Ozu Yasujiro Selections in Cannes Classics Launch Major Celebration of Japan Film Icon (EXCLUSIVE)

Patrick Frater Asia Bureau Chief French independent producer Haut Les Mains has come on board “A Useful Ghost,” a film project that is both topical and supernatural. The deal was announced on the margins of the Cannes Film Festival and its accompanying rights market. “A Useful Ghost” follows March and Nat, a happily married couple, and their seven-year-old son Dot. Nat dies of respiratory disease caused by air pollution. A saddened March is worried that the same fate will befall his son, who gradually develops similar symptoms. Nat then returns as a ghost haunting the house vacuum cleaner to try and suck up the dust hurting her son. She also longs to be accepted as part of society and intends to prove that by getting rid of the less useful ghosts.

Patrick Frater Asia Bureau Chief “Fast & Furious 10” (aka “Fast X”) drove off with the top prize at the South Korean box office on its opening weekend. It earned $4.99 million between Friday and Saturday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And over its full five-day run, from a Wednesday opening, it earned $6.76 million. Kobis showed the film claiming a 48% market share. The speedy start for “Fast X” was enough to depose “Guardians of the Galaxy 3,” which had ridden atop the Korean chart for the two previous weekends. In its third weekend on release “GOTG 3” earned $3.04 million, a 48% week-on-week decline, giving it a cumulative of $26.9 million after 19 days on release in Korea. That is the fourth highest total for any film that has played in Korean cinemas this year.

Patrick Frater Asia Bureau Chief “In Our Day,” the film by South Korean auteur Hong Sang-soo which closes the Directors’ Fortnight section of the Cannes film festival, has seen distributors in multiple territories move early to strike rights deals. French rights were picked up by Capricci), Spanish rights by L’Atalante Cinema and Greek rights by Ama Films. The film has its official premiere on May 25. Seoul-based Finecut has long been the sales agent for Hong’s plentiful output. In addition to the deals on “In Our Day,” Finecut signed agreements with L’Atalante, with France’s Ariona Films and Taiwan’s Cola Films for “In Water,” Hong’s first film of 2023 which premiered in the Encounters section in Berlin in February. The film was previously sold to Cinema Guild for North America.

Elsa Keslassy International Correspondent Kaouther Ben Hania, the Oscar-nominated director of “The Man Who Sold His Skin” whose latest film “Four Daughters” is competing at this year’s Cannes Film Festival, will next direct “Mimesis,” an epic love story set in Tunisia. While the plot is under wraps, the story is set in two different periods, the 1990s and the 1940s, paying tribute to cinema and Arab-Muslim cultural heritage. It’s being produced by Nadim Cheikhrouha at Tanit Films, who produced Ben Hania’s “Four Daughters” and her previous film “The Man Who Sold His Skin” which world premiered at Venice where it won best actor for Yahya Mahayni and was nominated for best international film at the Oscars in 2021.

Patrick Frater Asia Bureau Chief Wilfredo Manalang, who was one of the producers of last year’s Cannes’ Japanese hit “Plan 75,” has come on board Vietnamese film project “Don’t Cry, Butterfly.” Manalang (aka Will Fredo) and partners in his Philippines-based Fusee consortium will join as an executive producer. Written and to be directed by Duong Dieu Linh, “Don’t Cry, Butterfly” follows a Vietnamese housewife who finds out that her husband is cheating on her. Instead of confronting him, she uses voodoo on him so he falls back in love with her. Production of “Don’t Cry Butterfly” is by Tan Si En at Singapore-based Momo Film Co. The company was founded in 2018 by Tan and writer-director Kris Ong. In 2021, Beach House Pictures, part of Canada’s Blue Ant Media, acquired a majority stake in Momo.

Patrick Frater Asia Bureau Chief Irish screen legend and BAFTA-award winner Patrick Bergin (“Sleeping With the Enemy,” “Patriot Games”) and Francis Magee (“Kin”) have joined true-crime thriller, “Kiss of the Con Queen,” being directed by Tom Waller (“The Last Executioner,” “The Cave”). The pair join real-life victim Eoin O’Brien (“The Last Full Measure”) who plays an actor duped by an impersonator into traveling to Indonesia on the promise of auditions for a leading role in a DC origins series. There he discovers that he had been scammed by the infamous Con Queen of Hollywood. Ravi Patel (“Transformers,” “Meet the Patels”) plays the fraudster.

