Museum Of The Moving Image Announces Full Lineup For “First Look 2024” Festival

Rebecca Rubin Film and Media Reporter “Dune: Part Two” is turbocharging the international box office. Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

EXCLUSIVE: Michael MacMillan retired from the world of television 17 years ago. Except, he didn’t.

Cynthia Littleton Business Editor The contract talks finally reached the handshake point at 3 a.m. PT on Feb. 23.

Thania Garcia Los Angeles-based duo the Driver Era is hitting the road for a 17-city tour across North America. With over three albums to date, brothers Ross and Rocky Lynch will again begin touring on April 2 in Pittsburgh’s Roxian Theatre and hit venues in New York, New Jersey, Quebec and more before wrapping in Toronto on May 8.

EXCLUSIVE: The Kumars are plotting a return — this time on American television. Fox has ordered a presentation for multi-camera comedy Meet The Kumars, a followup to the award-winning 2001 BBC series The Kumars At No. 42. Most of the original cast is back for the U.S.-flavored revival of the family sitcom/talk show.

Christopher Vourlias Following on the heels of his Oscar-shortlisted “Refugee,” veteran U.S. producer Brandt Andersen (“Everest,” “Lone Survivor”) makes his feature directorial debut with “The Strangers’ Case,” a kaleidoscopic and deeply felt portrait of the refugee crisis that world premieres Feb. 23 as a Berlinale Special Gala.

CinemaChile announced in January. One month later, CinemaChile, the national promotion board, is turning 15 at Berlin. The consequence of longterm uninterrupted promotion of an industry must not be underestimated.

Elsa Keslassy International Correspondent Sony Pictures has bought international rights to “Materialists,” Celine Song’s follow up to “Past Lives” which is nominated for best picture and original screenplay at the Oscars. The worldwide deal for “Materlialists” excludes certain territories. A24 will handle the U.S.

Carole Horst Highland Film Group shared a first look at “London Calling,” an action-comedy that reunites director Allan Ungar with star Josh Duhamel after the success of the action heist thriller “Bandit.” Film also stars Jeremy Ray Taylor (“It,” “and “It: Chapter Two”), Rick Hoffman (“Billions,” “Suits”) and Aidan Gillen (“Game of Thrones”) Written by Omer Levin Menekse and Quinn Wolfe, “London Calling” sees mediocre hit man Tommy Ward (Duhamel) go on the run and get stuck in L.A. after mistakenly killing a relative of London’s biggest crime boss (Gillen).

Elsa Keslassy International Correspondent Cohen Media Group, the U.S. distribution company behind Matteo Garrone’s Oscar-nominated “Io Capitano,” has acquired North American rights to “The President’s Wife,” a biting movie starring Catherine Deneuve as the former first lady Bernadette Chirac. The deal closed during the European Film Market currently taking place and running alongside the Berlin Film Festival.

John Hopewell Chief International Correspondent FilmSharks has taken world sales rights outside Spain to “The Bus of Life,” next up from Arcadia Motion Pictures, producer of Rodrigo Sorogoyen’s Cesar and Goya winner “The Beasts” and Neon U.S. pick-up “Robot Dreams,” nominated last month for a best animated feature Academy Award.

Christopher Vourlias MetFilm Sales has secured international rights to “The Battle for Laikipia,” Daphne Matziaraki and Peter Murimi’s multi-layered portrait of the conflict between Indigenous pastoralists and white landowners in Kenya. The film had its world premiere as part of the World Cinema Documentary section at the Sundance Film Festival. Submarine Entertainment Sales negotiated the deal with MetFilm on behalf of the filmmakers and is handling North American sales.

Sundance dealmaking was buoyant, the awards season is coming to a head with a number of critically acclaimed movies having done well at the box office, and apparently peak TV is over. Whisper it quietly, but after years of movies being almost a dirty word compared to the lustre of TV, is independent theatrical film staging a comeback?

Leo Barraclough International Features Editor Beta Cinema has sold political thriller “Hammarskjöld — Fight for Peace,” which is a box office hit in its home territory Sweden, to multiple key territories. Sales include Italy (Rai Cinema), France (Swift Prods.), Spain (Twelve Oaks), Portugal (Outsider Films) and former Yugoslavia (Discovery). A U.S.

Leo Barraclough International Features Editor AGC Studios and Meridian Pictures has sold U.S. and Canada as well as Asia pay TV rights for the Brad Anderson-directed thriller “The Silent Hour,” starring “Suicide Squad’s” Joel Kinnaman, “1917’s” Mark Strong, “New Amsterdam’s” Sandra Mae Frank and “8 Mile’s” Mekhi Phifer, to the newly revitalized Paramount label Republic Pictures. In the film, Kinnaman plays a Boston police detective who suffers an on-the-job accident that leaves him hearing impaired.

EXCLUSIVE: National Geographic Documentary Films is bringing Bobi Wine: The People’s President back to the big screen in some major markets Friday for President’s Day weekend.

Christopher Vourlias Gordon Main’s apartheid-era documentary “London Recruits” has been tapped as the opening film at the sixth Joburg Film Festival, which takes place Feb. 27 – March 3 in Johannesburg, South Africa. The film sheds light on a pivotal moment in South Africa‘s history, when the struggle against the apartheid government in South Africa developed a new secret weapon.

On February 1 2003 the Space Shuttle Columbia disintegrated as it reentered the Earth's atmosphere over the United States. The shuttle had been returning to Earth with the crew, having spent the previous 15 days and 22 hours in space.

Elsa Keslassy International Correspondent For decades, the Berlin Film Festival has been forging its own iconoclastic path, known for screening the best of world cinema and edgy underground discoveries as well as its cold February temperatures, while the starrier and warmer Cannes and Venice fests have been in fierce competition to grab the limelight (aka Oscar movies). But the Berlinale — a public institution created at the beginning of the Cold War in 1951 — could be changing course next year with the appointment of Tricia Tuttle, a progressive American film journalist and curator who led the BFI London Film Festival during a fast-growing five-year chapter, and has been indirectly tasked by Germany’s culture minister Claudia Roth to turn the Berlinale into a proper rival to Cannes and Venice, while maintaining its political edge and flare for arthouse cinema.

Valerie Wu Intern After nearly six years, the end of Fox’s “X-Men” movies and an acquisition by Disney, Deadpool is finally back — and he’s arrived in the Marvel Cinematic Universe. The first trailer for “Deadpool and Wolverine” was shown at the 2024 Super Bowl on Sunday. Not only is Ryan Reynolds‘ Merc With a Mouth back, he’s also bringing Hugh Jackman’s Wolverine — who fans last saw die in 2017’s sendoff movie “Logan.” The trailer shows the Time Variance Authority, the multiverse managers last seen in “Loki” Season 2, kidnap Deadpool while he’s celebrating his birthday and bring him into the MCU.