Natalia Grace Speaks Out in New Special About Adopted Orphan Scandal: Watch a Preview (Exclusive)

The exciting announcement was made on Thursday the 17th of November, delighting fans worldwide. 

exclusively reported that Cattrall, 66, would again inhabit the iconic role of Samantha Jones in Season 2 of “AJLT.”Cattrall will make a cameo in a “cliffhanger” for the upcoming season of the Max series with a scene that allegedly sees Samantha talking to Carrie Bradshaw (Sarah Jessica Parker) on the phone — which may come as a surprise to longtime viewers, as Cattrall has famously feuded with her former co-stars, particularly Parker, in the press.But Parker, 58, told Entertainment Weekly that she “thought it was a really nice idea” to bring Samantha back.“Samantha is present in Season 1 and more so in Season 2 via text. It was just a nice nod to the 25 years [of ‘Sex and the City’] to add the face to the text,” Parker told the outlet.

Aminah Nieves

Pat Saperstein Deputy Editor The creators of “Accidentally Wes Anderson” had no idea what was coming when they launched their Instagram page. Wally and Amanda Koval started the account in 2017 to celebrate visually-appealing buildings and landscapes around the world that looked as if they could have inspired Wes Anderson films. From tiny libraries in New Zealand to, of course, lighthouses in Canada, the Instagram page, with 1.8 million followers, and its accompanying website curate colorful, symmetrical and historic tableaux that might have sprung directly from a scene in “The Grand Budapest Hotel” or “The French Dispatch” — except they’re submitted by photographers from around the world.

Leo Barraclough International Features Editor Jan Naszewski’s Warsaw-based sales outlet New Europe Film Sales has sold its 3D family animation “A Mystery on the Cattle Hill Express,” directed by Will Ashurst, to Viva Kids for North America. The third part in the “Cattle Hill” series is a detective story about the little cow Clara and her friend Gavin who join forces with the world famous detective Agatha Chichester to unveil the thief of a revolutionary Nano-seed stolen from a high-tech laboratory train. New Europe has also sold the film to South Korea (First Run) and South Africa (Red Dot Digitals) and, as previously announced, France (Alba Films), Poland (New Horizons), JUST4KIDS in Benelux, Neo Films in Greece, Birfilm in Turkey, FILMS4YOU in Portugal and Arthousetraffic in Ukraine.

BreAnna Bell “The Curious Case of Natalia Grace” recorded a solid performance for ID and the newly integrated Max. The three-episode series, which premiered on May 29 on ID and aired over the course of three consecutive nights during the 9 p.m. block, delivered an audience of 10.295 million total viewers across ID, Max and Discovery+ according to a mix of data from Nielsen and Warner Bros. Discovery. This marks ID’s highest-rated telecast in three years. The six-hour documentary exploring a bizarre family saga centered around the mystery of Natalia Grace, a 6-year-old Ukrainian orphan who was believed to have spondyloepiphyseal dysplasia — a rare congenital bone growth disorder that results in dwarfism. But her adopted family suspected otherwise.

Elsa Keslassy International Correspondent “The Inseparables,” Jérémie Degruson’s ambitious animated feature competing this week at Annecy festival, has been sold to a raft of territories by Octopolis and nWave. Based on an original idea by Joel Cohen and Alec Sokolow, the Oscar-nominated writers of “Toy Story,” “The Inseparables” follows the misadventures of Don, a runaway puppet with a boundless imagination and, DJ Doggy Dog, an abandoned stuffed animal toy in need of a friend. Don and DJ Doggy Dog cross paths in Central Park and pair up against all odds for an epic adventure of friendship in New York City. The film was penned by Bob Barlen and Cal Brunker. Budgeted at $25 million, “The Inseparables” was produced by nWave Studios in Belgium, Octopolis in France and A Contracorriente Films in Spain.

The FBI tried to… pic.twitter.com/1EOPB7DMyt“I said mom, all you ever do is read the New York Times,” Watters said. “Imagine reading the newspaper every day, and not knowing what the news is. … She didn’t know Biden had documents scattered all over Chinatown, or in the garage with the Corvette with the door open.

Holly Jones Successful Argentinean YouTube Channel, The Children’s Kingdom (El Reino Infantil), will team with kidoodle.tv, the safe streaming network, to bring their slate of inventive children’s programming to the U.S., Canada, U.K., Australia, New Zealand and Latin America. “The alliance with Kidoodle opens the path for us to continue to expand our brand globally and grow our content in the English-speaking market. We are very proud to be part of this platform with “Zenon the Farmer” and “Bichikids,” two of our main IPs,” said Agostina Sanzio, marketing and communications manager at Leader Entertainment. “We continue working so that The Children’s Kingdom is the home of reference content for parents and preferred by children,” she told Variety.

Finding inspiration in real life? Shawn Mendes dropped surprise single “What the Hell Are We Dying For?” on Friday, June 9, and fans quickly started dissecting the lyrics — and its potential connection to his ex Camila Cabello.

Shawn Mendes splits opinion with his return to music as he drops single about how the Canadian wildfires have affected New YorkWhile the likes of Taylor Swift and Beyoncé are drawing in big dollars for their respective 2023 tours, Shawn Mendes is making his musical comeback after cancelling his tour last summer to focus on his mental health. However, the year-long wait for Shawn’s return to the music industry has not been met with the most warmth from fans after he promoted his newest single ‘What The Hell Are We Dying For?’The 24-year-old singer shared a picture of the New York skyline surrounded by fog as a result of wildfires in his home country Canada with the caption:“WHAT THE HELL ARE WE DYING FOR? OUT NOW Started writing this song yesterday morning with my friends in upstate New York & finished it only a few hours ago.

Shawn Mendes has announced his new song and he appears to be using a photo of New York City’s orange sky as the single artwork.

Paris Hilton is making her return to the music stage, with her debut show taking place Wednesday, June 7 at the Fonda Theatre in Los Angeles.

Paris Hilton is making her return to the music stage, with her debut show taking place Wednesday, June 7 at the Fonda Theatre in Los Angeles.

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

RuPaul is the undisputed queen of self-confidence — and he shares his tips for learning how to love yourself in the new issue of Us Weekly.

“no pain, no gain” at the gym. Now, she’s touting a new wellness approach.“Working out the way I used to is just not sustainable for my body — and I don’t think for most bodies — because eventually, it will just break down,” the “Friends” star, who recently announced that she’s Pvolve‘s newest ambassador, told Well and Good.Anniston swears by Pvolve, a workout app and studio which focus on low-impact workouts.

, and the follow-up special,, there's been renewed interest in the adoption scandal surrounding Natalia Grace, a woman accused of pretending to be a 6-year-old orphan from Ukraine and her former parents, Michael Barnett and Kristine Barnett. As Grace tells her side of the story, here's what to remember about the subsequent legal drama and where she is now. Before becoming caught up in a media scandal, Grace was believed to be a young child first adopted by the Barnett family in 2010.

Natalia Grace Barnett is sharing her side of the story.

Canadian Press Thursday. The blocks, which the company says will last through the month of June, are the test version of a program Meta is threatening to make permanent if Canadian Bill C-18, known as the Online News Act, becomes law. The act would require large tech companies like Meta to pay publishers for linking to or otherwise repurposing their content online.