‘Moonage Daydream’ Film Review: Immersive David Bowie Documentary Is a Bold, Seething Mass of Bowie-ness

Todd Rundgren and King Crimson’s Adrian Belew have shared details of a ‘Celebrating David Bowie‘ tribute tour that’s due to hit North America this autumn.The celebrated guitarist and ex-King Crimson axeman will be joined by Spacehog’s Royston Langdon, Fishbone’s Angelo Moore and Jeffrey Gaines on the 15-date tour to pay tribute to the late, influential British musician.Bassist Angeline Saris, drummer Michael Urbano, saxophonist Ron Dziubla, and guitarist Scrote (Angelo Bundini), who put together the first Celebrating David Bowie tour in 2017, are in the tour’s backing band. Scrote is producing the tour alongside Miles Copeland.Langdon said in a statement [via Rolling Stone]: “David Bowie was a master.

Chris Willman Senior Music Writer and Chief Music CriticIt’s hard to remember any performer who been so on top of the world as Post Malone who has gone to such lengths to convince us he’s bottoming out as Malone does in “Twelve Carat Toothache,” his fourth album. It’s a common lyrical trope that success breeds discontentment, and Malone has already trod some of that territory — four years and two albums ago, he was telling us he was “Rich & Sad.” But that song almost seems like a feint compared to where he’s at now.

Fallout 4 mod Fallout: London will include a number of original music tracks inspired by the works of British artists like The Beatles and David Bowie.That’s according to Fallout: London’s project lead Dean Carter, who told NME in a recent interview that the mod’s development team has created around 45 original songs that either take inspiration from ‘50s and ‘60s British music, or reflect a specific part of the mod itself.“Anything that has been sort of, like covered, it’s either in the public domain, or we’ve got permission to use them,” explained Carter. “The one that like skirts the line the most is ‘Nuclear Submarine’, rather than obviously ‘Yellow Submarine’”.The ‘Nuclear Submarine’ track – along with a David Bowie-inspired song – is completely original, but aims to evoke the musical style it’s emulating whilst putting a Fallout spin on it.“One of the songs is singing about the different tube stations,” Carter adds.

Noel Gallagher has revealed that he impersonated David Bowie while working on tracks for his next album.The former Oasis musician is currently working on the follow-up to his 2017 High Flying Birds record, ‘Who Built The Moon?’. Gallagher said on New Year’s Day (January 1) that he’d finished writing and demoing the LP just before Christmas.Last month, the singer-songwriter explained that NGHFB’s fourth full-length effort had a largely “orchestral” sound.

David Bowie documentary Moonage Daydream says he worked himself so hard on the movie that he suffered a heart attack.Helmed by Brett Morgen (Kurt Cobain: Montage of Heck, Jane), the docufilm promises to take viewers on an “immersive” journey via “sublime, kaleidoscopic imagery, personal archived footage, unseen performances” that are anchored by Bowie’s music and words.It is the first film to be supported by the David Bowie Estate, which granted Morgen unprecedented access to its collection. Press material says that the Estate presented Morgen with more than five million assets in 2017.The director has now said his own life was “out of control” when he began work on the film in January of that year.“Just as I started working on this film, I suffered a massive heart attack.

Owen Gleiberman Chief Film CriticJust before the Cannes Film Festival midnight-show premiere of the David Bowie documentary “Moonage Daydream,” the film’s writer, director, and editor, Brett Morgen, didn’t simply stroll down the red carpet. As Bowie’s “Let’s Dance” blared from the promenade speakers, Morgen danced — and pranced and pogo-ed, and flashed a cheeky madman grin, and by the time he entered the theater, the crowd, taking all this in on a giant video screen, gave him an even more rapturous than usual Cannes ovation. Morgen had the right look for these antics.

The great majority of us could only aspire, before “Moonage Daydream,” to step into the mind of David Bowie — the persona, the artist, the entity not yet proven terrestrial. Eclectic, unashamedly maximalist, and variously philosophical: all true of both the man himself and Brett Morgen’s feature-length docu-odyssey, which borrows its title from the 1976 hit, and just debuted as part of Cannes’ Midnight slate.

David Bowie unquestionably became a great rock star—the greatest ever, according to a tribute published by Rolling Stone after his death in 2016. Yet, it comes closer to the truth to call Bowie a “rock star,” the quotation marks suggesting that what Bowie created was a persona of the rock god, in much the same way that Cary Grant manufactured the quintessential image of the glamorous “movie star.”

$85,000 per week. It was refitted in 2020 with some newer upgrades to include a fresh paint job and a new teak deck.It was designed and built by Italian boatbuilding company, Benetti.The interior of the yacht features a mahogany finish with paintings and art installations. It can accommodate up to 12 guests with over six cabins — including a master suite, two VIP staterooms, one double cabin and two twin cabins. Giulio Riggio at Fraser’s Palma office holds the listing.

