Nottingham’s Splendour festival cancelled, leaving organisers “frustrated”

Robert Downey Jr. is winning big!

A column chronicling conversations and events on the awards circuit.

Brad Pitt is honoring his longtime friend Bradley Cooper!

4 min read The 31st Mardi Gras Film Festival (MGFF) is here, and it’s not just about popcorn and previews. This year, Queer Screen throws down the gauntlet, inviting audiences to engage in […]

The 2024 SXSW Film Festival is just a month away and today 50 new films and television programs were added to its slate. This is after the festival already revealed that highly anticipated projects such as “The Fall Guy” with Ryan Gosling and Emily Blunt, “Road House” with Jake Gyllenhaal, “Inside of You” with Anne Hathaway, and Netflix’s “3 Body Problem,” among others.

There’s a special type of frustration that comes with watching a film like Bruno Mourral’s “Kidnapping Inc.” It’s a frustration borne from a good place—you want the film to succeed—but around every corner, “Kidnapping Inc.” just can’t help but trip over itself. This is a film that showcases two really solid lead performances, highlights horrific injustice found in a country many people aren’t familiar with, and is shot in a way that makes its modest budget feel much bigger.

Kieran Culkin is opening up about what was happening with Jesse Eisenberg at the 2024 Sundance Film Festival!

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

Tribeca Enterprises and Giant Pictures are launching Tribeca Films, a distribution label the partners said aims to support high-quality independent films from the festival circuit. The label is focused on U.S. transactional video-on-demand (TVOD) and advertising-based video-on-demand (AVOD) with the opportunity for distribution across Giant Pictures’ streaming infrastructure, as well as on the Tribeca Channel.

EXCLUSIVE: RTG Features, the sister studio to basketball media company Slam, is partnering with arts organization Heartland Film to launch the first annual Slam Film Festival dedicated to basketball-themed movies.

Being (The Digital Griot) audience members were encouraged to discuss various issues with an AI bot, including patriarchy and racism. One audience member reportedly shouted, “Fuck this AI.”The film’s creator, Rashaad Newsome responded: “I’m not here to be cursed out and I’m not going to have my AI child be cursed out either.”Newsome also reportedly refused to take part in the post-screening Q&A session until action was taken against the audience member.The incident led staff to remove the audience member from the auditorium.

Patrick Frater Asia Bureau Chief Webtoons, the digital comics that have been the source material for scores of Korean films and TV series, are to receive a major boost from the South Korean government. Yu In-chon, minister for culture, sports and tourism, on Tuesday said that the government will foster webtoon platform development, launch a major webtoon festival in the autumn of this year and by 2027 open a school dedicated to the emerging genre. Webtoons emerged in the early years of the 21st century shortly after the mass market a acceptance of smart phones – a technology sector where Korea’s Samsung Electronics is a major manufacturer – and are vertically-scrolling comics designed for consumption on a small screen. As a relatively new medium webtoons have escaped some of the strictures of Japan’s manga business or the cartoon industry in other countries. Instead, they have diverse story genres, are cheap to produce, which allows creators from non-professional backgrounds to participate, and have been quickly internationalized through multi-lingual translations and overseas platforms.

At the height of their failure, every day was Altamont for the Brian Jonestown Massacre, the San Francisco outfit founded in 1990 by Anton Newcombe, the Klaus Kinski of psychedelic rock. Just in time for this 20th anniversary overhaul of Ondi Timoner’s breakthrough documentary, the BJM were back in the news as recently as November 2023, when the first night of an Australian tour ended in a riot. That the riot was confined to the stage, and played out in front of a dumbfounded audience, is DIG! XX in a nutshell, a welcome return for a film that no less an authority than Dave Grohl calls, in a specially filmed new intro, “the greatest rock’n’roll documentary of all time”.

Steven J. Horowitz Senior Music Writer Usher, Janet Jackson and Backstreet Boys are just a few of the acts slated to perform at this year’s Lovers & Friends festival. The event, which will return to the Las Vegas Festival Grounds on May 4, will also feature a substantial slate of artists on the bill, including Snoop Dogg, Gwen Stefani, Nas, Alicia Keys, Nelly Furtado, Ludacris, Mary J.

Thania Garcia The third iteration of Chicago’s Sueños Music Festival — an exclusively all-Latin music event — has announced Peso Pluma, Maluma, Ivan Cornejo and Rauw Alejandro as headliners for the two-day celebration on May 25 and 26 at Grant Park. Curated by Aaron Ampudia and Chris Den Uijl of La Familia Presenta, the Sueños lineup also includes rising acts like Xavi and Young Miko, along with Mora, Manuel Turizo, Jowell y Randy, Latin Mafia and Gabito Ballesteros, among others.

Pending Woody Allen’s final and absolute cancellation, few directors have emerged to take his place as an erudite and literary artist whose work combines snappy wordplay, base sex jokes and a philosophical willingness to stare into the abyss. Jesse Eisenberg staked a tentative claim to that throne with his 2022 debut When You Finish Saving the World, an amiable but scrappy political satire about a left-wing mother and son, but his follow-up makes a stronger case, being much more adult, less broadly scripted, and as depressing as Woody Allen circa Stardust Memories (which his sophomore film as director obliquely resembles, with its talk of chance, fate and irony).

In the realm of zombie-themed films, a genre often filled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.

Sundance has a long history of screening films that tackle issues of race in the U.S. from every possible angle. Some are angry (Birth of a Nation, 2016), some satirical (Dear White People, 2014), and some quite gonzo (Sorry to Bother You, 2018).

Saoirse Ronan is stepping out to promote her new movie.