‘Language Lessons’ Clip: Mark Duplass Shows Off His Spanish In Natalie Morales-Directed Berlin Premiere

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

Tina Turner is a musical icon with very few peers. Not only did her career span decades, inspiring millions with her ridiculous number of hit songs, but her style, performances, and attitude would go on to carry a legacy of its own.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

With 2012’s Abraham Lincoln: Vampire Hunter sadly yet to have spawned a Marvel-style cinematic universe, Karl Marx and neck-chomping Dracula types might seen unlikely movie bedfellows. But the two collide like never before in a 2021 Berlinale Encounters title that also boasts one of the festival’s most eye-catching film loglines.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

EXCLUSIVE: Julie Taymor is attached to direct Gun Love, an adaptation of the Jennifer Clement novel. Babylon Berlin‘s Liv Lisa Fries is attached to play the role of Margot in the ensemble cast. Marissa Kate Goodhill (Come Away) wrote the script.

In Language Lessons, Natalie Morales —best know for supporting roles on Parks and Recreation, The Grinder and Santa Clarita Diet — has crafted almost the perfect pandemic movie. Written together with her co-star Mark Duplass, the Berlinale-bowing film features just two characters, who are never in the same room together, barely move across only a handful of mostly interior locations and communicate entirely over technology.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

Lupin is “a great achievement, not only for us but for all producers around the world,” said Gaumont Vice CEO Christophe Riandée, who is also a producer of the hit Netflix series, during a panel at the European Film Market today. The Omar Sy-starrer which has been a worldwide smash on streaming, is produced by Gaumont Television and has scored record-breaking numbers for a French series on the service.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

With much of the world having experienced the longest year in living memory since last February, only hardened film history buffs may recall the 2020 Berlinale, the last major festival and market to take place physically before the COVID-19 pandemic led to global cinemas began shutting their doors and considering some unfortunate existential questions.

U.K.-based sales outfit Alief has racked up a series of international territory deals for Isaac, a romantic drama from directors Ángeles Hernández and David Matamoros, about two childhood friends who reconnect as adults. Hernández and Matamoros were both producers on Netflix's Spanish-language horror hit The Platform.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

Spain brings an extraordinary gamut of movie titles to Berlin. Some highlights:“All the Moons,” (Igor Legarreta)A France-Spain co-production, “All the Moons” tracks two vampires in the northern Spain during the last Carlist war.

Two fine actors volley for advantage across 90 minutes in the tastily insidious little melodrama Next Door (Nebenan).

You have to wonder about the shelf life of all the compact film productions being stitched together around COVID pandemic restraints, particularly those in which the visual field is limited to computer desktops.

Mel Gibson features in this first-look still from Panama, the upcoming thriller from action specialist Mark Neveldine that also stars Cole Hauser. Gibson plays Stark, a former commander who sends James Becker, a rugged and decorated ex-marine (Hauser), undercover to execute a high-value deal with untrustworthy adversaries.

Whether by accident or design, the ultra-low-budget Language Lessons feels like a definitive film for the Covid-19 era, as the two main actors never appear in the same shot together until the very end. Seemingly created on two computers, this exceedingly modest tale of a Spanish-language instructor and pupil who meet online becomes more genially engaging as it goes along, although it never aims very high other than as a technical experiment that more or less succeeds.

EXCLUSIVE: Mark Ivanir, the Ukrainian-Israeli actor who has starred in The Good Shepherd and Netflix series Away, has joined the cast of Season 4 of German crime drama Babylon Berlin.