'Once Upon a Time in Uganda': Film Review | SXSW 2020

[Note: In the wake ofthe Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select entries that elected to premiere digitally.] Israeli director Eytan Fox, who landed on the map with his 2002 gay military romance, Yossi & Jagger, brings sensitivity, restraint and slow-burn sensuality to a story of cross-generational emotional awakening in Sublet.

[Note: In the wake ofthe Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select entries that elected to premiere digitally.] It's fitting that Wake Up on Mars opens in winter. The frozen Swedish landscape is an apt backdrop for this real-life tale of suspended animation: Two teenage sisters, in side-by-side beds, lie in a coma-like condition that's variously known as uppgivenhetssyndrom, apatisk (apathy) syndrome and resignation syndrome.

[Note: In the wake ofthe Tribeca Film Festival's cancellation this year,The Hollywood Reporteris reviewing select entries that elected to premiere digitally.] With his chameleonic capacity for self-reinvention, his eclectic musical palette and elegant extraterrestrial freakdom, David Bowie would seem ideal subject matter for the kind of freewheeling, stylistically fragmented biopic treatment Todd Haynes gave Bob Dylan in I'm Not There.

[Note: In the wake ofthe Tribeca festival's cancellation this year,The Hollywood Reporteris reviewing select entries that elected to premiere digitally.] There are close-ups, and then there are close-ups — frame-filling, heart-stopping glimpses of a soul. In the brief but stirring Stray, those glimpsed souls belong to dogs who live on the streets of a major city.

So-called reparative therapy designed to change a person's sexual orientation or gender identity, using religious indoctrination and bogus psychology, has been dealt with in both dramatic features (Boy Erased, The Miseducation of Cameron Post) and comedies (But I'm a Cheerleader, Saved!).

By Variety Staff

[Note: In the wake of SXSW's cancellation this year, The Hollywood Reporter is reviewing select fest entries that elected to screen digitally for critics.] S.R. Bindler's 1997 documentary Hands on a Hard Body —about a Texas endurance contest in which the last contestant awake with a hand touching a new truck would win it —was an unexpected sensation, attracting attention long before today's doc boom and inspiring spinoffs including a Broadway musical.

[Note: In the wake of SXSW's cancellation this year, The Hollywood Reporter is reviewing select fest entries that elected to screen digitally for critics.] Few SXSW attendees in 2011 would have expected that Dave Boyle's likably shambling Surrogate Valentine would ever get the sequel treatment.

[Note: In the wake of SXSW's cancellation this year,The Hollywood Reporteris reviewing select fest entries that elected to premiere digitally.] Shiva Babykicks off with an unpersuasive orgasm. "Yeah, Daddy," Danielle (Rachel Sennott) intones, the lack of conviction in her voice telegraphing the transactional nature of the coupling.

[Note: In the wake of SXSW's cancellation this year, The Hollywood Reporter is reviewing select fest entries that elected to premiere digitally.] The winner of this year's Documentary Feature award at the virtual version of SXSW, Katrine Philp's An Elephant in the Room spends time with participants in a New Jersey program called Good Grief, whose probably inadvertent invocation of Charlie Brown hints at its focus: The Morristown group is built around children who have lost parents, placing them

[Note: In the wake of SXSW's cancellation this year, The Hollywood Reporter is reviewing select fest entries that elected to premiere digitally.] A narrative feature debut informed by its maker's previous documentaries about the oil industry, Noah Hutton's Lapsis takes a sci-fi look at another kind of resource-extraction boom and the workers being exploited in it.

Krisha Fairchild's second lead role in a feature is no less perfect for her than the first. As in 2015's Krisha (which put the retired, little-known performer on the indie map at age 65), she inhabits the central character of Freeland with a riveting emotional power.

"I’m thinking a lot about it"

Filmmaker Quentin Tarantino has more plans for Once Upon a Time in Hollywood. The Leonardo DiCaprio and Brad Pitt starrer, which made its way to all the prestigious award shows this year, was highly appreciated by fans and critics.

Quentin Tarantino isn’t done with Once Upon a Time in Hollywood just yet.

If you have yet to watch Quentin Tarantino’s ninth film, Once Upon A Time in Hollywood starring Leonardo DiCaprio, Brad Pitt and Margot Robbie, you might want to take a seat for some mild spoilers. For the return of the fifth season of 3 Girls, 1 Keith, Amy Schumer and friends Bridgett Everett, Rachel Feinstein and Keith Robinson had the award-winning filmmaker join them for a chat in which he revealed why the Brad’s shirtless scene turned out to be perfection.

He continued: "I'm like, okay, this guy knows exactly what time it is. S**t the f**k up and let the master do his job! Even when you see him in the work shed and the way he puts on the leather gloves and puts the wire in his mouth all butch and macho.

Brad Pitt’s topless scene in Quentin Tarantino’s 2019 movie Once Upon a Time in… Hollywood was the star’s idea.