Patrick Frater Asia Bureau Chief Mixed martial arts thriller “Glass Dragon” has been picked up for international sales by MPI Media. The company is launching the title at the Cannes Market. The film, now in post-production, is produced by Asia-facing Los Angeles company Eleven Arts and RE:Anime, a firm that adapts beloved anime series into captivating live-action films. “Glass Dragon” stars Miki Mizuno (“Bayside Shakedown”), a martial artist and single mother who has to accelerate her life plans when things go badly wrong for her and her daughter. The picture also stars the veteran martial arts film star Mark Dacascos (“Cradle 2 the Grave,” “Hawaii Five-0,” “John Wick 3,” “Iron Chef America”). Other acting credits got to Maryjun Takahashi (“Rurouni Kenshin”) and Kiki Sukezane (“Westworld,” “Lost in Space”). 

Patrick Frater Asia Bureau Chief Taiwan-based Screenworks Asia is using the Cannes Market to launch international rights sales on “Lost in Perfection.” The film, previously titled “Love is a Bitch,” is a female-led psychological thriller that marks the live-action debut of Sung Hsin-ying, who is already established as an award-winning animation director. The story follows a TV anchor, played by Shao Yu-Wei, whose apparently perfect life unravels when she discovers that her father may have become the victim of a romance scam. To make matters worse, the scammer is accused of murdering men she dated. In an attempt to protect her family, the woman partners with the local prosecutor to investigate the crime. Yet, she quickly finds herself lost in the twists and turns while uncovering the truth.

Patrick Frater Asia Bureau Chief Amanda Nell Eu’s “Tiger Stripes,” which had its premiere this week in Cannes Film Festival’s Critics’ Week, is being celebrated as a punchy female-driven debut feature and as the first film by a Malaysian woman director in any section Cannes. The story focuses on a small group of 11 or 12-year-old girls. When one of the friends enters puberty she finds her body changing in unexpected ways. Relations with her friends and family start morphing too. Eu’s finished film straddles the metaphorical drama and body horror genres. “Tiger Stripes” is also a triumph for the now highly-developed global network of project markets, talent development programs, script and production workshops (often labelled as ‘labs’) and grant schemes. These are intended to encourage diversity and nurture film-making talent in countries where that is a rarity or where commercial films crowd out more experimental art-house titles.

Patrick Frater Asia Bureau Chief The premium end of the streaming video sector in India is poised for shake-up, with Reliance Industries’ JioCinema challenging the SVOD dominance of Disney+ Hotstar, new research suggests. “The India Online Video Report: Analysis of Consumption, Content & Investment Trends,” from Singapore-based Media Partners Asia, shows total consumption across the online video sector reached 6.1 trillion minutes for the 15-month period from Jan 2022 to Mar 2023. Within that period, the SVOD, AVOD and freemium platforms accounted for some 12% of viewing time, up from 10% in 2021. Social services such as YouTube and TikTok accounted for 88% of viewing time.

Patrick Frater Asia Bureau Chief “Guardians of the Galaxy Vol 3” enjoyed a second weekend on top of the mainland China box office, as all top five placed films remained unchanged and audiences await “Fast & Furious 10.” “Guardians Vol 3” earned $19.0 million between Friday and Sunday, according to data from consultancy Artisan Gateway. That was a decent week-on-week hold, representing a drop of only 32% from its debut weekend, following a solid but unspectacular start. And it gives the film a total of $58.7 million after ten days in mainland Chinese theaters. Imax screens accounted for $3 million of the film’s weekend score in China and lifted the film’s Imax total in China to $10.4 million, which Imax calculates as 18% of its China total.

Patrick Frater Asia Bureau Chief Box office headlines have lately been dominated by Hollywood movies like Universal’s “The Super Mario Bros. Movie,” which has become the first movie of the year to hit $1 billion, and Disney’s “Guardians of the Galaxy Vol 3.” But a closer look at the global box office recovery indicates that Tinseltown does not have the field to itself. In fact, international films and markets — not the United States — are driving the current global box office recovery. In some territories, local-language titles are even dominant over Hollywood releases. And the overall scale of overseas ticket sales now dwarfs that of North America by more than two to one.

