‘Natural Light’ Trailer: Dénes Nagy’s Berlin Competition Film Shows The Bleakness Of War

International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.

Leo Barraclough International Features EditorBerlinale Competition entries from two actors turned directors, Maria Schrader and Daniel Brühl, were among titles on the Beta Cinema slate at the European Film Market to prove popular among international distributors.Schrader, an Emmy Award winner as the director of “Unorthodox,” premiered comic-tragic tale “I’m Your Man,” starring Dan Stevens (“Downton Abbey”), Maren Eggert (“I Was At Home, But…”) and Sandra Hueller (“Toni Erdmann”), at the virtual

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

Manori Ravindran International EditorParis-based Totem Films has scored a raft of international sales on Iranian directors Behtash Sanaeeha and Maryam Moghaddam’s Berlin Film Festival competition entry, “Ballad of a White Cow.”“Ballad of a White Cow,” as sales agent Totem notes, is the story of a woman’s struggle for justice, recognition and independence in today’s Tehran.

Cinema Guild has taken U.S. rights to Introduction, Hong Sangsoo’s latest feature that was selected in this year’s competition program at the Berlin International Film Festival.

John Hopewell Chief International Correspondent“Natural Light,” a portrait of the attrition and atrocity of war set at a benighted village in occupied Western Soviet Union in 1943, has clinched its first sales as Paris-based Luxbox rolls out the Berlin Competition player at the European Film Market.Nour Films, whose past pickups include Berlin Golden Bear winner “Touch Me Not,” has closed rights to France.Nour will open “Natural Light” “with great conviction and pleasure” on at least 60 prints

Jamie Lang For the third year in a row, Netflix has a film in the main competition at the Berlin Film Festival. This year, Alonso Ruizpalacios’ “A Cop Movie” follows the path first blazed by Isabel Coixet’s “Elisa Y Marcela,” which at the time was met with a letter from 160 German independent exhibitors demanding the film be removed from competition.

Toward the end of Tina, the revealing documentary tribute by Dan Lindsay and T.J. Martin for HBO, Tina Turner is seen in an extended concert clip performing the Beatles' "Help" as a decelerated ballad — intimate, melancholy and full of feeling.

Opening with a very real-looking hardcore sex tape, and climaxing with a deranged orgy featuring super-sized dildos, Romanian writer-director Radu Jude's latest taboo-busting polemical comedy is refreshingly untroubled by tasteful restraint. Shot during COVID lockdown last summer, with cast and crew all wearing anti-viral masks, the snappily titled Bad Luck Banging or Loony Porn is a scattershot attack on sexual hysteria and political hypocrisy in an era of online slut-shaming.

EXCLUSIVE: New York-based distributor FilmRise has struck a deal with sales firm WaZabi Films for U.S. rights to TIFF 2020 and Berlin 2021 drama Beans.

Most cop movies — and most movies in general — spend the first reel setting up a story that usually kicks off after an “inciting incident,” to quote various screenwriting manuals, which takes place within the first ten or 15 minutes. For the rest of the film, we then watch how that incident unravels and affects the lives of all those involved.

Hungary’s most recent contribution to the implacable flow of war films pouring out of Eastern Europe is a far cry from the Russian tank operas and spectacular disaster films like Battle of Leningrad. Denes Nagy’s sensitive first featureNatural Light (Termeszetes feny), bowing in Berlin competition, is the opposite of these: a slow starter high on atmosphere but low on action, whose horrific main event takes place discreetly off-screen.

Spain brings an extraordinary gamut of movie titles to Berlin. Some highlights:“All the Moons,” (Igor Legarreta)A France-Spain co-production, “All the Moons” tracks two vampires in the northern Spain during the last Carlist war.

The underseen but arresting 2016 documentary feature Peter and the Farm is a warts-and-all portrait of a flinty Vermont loner and his volatile relationship to the land that has consumed him for more than three decades. Its director, Tony Stone, now blurs the line between nonfiction and narrative filmmaking to depict another solitary man inseparable from his natural environment in Ted K, a piercing psychological probe into the domestic terrorist known as the Unabomber.

Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where

You have to wonder about the shelf life of all the compact film productions being stitched together around COVID pandemic restraints, particularly those in which the visual field is limited to computer desktops.

Jamie Lang A year after featuring as the European Film Market’s focus country, Chile returns with a delegate of more than 20 producers who will participate in a virtual stand, backed by ProChile and the Ministry of Culture.Bastard.

Berlinale Encounters hated to Variety about his latest feature before its world premiere on March 3. Cote, in interview, flows.

Christopher Vourlias Silver Bear winner Radu Jude (“Aferim!”) returns to the Berlin Film Festival this year with the competition feature “Bad Luck Banging or Loony Porn,” the story of a schoolteacher whose life is turned upside-down after a sex video shot with her husband is leaked on the internet.

EXCLUSIVE: Natalie Morales makes her feature directing debut with Language Lessons which will have its world premiere in the Specials section of the Berlin Film Festival next week. Written by Morales and Mark Duplass, the darkly comic drama is an exploration of platonic love. Duplass is also an exec producer along with his brother Jay Duplass. Check out an exclusive clip from the movie above.