She may only be 24, but Sydney Sweeney‘s fast becoming one of Hollywood’s hottest stars. And her swift ascendence is thanks to just how well-regarded some of the projects she’s starred in are.
21.05.2022 - 00:47 / metroweekly.com
Men (★★★☆☆) doesn’t aim for perfect clarity in its nightmarish vision of a woman alone in a country house being stalked by strangers. The movie doesn’t demand to be concisely understood or interpreted.
It’s a funhouse fright-fest designed to creep audiences the hell out, and at that it should succeed.Early on, Garland — whose Ex-Machina thrilled sci-fi fans, and whose Annihilation left many befuddled — lures us briefly into thinking Men might plot a familiar path down old terror road.Jessie Buckley, Oscar-nominated for her brutally honest performance in The Lost Daughter, is equally compelling here as Harper Marlowe, a Londoner who takes to the English countryside for a two-week solo retreat.Harper is grieving the death of her ex-husband, yet feeling hopeful that a peaceful sojourn in quaint village Cotson should be restorative, as she tells friend Riley (Gayle Rankin) over the phone.The film revels for a relaxed moment in soothing breezes, bathing in the quietude of nature. A peaceful drive over winding, empty roads, a lazy walk in the woods interrupted by a sudden rain shower, Harper in her wool overcoat and chic collection of chunky sweaters… it all seems so simple.But Garland has more up his sleeve than meandering on the moors, or just exploring the stark vulnerability of a woman alone in a strange and unfamiliar village.
Flashbacks gradually reveal the true, tragic measure of Harper’s pain over the end of her marriage to James (Paapa Essiedu).In scenes from their sad, bitter parting, James is a troubled narcissist, a soul-sucking drain on any possible joy they might hold in their lives.Essiedu, heartbreakingly good and funny in I May Destroy You, is stuck here enacting only the character’s relentless negativity. A
.She may only be 24, but Sydney Sweeney‘s fast becoming one of Hollywood’s hottest stars. And her swift ascendence is thanks to just how well-regarded some of the projects she’s starred in are.
Elvis Presley died 45 years ago, longer than he was on this planet and has now finally been given the cinematic biopic treatment. There's been a couple of TV attempts over the years with the likes of Kurt Russell donning the jumpsuit, but in an age of Bohemian Rhapsody and Rocketman storming the big screen, it was only a matter of time before The King would follow. Now if only Baz Luhrmann's Elvis movie was as great as those.
In years to come, the matchworn shirts from Manchester City's Premier League title-winning comeback victory over Aston Villa could sell for hundreds of pounds, if not thousands. For one young fan at the Etihad last week, however, who has their hands on a truly priceless jersey, it's one that money will never be able to buy.
EXCLUSIVE: Sony Pictures and PlayStation Productions, whose most recent video-game-to-film collaboration Uncharted grossed more than $400 million in global box office earlier this year, are getting behind the wheel for a movie adaptation of the iconic driving game Gran Turismo.
The ex-girlfriend of a jet ski Romeo who rode to the Isle of Man from Scotland during lockdown faces another jail term.
Like “The Simpsons” and the “Rugrats” before them, the Belchers are making the (coronavirus delayed) animated jump from televisions to movie theatres with “The Bob’s Burgers Movie.” The brainchild of show creator Loren Bouchard (co-directing here with Bernard Derriman), the beloved series “Bob’s Burgers” follows the Belcher family, owners of the eponymous, perpetually struggling burger joint by the sea.
Amy Nicholson “The Bob’s Burgers Movie” knows its recipe and sticks to it. For 12 seasons, show creator Loren Bouchard, who here co-helms with longtime producer and supervising director Bernard Derriman, has served up the cartoon sitcom antics of the daffy, working-class Belcher family who live in an unnamed town with the vibe of Pittsburgh-by-the-Sea. Hijinks hinge on their countertop diner and a few fixations that the family obsesses over like beloved worry dolls: father Bob (H.
EXCLUSIVE: In a worldwide rights deal, Apple Original Films has landed Fingernails, the sci-fi love story to star Jessie Buckley (The Lost Daughter) and Riz Ahmed (The Sound of Metal). It marks the English language debut of Apples director Christos Nikou. Deal went down late Saturday night.
If one actor plays multiple roles in a film, that film is usually a comedy, as the technique is often viewed as an excuse for someone to show off their “wacky” versatility. That technique, however, and the presumption of how it’s applied is radically turned on its head in writer/director Alex Garland’s new surreal and discomfiting horror film, “Men,” from A24.
Note: This interview contains minor spoilers for “Men.”Jessie Buckley didn’t come away from starring in “Men” with any answers. To her, pinning down the film’s exact meaning would be beside the point.“I don’t really have a singular meaning to it,” the Irish actor and singer admitted in a recent interview with TheWrap.
“Men.”The filmmaker unfolds a twisted, trauma-filled narrative with Academy Award nominee Jessie Buckley’s Harper at its dead center. Following the unimaginably painful death of her husband (“I May Destroy You’s” Paapa Essiedu), the young woman seeks refuge in the serene English countryside to grieve and heal.
Warning: This article contains spoilers for “Men”The films of writer-director Alex Garland – including 2014’s “Ex Machina” and 2018’s “Annihilation” – are known for their sci-fi horror premises, unusual settings and, above all, mind-bending finales. His third film “Men” elevates those trademarks to a new level, especially its gory, perplexing ending. The nightmare begins when Harper (Jessie Buckley) rents a house in the English countryside, craving a respite from the city where her husband tragically died.
Wilson Chapman editorSpoiler alert: Do not read if you haven’t watched “Men,” now in theaters.In the new A24 horror film “Men,” Rory Kinnear plays the title character — or more accurately, characters. Kinnear portrays a parade of male characters that populate a secluded English village — from a mild-mannered country house owner to a rude teenage boy to a predatory vicar to “the Green Man,” a figure of pagan mythology brought to life.As Jessie Buckley’s Harper, holidaying in the country after the traumatic death of her abusive husband James (Paapa Essiedu), encounters these figures, the interactions escalate to become more and more dangerous, until she finds herself trapped in her house fighting for her life.
K.J. Yossman Paapa Essiedu has appeared in fare as varied as Michaela Coel’s critically acclaimed drama “I May Destroy You” and crime series “Gangs of London” but his latest turn, as James in Alex Garland’s latest feature “Men,” may be his most unusual role yet.
Somewhere in the southwest of England is a sprawling stone estate nestled along hedge-lined lanes that you can rent, complete with wood fireplaces, low oak beams, an apple tree in the yard and a room for a baby grand piano. But the listing on Airbnb, Vrbo or Booking.com might not mention one small complication: It comes with a naked dude in the yard.This is where Alex Garland’s sophisticated horror film “Men” is set. All the action takes place in and around this estate, a countryside both sublimely beautiful and yet also grimy and filthy.