Netflix Adds 1.75 Million Subscribers in Q1, Its First Quarter Without Sub Guidance

K.J. Yossman Netflix’s director of U.K. features Fiona Lamptey has exited the streamer after nineteenth months, Variety understands. No reason has been given for the move and Netflix declined to comment. Lamptey joined Netflix U.K. Oct. in 2021 from Fruit Tree Media with a brief to expand Netflix’s U.K. talent roster and scout new IP to adapt for feature-length productions. She previously spent 13 years at Channel 4 and its feature division Film4. Among the features developed during her time at the streamer are “I Came By,” starring “Downton Abbey’s” Hugh Bonneville, “The Wonder,” which starred Florence Pugh and “The Strays” starring Ashley Madekwe and Bukky Bakray.

Paramount Global fell way shy of Wall Street forecasts with ongoing losses in streaming exacerbated by soft advertising at its TV/Media group last quarter and a dip in filmed entertainment as well. The stock is down sharply — about 14% — in early trading

Patrick Frater Asia Bureau Chief Hybe Corp., the structure behind K-pop icons BTS, enjoyed strong financial performance during the first three months of the year. The results were achieved despite BTS’s effective hiatus and quarter of corporate skirmishing in the Korean music sector. The company Tuesday reported revenues of KRW411 billion in the three months to end of March and operating profit of KRW52.5 billion, increases of 42$ and 44%, respectively. Adjusted earnings before interest taxation, depreciation and amortization were up 12% at KRW71.9 billion. Hybe did not confirm financial media calculations that it would net an investment profit of some $87 million on the sale of shares in SM Entertainment, which it bid to control but lost to Kakao.

tonally similar to Ridley Scott’s 1979 “Alien” and James Cameron’s 1986 “Aliens.”We also know that this new story will be a prequel. During the Television Critics Association’s 2022 summer tour, FX chairman John Landgraf confirmed that the series would take place before Ripley’s time on the screen. Landgraf also said the show would take place on Earth at the end of the 21st century.

Jennifer Maas TV Business Writer The new regime at Peacock has spent the past nine months preparing to take its baby bird to new heights. The number of big moves made by the NBCUniversal-owned streamer — from amping up its original content slate to livestream deals with Hallmark, Reelz and Big 10 college football to bringing NBC shows back into the fold for next-day viewing and eliminating its free tier for new users — is setting the stage for what executives hope will be a growth spurt in 2023. Peacock, which launched three years ago last month, will show of its brighter plumage Tuesday with its New Fronts presentation to advertisers. “It’s all coming together,” says Peacock president Kelly Campbell, who signed on in October 2021 after serving as president of Hulu. “We’re just seeing an increasing interest overall when it comes to inflow and engagement, and people are stickier than they were in the past.”

Elsa Keslassy International Correspondent Vivendi, the parent company of French pay TV banner Canal+ Group,has sees revenues rise by 3.3% to €2.29 billion ($2.52 billion) during the first quarter of 2023. Vivendi attributes the growth to all its subsidiaries, in particular Studiocanal, the film and TV production and distribution company of Canal+, whose revenues went up by 13.6% compared with the first quarter of 2022 driven by the success of several films, including the comedy “Alibi.com 2” and “John Wick 4.” Among the several high profile deals signed by the company during the first quarter, Canal+ inked an agreement with French telco Orange to acquire all shares of its pay TV package OCS, as well as Orange Studio, the film and series co-production subsidiary.

Patrick Frater Asia Bureau Chief Global cinema box office recovered strongly in the first three months of the year, driven by the performance of “The Super Mario Bros. Movie” in many territories and a bumper Chinese New Year season in mainland China. The upbeat news was delivered on the eve of CinemaCon Las Vegas by specialist research firm Gower Street Analytics, which has now increased its forecast of the cinema industry’s full year. The firm now projects that 2023 gross revenues will reach $32 billion, a 10% increase on its earlier estimate of $29 billion. “A $32 billion global box office in 2023 would represent an approximate +23% improvement on 2022. It remains 20% behind an average of the last three pre-pandemic years (2017-2019), but it shows how post-pandemic recovery of our business continues to improve,” said Gower Street.

Ashley Judd marked her first birthday since the death of her mother Naomi Judd with an emotional Instagram post. The actress, who turned 55 Wednesday, shared a lengthy tribute to Naomi as she reflected on memories of her past birthdays they celebrated together.The country star died by suicide April 30, 2022, at the age of 76. The "Kiss the Girls" star posted an image of the handwritten baby announcement that her mother sent out after Ashley's birth in 1968 and a photo of her holding up her birthday cake from this year's celebration.