“Crimes of the Future” will be David Cronenberg’s final film — never believe a director who says they’re quitting — but it definitely feels like a closing argument, one that both reaffirms the filmmaker’s favorite themes and stylistic choices while also reflecting a shift in his point of view.We’ve been here before with Cronenberg; his 1999 “Existenz” also had the feel of a greatest-hits collection. But for audiences starved for brash choices from one of the cinema’s boldest living provocateurs, even a rehash seems fresher than corporate-assembled, focus-group-approved content.Should this be the Canadian auteur’s final feature, he won’t be leaving on a high note: “Crimes of the Future” won’t be remembered alongside masterpieces like “Dead Ringers,” “The Fly,” “The Brood,” or “Crash.” Nonetheless, as a writer-director, Cronenberg continues to plumb his obsessions, both narrative and visual, and he brings enough energy and bravado to the mix to make this an oft-told story that he’s recounting as though for the first time.Borrowing the title (but little else) from one of his earliest films, “Crimes of the Future” takes place in a near-future dystopia where pain has become a thing of the past and surgery is both a hot trend and the source of a new brand of performance art.

The first trailer for David Bowie documentary Moonage Daydream has been shared today ahead of the film's premiere at Cannes on Monday night. The feature-length documentary, directed by Brett Morgen, features never-before-seen footage and is stitched together using Bowie’s own narration.

Carole Horst Nonfiction filmmaker Brett Morgen has taken on icons in his previous films including Jane Goodall (“Jane”), the Rolling Stones (“Crossfire Hurricane”) and Kurt Cobain (“Cobain: Montage of Heck”). With “Moonage Daydream,” he turns his lens on David Bowie. It may be Morgen’s biggest project yet — he combed through 5 million assets that the Bowie estate shared with him as well as “everything on YouTube,” Morgen said.

Moonage Daydream, a new documentary featuring the late David Bowie‘s personal archives and unseen performance footage, has been released.Helmed by Brett Morgen (Kurt Cobain: Montage of Heck, Jane), the docufilm promises to take viewers on an “immersive” journey through via “sublime, kaleidoscopic imagery, personal archived footage, unseen performances” that are anchored by Bowie’s music and words.In the teaser, Bowie speaks off-camera about the importance of life. “It’s what you do in life that’s important, not how much time you have,” he says as a montage of performance clips spanning his 50-year career and other behind-the-scenes imagery plays out.Moonage Daydream is the first film to be supported by the David Bowie Estate, which granted Morgen unprecedented access to its collection.

There aren’t many artists that can traverse generations as David Bowie did. The artist continued to make music until the day he died back in 2016.

Thania Garcia Ahead of its Monday evening premiere at the Cannes Film Festival’s Midnight Screenings section, the first trailer for filmmaker Brett Morgen’s “Moonage Daydream” — a feature-length film dissecting David Bowie’s creative, musical and spiritual journey — has been released.Featuring never-before-seen footage, performances, and music, the documentary is piloted by Bowie’s own narration. It is the first film project officially sanctioned by Bowie’s estate.

The 1969 Competition Lake Placid Blue Mustang that Kurt Cobain used in Nirvana's iconic Smells Like Teen Spirit video has sold for $4. 5 million at auction. Making it the most valuable electric guitar, and second most valuable guitar overall, ever sold at auction after Cobain's 1959 Martin D-18E used during Nirvana's MTV Unplugged performance reached $6 million in 2020.  The Julien's Auctions Music Icons sale at the Hard Rock Cafe in New York had started with a bid of $150,000 and six bids later had hit the $2 million mark.

so much fun to make,” Coen said when he introduced the film before its Cannes Film Festival premiere in the Salle Bunuel on Sunday night. “I know people always say that, but in this case, it’s true.

After his 2017 art-world satire “The Square” scored the Palme d’Or at Cannes, Swedish provocateur Ruben Östlund swaggers back to competition with “Triangle of Sadness,” a mixed-bag of social commentary and gross-out comedy that could only come from a filmmaker with a secured reputation and zero f—s to give. Taking aim at the 1% and shouting “Eat the rich!” with the anger of a sea storm and the subtlety of an exploding toilet, the film is both over-long and under-stuffed, but it nevertheless left Cannes’ notoriously tough crowd doubled over in laughter.Running just under two-and-a-half hours and split up into three chapters, the film lifts as much from Noam Chomsky as from John Waters as it hoses down beauty standards and luxury culture with gallons of projectile vomit.

Kenneth Branagh’s childhood was transformed by the Troubles in Northern Ireland, Mike Mills had very eccentric parents and Cameron Crowe was a teenage rock critic — and we know these things because all three directors have made films that drew upon their own childhoods. And now it’s James Gray’s turn to offer his own look back with “Armageddon Time,” which premiered to a rousing ovation in the main competition at the Cannes Film Festival on Thursday.And what does the film tell us about the young Gray? For starters, he was a dreamer, he was a brat, he didn’t understand the privileges he was born into and he went on his own path.