Netflix Orders Shane Gillis Scripted Series ‘Tires’

Netflix has struck a deal with the Writers Guild of Great Britain (WGGB) over live-action scripted series for the first time.

After “The Gentlemen,” is “3 Body Problem” the most anticipated Netflix series release of Q1 2024? Most definitely, and for several reasons. For one, it’s D.B.

Freeform is expanding its unscripted slate with two new series.

Netflix is adding content from another TV titan to its roster of originals. Homicide: New York, a true-crime docuseries from Law & Order creator Dick Wolf, is set to debut on the streamer on March 20. It will be followed by Homicide: Los Angeles later this year. Both installments consist of five episodes each.

Grey’s Anatomy has been among Netflix’s top draws for a decade. Now the streamer is venturing into the medical procedural genre that has been a broadcast staple with its first original, Pulse. The series comes from first-time creator Zoe Robyn (The Equalizer) who serves as showrunner and executive producer alongside veteran Carlton Cuse (Tom Clancy’s Jack Ryan, Locke and Key). Justina Machado (The Horror Of Dolores Roach) is the first series regular cast in the show, whose first two episodes will be directed and executive produced by Kate Dennis (The Handmaid’s Tale, New Amsterdam).

Naman Ramachandran Netflix has revealed its upcoming 2024 Indian slate and Monika Shergill, VP, content has outlined the streamer’s commissioning philosophy and strategy for the country. New titles on the slate include: Luv Ranjan comedy film “Wild Wild Punjab”; Neeraj Pandey heist film “Sikandar Ka Muqaddar”; scripted Anubhav Sinha thriller series “IC 814: The Kandahar Hijack”; Kapil Sharma’s unscripted comedy series “The Great Indian Kapil Show”; and cricket themed docu-series “The Greatest Rivalry – India vs Pakistan,” featuring top Indian and Pakistani cricketers.

Joe Otterson TV Reporter Nick Offerman and Betty Gilpin have joined the upcoming Netflix historical drama series “Death by Lightning,” Variety has learned. The duo join previously announced series leads Matthew Macfadyen and Michael Shannon in the show, which will tell the story of U.S. President James Garfield (Shannon) and his assassination by Charles Guiteau (Macfadyen).

Shane Gillis and James Austin Johnson went mono-a-mono as Donald Trump on “Saturday Night Live” this weekend, mocking the former president’s new sneaker line in a parody movie trailer called “White Men Can Trump.”In the skit — which aired amid Gillis’ sheepish return to Studio 8H after getting hired, then immediately fired from the sketch show in 2019 — the 36-year-old guest host plays an average guy named Gordon Dwyer who “can’t catch a break” in anything whether it be in love or basketball. However, things seem to change when Gillis is gifted a pair of the 45th president’s branded sneakers.

Shane Gillis is BACK on Saturday Night Live… But he doesn’t want you looking into his history with the show!

addressed his firing from “Saturday Night Live” last night by telling audience members that he “probably shouldn’t be up here.” “Thank you very much. Yeah, I’m here,” Gillis, 36, told the crowd during his controversial appearance at Studio 8H. “Most of you probably have no idea who I am.

21 Savage made his Saturday Night Live debut!

Saturday Night Live host Shane Gillis sported a mullet and a southern accent to play Ricky Monroe, an alum of Greenbow High School who graduated alongside Forrest Gump.

Shane Gillis is known for his Donald Trump impersonations on stage, and he brought the character to his hosting debut on Saturday Night Live.

Saturday Night Live set its sights on The Floor, Fox’s new game show hosted by Rob Lowe that has contestants facing off in a series of quiz duels.

Shane Gillis has returned to host “SNL” after being fired from the cast in 2019 for having made racist, homophobic and misogynistic remarks. During the Feb. 24 episode, Gillis didn’t shy away from the elephant in the room, briefly acknowledging his firing in his opening monologue.

William Earl administrator Shane Gillis brought his famous impression of former president Donald Trump to the Feb. 24 episode of “Saturday Night Live” in a faux movie trailer that took aim at the president’s new line of expensive speakers.

Shane Gillis returned to Saturday Night Live on February 24, and he was joking about being fired by the late-night show within the first few lines of his opening monologue.

Shane Gillis took his turn as Saturday Night Live host and wasted no time acknowledging he was fired from the NBC late-night sketch show.

Shane Gillis, who was hired and then quickly fired from NBC’s “Saturday Night Live” in 2019 for racist, homophobic, anti-Semitic and transphobic remarks on his podcast, will host the long-running sketch show with musical guest 21 Savage.And, while the 36-year-old claims to have learned from his “offensive, hurtful, and unacceptable” on-air slurs, he continues to work cruel stereotypes into his material according to the Los Angeles Times.Still, his stand-up comedy and podcast have thrived post-firing; Gillis became particularly popular with conservative and anti-woke audiences after being let go.Now, he’s midway through a nationwide tour which includes three shows at NYC’s Radio City Music Hall on March 1-2.As of now, demand seems quite high for his live shows; at the time of publication, the lowest price we could find on tickets for any single gig was $51 before fees on Vivid Seats.Other shows have seats starting anywhere from $60 to $267 before fees.All prices listed above are subject to fluctuation.A complete calendar including tour dates, venues and links to the cheapest tickets available can be found below.(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout.)Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

In 2019, filmmaker Guy Ritchie went back to his crime comedy roots with “The Gentlemen,” a film very much in the vein of early films like “Lock Stock And Two Smoking Barrels” and “Snatch.” And, of course, in the ensuing years, especially during the pandemic, in the rush and craze for content, everyone wanted a spin-off that would pay handsomely for them, and creators were more happy to oblige.