Ashley Judd’s birthday is a little more solemn this year.

Ashley Judd celebrated her 55th birthday on Wednesday with a lengthy tribute to her late mother, Naomi Judd. This year was Ashley's first birthday since her mother died by suicide at age 76 in April 2022. «My birthday.

Ashley Judd celebrated her 55th birthday on Wednesday with a lengthy tribute to her late mother, Naomi Judd. This year was Ashley's first birthday since her mother died by suicide at age 76 in April 2022. «My birthday.

Netflix for depicting Cleopatra as a Black woman in a new documentary.al-Semary filed a case with the Public Prosecutor to shut down the streaming service in Egypt, following the release of the trailer for Queen Cleopatra – you can watch it below.As reported by Egypt Independent, the lawyer has demanded that serious legal action be taken against those responsible for the making of the documentary.The case claims that the documentary contradicts and distorts Egyptian history in favour of promoting Afrocentrism.al-Semary described the new depiction of the historic figure as a “crime”, and blamed Netflix’s management team for its participation in the project. He also demanded a thorough investigation of the process, as well as an outright shutdown of Netflix in Egypt.The case submitted against Netflix stated: “Most of what Netflix platform displays do not conform to Islamic and societal values and principles, especially Egyptian ones.”It added: “In order to preserve the Egyptian national and cultural identity among Egyptians all over the world there must be pride in the makings of such work.”The complaint has also accused the makers of the documentary and platform management of “forgery”.Former Egyptian Antiquities Minister Zahi Hawass said that documentary was “falsifying facts”, adding that “This is completely fake.

Jennifer Maas TV Business Writer Netflix co-CEOs Ted Sarandos and Greg Peters revealed what exactly went wrong with the live “Love Is Blind” Season 4 reunion special on Sunday — and how they plan to fix the problem with other live broadcasts moving forward. “We’re really sorry to disappoint so many people,” Peters said during a prerecorded Q1 earnings interview Tuesday. “We didn’t meet the standard that we expect ourselves: to serve our members and just be clear from a technical perspective. We’ve got the infrastructure. We had just a bug that we introduced, actually, when we implemented some changes to try to improve live-streaming performance after the last live broadcast, Chris Rock[‘s ‘Selective Outrage’] in March. We just didn’t see this bug in internal testing because it only became apparent once we put multiple systems interacting with each other under the load of millions of people trying to watch ‘Love Is Blind.'”

Netflix delivered a mixed set of results for the first quarter, edging Wall Street analysts’ estimates for earnings per share but falling short in other key categories.

website, the “Disneyland After Dark: Pride Nite” event will be held on Tuesday, June 13 and Thursday, June 15 inside the Anaheim, California-based amusement park. The after-hours celebration will kick off with a three-hour pre-party mix-in, starting at 6 p.m., with the private party running from 9 p.m.

And the new Academy post goes to … Meredith Shea.

CBS programming generated more than 281B minutes of viewing across all dayparts in the first quarter of the year, with more than 30% dedicated to primetime content.

Netflix has confirmed it is removing a number of popular films and TV shows from the platform in a major shake-up, The Mirror reports. The streaming giant regularly removes beloved content to keep things fresh for subscribers.

Jennifer Maas TV Business Writer Universal’s “The Super Mario Bros. Movie,” Paramount’s “Dungeons & Dragons: Honor Among Thieves,” HBO’s “The Last of Us” and Netflix’s “Arcane” are just the start of a new wave of movies and TV series based on popular video games and table-top gaming IP.

Jennifer Maas TV Business Writer The CW network has tapped Roku exec Ashley Hovey as the broadcaster’s first-ever chief digital officer. Per the the Nexstar-owned CW, in this new role, Hovey will be responsible for overseeing the business strategy and day-to-day operations of the network’s digital operations and OTT streaming platforms, including the CW App. An AVOD platform, the CW App has over 92 million downloads to date and serves as home of new episodes and seasons of the CW’s primetime programs, live streaming of its sports content and on-demand library. Hovey, who most recently served as senior director of the ad-supported business for The Roku Channel (TRC), including both on-demand and FAST channel content, will begin her duties at the CW April 17. She will report to Dennis Miller, president of the CW.