Erik ten Hag will hope that no other Manchester United player is added to the treatment room after the international break, ahead of the Premier League run-in.
03.03.2024 - 19:13 / variety.com
Rebecca Rubin Film and Media Reporter “Dune: Part Two” is turbocharging the international box office. Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.
The movie, starring Timothée Chalamet and Zendaya, has been embraced in the U.S. and Canada. But the backers of “Dune 2” need overseas audiences to keep the ticket sales flowing as freely as spice on the desert planet of Arrakis.
That’s because Warner Bros. and Legendary Entertainment spent $190 million to produce and roughly $100 million more to promote the film to global audiences. Those hefty fees mean the tentpole will require outsized admissions to turn a profit.
At this rate, though, the second “Dune” already looks well positioned in its box office run. It helps that the movie has been especially popular in Imax and other premium large formats, which cost more than the average ticket and accounted for 48% of initial sales. “It’s really permeated the culture,” says “Dune” producer Mary Parent.
“All signs point toward a long play.” In 2021, the original “Dune” was hobbled in North America because it debuted simultaneously in theaters and on HBO Max. But the film was granted a traditional run at the international box office. (Well, as traditional as it gets at a time when many countries still had capacity restrictions in place due to the pandemic).
Erik ten Hag will hope that no other Manchester United player is added to the treatment room after the international break, ahead of the Premier League run-in.
Selome Hailu CBS and Paramount+ Australia have renewed “NCIS Sydney” for a second season. The series, which is the first international iteration of “NCIS,” debuted in November of 2023. It is the fifth series in the franchise, which includes the still-running “NCIS” and “NCIS: Hawai’i” along with “NCIS: Los Angeles” and “NCIS: New Orleans,” which have both concluded.
Paramount+‘s international ad-tier plans are coming together.
Exhuma (Korean title: Pa-myo) has taken $67.8 million at the Korean box office, having notched more than 9.3 million admissions.
Naman Ramachandran Robert Schildhouse will serve in an expanded role at streamer BritBox International following the departure of global CEO Reemah Sakaan. Schildhouse, who previously had stints with Hulu and CBS, joined the streamer in 2022, with his most recent position being general manager, North America, and group editorial for BritBox International, where he was instrumental in driving the service’s business growth in the U.S. and Canada.
BritBox International has its new leader following BBC Studios‘ takeover of the streamer.
Studiocanal has announced a partnership with French production and sales company WTFilms (What The Films).
Rebecca Rubin Film and Media Reporter “Dune: Part Two” is barreling toward another box office milestone. Director Denis Villeneuve’s science-fiction sequel has grossed $494.7 million globally, including $208 million in North America and $289.4 million internationally. It should surpass the $500 million mark by Monday, a figure that few films have reached in post-pandemic times.
EXCLUSIVE: The CW, Roku and Australia‘s Stan are working up Good Cop/Bad Cop, a comedic crime procedural The CW with Jeff Wachtel’s Future Shack Entertainment.
Elsa Keslassy International Correspondent Ahead of its U.S. premiere at SXSW, “The Queen of My Dreams” has been sold to a flurry of international markets, including in the U.K. and Ireland to Peccadillo Pictures.
Brent Lang Executive Editor Magnolia Pictures and Participant have partnered to jointly acquire North American rights to “The Grab,” a new documentary from “Blackfish” director Gabriela Cowperthwaite. The film, which premiered at the Toronto International Film Festival, follows journalists from The Center for Investigative Reporting as they work high-profile sources and utilize a cache of secret data to uncover the money and influence being used by countries, corporations and members of the uber-elite to control the planet’s most vital resources.
After a successful return as a physical event last year, Hong Kong International Film & TV Market (Filmart, March 11-14) is taking place again this year against a complicated backdrop, both in terms of market realities and the shifting geopolitics of the region.
Dune: Part Two ” is delivering on the promise. Armed with sandworms, big screen spectacle and the star power of Timothée Chalamet, Denis Villeneuve ’s science fiction epic stormed the North American box office this weekend earning $81.5 million in ticket sales, according to studio estimates Sunday.Internationally, it earned $97 million, bringing its global debut to $178.5 million.“Denis made a really extraordinary and special film and its been really exciting to see people respond,” said Mary Parent, a producer on both “Dune” films and chairman of worldwide production at Legendary. “It was made for the big screen and it feels like it’s being received as a cinematic event.”It’s the first major hit of 2024, and one that was sorely needed by exhibitors.
Good afternoon Insiders, Jesse Whittock with you in London, where the TV world has decamped this week for a series of screenings. Read on, and sign up for the newsletter here.
Patrick Frater Asia Bureau Chief Atlas Distribution Company, a U.S. indie distributor, has set Vietnamese-American co-production film “A Fragile Flower” on course for a theatrical release in the U.S. Produced by the duo Mai Thu Huyen and Jacqueline Thu Thao, the romantic musical drama, with a screenplay by Vietnamese singing sensation Nhat Ha, is set debut from Mar.
Naman Ramachandran BBC Studios has bought British broadcaster ITV‘s 50% stake in streamer BritBox International for £255 million ($322 million), the companies revealed on Friday. The streamer was founded in 2017 as a joint venture between BBC Studios, which is the commercial arm of the British broadcaster, and ITV. “The transaction will provide net proceeds including loan repayments and accrued dividends and after tax of around £235 million,” the companies said.
We’ve been waiting for this one for quite some time.
Timothée Chalamet and Denis Villeneuve have said that they spoke to each other in French on the set of their new film, Dune: Part Two.The pair were speaking to the The New York Times to promote the new film, which is the second part of the adaptation of Frank Herbert’s 896-page sci-fi novel, and the writer of the interview noted that they were speaking in French each other when they arrived. Villeneuve is from Quebec, the French-speaking area of Canada, while Chalamet is a dual American and French citizen.“It was the way that we were able to find intimacy in the chaos.
EXCLUSIVE: The Kumars are plotting a return — this time on American television. Fox has ordered a presentation for multi-camera comedy Meet The Kumars, a followup to the award-winning 2001 BBC series The Kumars At No. 42. Most of the original cast is back for the U.S.-flavored revival of the family sitcom/talk show.
Rebecca Rubin Film and Media Reporter Despite two new releases, Paramount’s Bob Marley biographical drama “One Love” is projected to top the box office again. This weekend’s newcomers, Hilary Swank’s inspirational drama “Ordinary Angels” and director Ethan Coen’s comedic thriller “Drive-Away Dolls,” are targeting single digits in their debuts. With those paltry ticket sales, “Bob Marley: One Love” looks to repeat No.