Oscar Winner ‘The Boy and the Heron’ Heading to Netflix Outside U.S. and Japan

Producers in Southeast Asia are facing a very different, much quieter landscape to the one in front of them just 12 months ago, as U.S. players rein in their spending to appease shareholders, and neighboring countries such as Korea, Japan and India draw attention.

EXCLUSIVE: The company that sells The Traitors format around the world and the Japanese broadcaster behind Ninja Warrior and Takeshi’s Castle have teamed up to create a physical gameshow.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation film “The Boy and the Heron” earned a chart-topping $34.9 million between Friday and Sunday at the mainland China box office. Over its full five-day opening run, it took an even more spectacular $73 million. China was the last major territory to play the Studio Ghibli-produced fantasy in cinemas – it released in its native Japan in July and is imminently headed to streaming in many other territories – but that did not stop Chinese audiences from lapping it up. While most films release in China on a Friday, “The Boy and the Heron” was given a Wednesday outing in order to capture momentum from the Thursday-to-Saturday Qingming public holiday. Consultancy firm Artisan reports that it earned RMB248 million ($34.9 million) over the conventional Friday-to-Sunday weekend.

Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record. 

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation “The Boy and the Heron” opened its wings in mainland Chinese theaters in midweek and soared to the top of the box office. Data from multiple local tracking sources show the Miyazaki Hayao-directed fantasy-adventure accounting for more than half of all cinema revenues on both Wednesday and Thursday. On Wednesday it garnered $13.8 million, according to estimates from Ent Group. By 6.30pm on Thursday, ticket sales firm Maoyan was showing the title as having grown its two-day running total to RMB254 million or $35.2 million. While films mostly open on Fridays in China, “The Boy and the Heron” was given a Wednesday outing in order to play into the three-day Qingming public holiday.

Patrick Frater Asia Bureau Chief Leading Japanese broadcaster TV Tokyo and Taiwan-based LGBT streaming platform GagaOOLala will this month release “At 25.00 in Akasaka,” a live-action drama series in the popular Boys Love (BL) genre. Based on a popular manga by Natsuno Hiroko, the underlying comic has sold over 1.2 million copies. The series explores the romance between a renowned actor and an aspiring talent, cast as leads in a BL drama that wins the hearts of audiences worldwide.

Patrick Frater Asia Bureau Chief Hankyu Hanshin, parent company of all-female musical theater company Takarazuka Revue, has apologized to the family of an actor who died in September last year. The 25-year-old woman died after being harassed by theatre officials and older members of the company, it was alleged. She was found at or near her condominium in Hyogo Prefecture, western Japan, a case which the local police are treating as probable death by suicide. “The two sides have reached a broad agreement on various issues, including compensation,” the Kyodo news agency reported from a press conference held in Osaka on Thursday.

Jeff Benjamin As with his long music career, Yoshiki’s eventual foray into fashion seemed inevitable.“I’m the oldest son, and, usually, the son takes over the family business,” Yoshiki, Variety’s International Achievement in Music honoree, says about the expectations for him to take over his parents’ kimono shop. “I was always surrounded by those flashy kimonos.

Patrick Frater Asia Bureau Chief In these culturally sensitive times, having an American director and showrunner on a quintessentially Japanese series is sure to raise the issue of cultural appropriation. But the Dave Boyle-directed “House of Ninjas,” which Netflix launched in February, stands out not only as a hit, but as a seemingly happy blend of East and West. An original story about the last living ninja family in modern times, the show ranked as the streamer’s top non-English show in 16 countries and regions, as well as reached the top ten list in 92 countries.In an interview with Variety, Boyle (“The Man From Reno,” “Big Dreams, Little Tokyo”) said that surprising career left-turns brought him to the series and helped him keep the show authentically Japanese.

