Only Stellan Skarsgard, Harmony Korine of Stars but New Talent Shines at Locarno; 10 Industry Takeaways from the Swiss Festival
09.08.2023 - 20:07
/ variety.com
Arthouse Crunch Over the last decade, theatrical arthouse markets have imploded soufflé-like. “We used to make 5,000 admissions per title, now the target audience is 500,” Peter Bognar, at Hungary’s CinefilCo, told Variety at Locarno. So, to close the gap and move hopefully into a little upside, having tapped subsidies and local TV pre-buys, producers are looking ever more to overseas public-sector coin, channelled via international co-producer partners.
Tapping that not by chance is the objective of three of Locarno’s biggest industry initiatives, Open Doors, Match Me! and A4Development. Not surprisingly, all three are flourishing. Riz Ahmed, Cate Blanchett: The Importance of Stars Following on Fantasia, as the second high-profile fest after SAG-AFTRA’s strike action, Locarno took a hit in star presence, always limited at the best of times.
Ahmed cancelled an opening night attendance to accept Locarno’s Davide Campari excellence award ahead of a screening of “Dammi” in which he starred. Cate Blanchett, an executive producer on closing night pic “Shayda,” also pulled out in solidarity with striking actors. Stellan Skarsgård did attend, declined a Leopard Club Award, talked up his latest film, “What Remains,” but refused to talk about the strikes.
Does the lack of star glitz matter? Well, yes. Locarno is distinguished by its auteur fare and debuts and now select genre fare. Its audiences also expect, as a counterpart, some big names and more broader audience fare with stars in attendance at its Piazza Grande screenings.