese-German co-production is sold by the Match Factory.