Elsa Keslassy International Correspondent “Dahomey,” the Berlinale Golden Bear-winning film helmed by French-Senegalese director Mati Diop, has been sold to a raft of international territories by Les Films du Losange. Along with being acquired by Mubi in key markets, “Dahomey” has been acquired in Australia & New Zealand (Rialto), China (Hugoeast), Spain (Filmin), Portugal (Nitrato Filmes), Greece (One From the Heart), Scandinavia (NonStop Entertainement), Benelux (Cinéart), Bulgaria (Beta Films), Ex-Yugoslavia (Discovery), Hungary (Mozinet), Czech Republic (Film Europe), Romania (Voodoo), Baltic Countries (Taip Toliau), Poland (New Horizons), Ukraine (Kyivmusicfilm), Taiwan (Joint Entertainment), Indonesia (PT Falcon) and Sudu Connexion in Africa.

Nick Vivarelli International Correspondent Saudi Arabia, where popular anime characters such as “Captain Tsubasa” and “Dragon Ball” protagonist Son Goku have been engrained in the culture for decades, is taking its love affair with Japanese manga content to the next level. In late March, just a few weeks after the death of “Dragon Ball” creator Akira Toriyama, it was announced that the world’s first theme park dedicated to the megahit Japanese manga and animation franchise will be built in Qiddiya, the massive entertainment and tourism project outside the Saudi capital of Riyadh through a joint venture between Qiddiya and Japan’s Toei Animation.

Patrick Frater Asia Bureau Chief Universal’s “The Fall Guy” will open in mainland Chinese cinemas next month, ahead of its debut in the U.S. and star Ryan Gosling’s native Canada. The film is set to release officially in China on April 30.

Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea). 

Patrick Frater Asia Bureau Chief Warner Bros. Discovery is to significantly expand its investment and production of Japanese anime through its existing local studio in Japan. “We have a Japanese anime studio, which has been producing five or ten anime series per year, over the last few years,” said James Gibbons, WBD president of Asia-Pacific. “We’ve approved expansion to take that to more than ten series per year.” The studio has been operational since 2011 and delivered over 80 titles in that span, a mix of high-quality anime, live action series and movies.

Patrick Frater Asia Bureau Chief Osaka-based Yomiuri Telecasting Corporation will launch ytv animation, a new brand that will leverage Yomiuri TV’s long history in animation, while also undertaking more challenging titles. The move comes a day ahead of the Anime Japan 2024 convention being held at Tokyo Big Sight. It also comes “ahead of the 60th anniversary in 2027 of Yomiuri TV’s airing of ‘Golden Bat’ in 1967,” the company said. “We will leverage our nearly 60 years of experience producing and broadcasting anime to bring exciting titles to our fans,” said ytv animation producer in a prepared statement.

It's the first international break of the year as Celtic's domestic season goes on ice until March 31.

Patrick Frater Asia Bureau Chief “The Boy and the Heron,” the Oscar-winning animated feature film by iconic Japanese director Miyazaki Hayao, is finally to be given a release in cinemas in mainland China. The picture is scheduled to release in China on April 3, 2024, according to Alibaba Pictures. Tickets are already available on booking sites such as Maoyan and Alibaba’s Taopiaopiao.

With a solid offshore hold, Denis Villeneuve’s Dune: Part Two is closing in on $500M globally. The overseas weekend brought in $51.2M across 73 markets, a 40% drop versus last session (-37% excluding China). The international box office cume through Sunday is $289.4M, and worldwide the running total is $494.7M. The latter figure means the film has already surpassed Villeneuve’s 2021 Dune worldwide.

On the heels of Best Animated Feature wins at the Oscars and Golden Globes, Hayao Miyazaki’s hand-drawn original The Boy and the Heron has been set to stream exclusively in the U.S. on Max, following the streamer’s move to extend its multiyear U.S. licensing deal with famed Japanese animation house Studio Ghibli.

Non-English language movies stormed the Oscars this year, with five foreign language films taking home statuettes, which is the highest number ever in one ceremony.