Patrick Frater Asia Bureau Chief Alexi Tan, a screenwriter and director who was a protégé of John Woo, has teamed with artist Charles Simpson to launch comic book “Monk Wars.” The “Monk Wars” universe is a dystopian gritty world filled with martial arts action and a broad array of diverse characters. The first book will follow Monk Ma, who has ancient animal powers, as he assembles his followers to take on the Rat-Men soldiers.

Patrick Frater Asia Bureau Chief Bruce Berman, a senior executive who was previously chairman and CEO of Los Angeles-based Village Roadshow Pictures, has come out of retirement to board the recently-founded film studio Through the Lens Entertainment. The company, founded by producer Aditya Chand, is headquartered in Singapore with operations in the U.S. and Japan. It aims to combine the opportunities of the East and the power and experience of the studio systems in the West, “to offer a new studio ecosystem out of Asia, that is built for the digital age.” Two film projects are already underway and a third with “Slumdog Millionaire” star Frieda Pinto is in development.

EXCLUSIVE: The Cannes Film Festival’s Marché du Film has unveiled a new exclusive event, bannered the Cannes Investors Circle, aimed at connecting high-caliber, global feature film projects with private investors.

Patrick Frater Asia Bureau Chief Los Angeles-based sales agency MultiVisionnaire Pictures has acquired worldwide rights, outside of Japan, to “Samurai Ninja Onimanji.” The picture is a gory-fantasy-action film by Japanese VFX master, artist, and director Nishimura Yoshihiro. Nishimura is a prolific special effects artist with over 100 film credits ranging from effects work to writing and directing. Credits across the J-sploitation genre include “Tokyo Gore Police,” “Meatball Machine Kodoku” and the recent “Tokyo Dragon Chef.”

Patrick Frater Asia Bureau Chief “Guardians of the Galaxy Vol. 3” gave the South Korean box office its biggest weekend of the year, with a $10.3 million start. The film played on more than 1,800 screens and enjoyed a 46% share of the overall market between Friday and Sunday, according to data supplied by Kobis, the tracking service operated by the Korean Film Council. After a year of struggle for the theatrical business in Korea, the opening by “Guardians” was twice that of “The Super Mario Bros Movie” and nearly four times bigger than the next biggest individual title debut of 2023 (“The First Slam Dunk” in the first week of January scored $2.61 million). Over its opening five days, “Guardians” managed $13.2 million, making it the seventh highest grossing film of the year at the end of its first weekend.

Naman Ramachandran In keeping with tradition, the 2023 edition of Cannes Classics promises to be a feast for cineastes with tributes to global masters and restored versions of all-time classics. Cannes Classics’ Memories of Jean-Luc Godard strand pays homage to the master who died in 2022 by screening a restored version of “Contempt” (1963); “Godard by Godard,” a self-portrait of the auteur; and the world premiere of “Phony Wars,” a trailer for a film that will never get made, described by the festival as a venture where the filmmaker “transformed his synopses into aesthetic programs.” Liv Ullman will be present at the strand with “Liv Ullmann – A Road Less Travelled,” a documentary directed by Dheeraj Akolkar.

Patrick Frater Asia Bureau Chief Glossy drama film, “Inside the Yellow Cocoon,” has unveiled its first trailer ahead of its world premiere this month in the Directors’ Fortnight section at Cannes. Its world sales representative, Cercamon will give the picture a market launch with a buyers-only screening on May 16. The anticipated Vietnamese-Singapore co-production is the debut feature by Pham Thien An and is eligible for the Camera d’Or prize. Its narrative follows a man whose sister-in-law is killed in a freak motorcycle accident in Saigon. He is tasked with delivering her body back to their countryside hometown. It is a journey on which he also takes his young nephew, who miraculously survived the crash. Amidst the mystical landscapes of rural Vietnam, the man begins a search for his older brother who vanished years ago in order to be able to hand over the boy. His pursuit, interrupted by magical dreams and forbidden desires, leads him to question what is worth living for.

Patrick Frater Asia Bureau Chief Malaysian social drama “Abang Adik” was named best film and winner of the Golden Mulberry prize on Sunday at the Far East Film Festival in Italy’s Udine. The film is a story of two undocumented and orphaned men, who may or may not be real brothers, but who lift each other up. The film’s director Jin Ong collected the White Mulberry prize for best debut feature and “Abang Adik” added a third prize decided by the festival’s season pass holders. Second place on the podium went to South Korea with Chang Hang-jun’s “Rebound,” while third place went to “Yudo,” by Japan’s Suzuki Masayuki.