One Dancer Still Critical After Hong Kong Concert Incident

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Patrick Frater Asia Bureau ChiefSelena Lee, Kenny Kwan, and Adam Pak lead the cast of “Tape,” a Cantonese-language remake of the Richard Linklater drama film that debuted in 2001. The new film is to be directed by Bizhan Tong (“Forensic Psychologist,” “The Audition”) with cameras set to roll next month in Hong Kong.“Tape” tells the story of 3 best friends who, following an event at a graduation party that transforms their lives, reunite 15 years later where a case of blackmail forces them to confront a terrible secret from their past.The original film starred Ethan Hawke, Uma Thurman and Robert Sean Leonard and played at the Sundance, Toronto and Rotterdam festivals.In Tong’s remake, Kwan, Lee, and Pak play the contemporary characters while Mason Fung, Summer Chan, and Angus Yeung portray their younger versions.

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Vivienne Chow Hong Kong boy band Mirror has pulled out of Japan’s Summer Sonic festival, organizers confirmed, while investigations continue into last week’s horrific incident that severely injured two dancers on stage during a live concert in their hometown.Summer Sonic announced on Friday that the 12-piece group has canceled the performance at the festival’s Tokyo Pacific Stage, originally scheduled for Aug. 20, “due to unforeseen circumstances.”“We sincerely apologize to all of you and hope to have the opportunity to participate again,” a comment from Mirror cited in Summer Sonic’s statement.The news follows a tragic incident on July 28, when a giant LED screen hanging above the stage fell and struck 27-year-old dancer “Mo” Lee Kai-yin in the head during Mirror’s concert at the Hong Kong Coliseum.

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Tragedy struck for Hong Kong boy group Mirror during their concert last week.

Hong Kong officials said Friday they would open an investigation into a concert accident where a giant LED video screen fell down onto the stage and injured two dancers. Video clips from the Cantopop group Mirror concert Thursday night show a massive LED screen suspended above the stage crashing down, directly landing on one dancer before toppling over onto another as audience members scream in horror. The injured performers were immediately sent to the Queen Elizabeth hospital.

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Patrick Frater Asia Bureau ChiefHong Kong authorities have ordered an investigation into the incident on stage Thursday when a giant LED screen fell from the ceiling at a concert by boy band Mirror, injuring two male dancers.“I have contacted the Secretary for Culture, Sports and Tourism, and instructed the Leisure and Cultural Services Department, together with relevant departments, to comprehensively investigate the incident and review the safety requirements of similar performance activities in order to protect the safety of performers, working staff and members of the public,” said the city’s Chief Executive John Lee. He described the events as a “a serious incident.”The incident happened around 10.35pm local time on Thursday at the Coliseum, a major venue for the Canto-pop music scene.

Two dancers were injured at a Cantopop concert in Hong Kong after a massive video screen suspended above the stage fell onto performers below. The concert on Thursday, by boy band called Mirror, was the fourth of a series of 12 scheduled concerts by the band held at the Hong Kong Coliseum. According to the Associated Press, two performers were injured onstage and three other female audience members were also reported as injured, police said.

caught the horrific incident at the Hong Kong Coliseum on video and posted it to social media. The footage shows one of the many floating screens above the stage coming unhinged and landing on performers. It is unclear which of Mirror’s 12 members was injured, but the South China Morning Post reported that two of the band’s male dancers — including a popular dancer known as Mo — were taken to the hospital.

Richard Kuipers The question of what it means to be a Hong Konger is examined in Chan Tze-woo’s innovative and affecting hybrid documentary “Blue Island.” Artfully editing footage of the 2019-2020 protests with dramatic recreations of events that have shaped the British colony turned Chinese special administrative region since 1967, “Blue Island” balances its unavoidably sobering picture of the current political landscape with uplifting testimony of individuals determined to preserve the spirit of Hong Kong, no matter what the future holds. Winner of the international documentary award at Hot Docs this year, “Blue Island” will likely never be legally exhibited in Hong Kong or China, though specialty outfit Icarus Films is distributing the film theatrically in selected U.S.