‘Misericordia’ Review: Alain Guiraudie’s Nerve-Rattling Thriller Is A Dostoevskian Masterwork [Cannes Review]

Ernest Cole, the first Black freelance photographer in South Africa, is known today for his contribution to documenting the Apartheid in the 1960s and racial attitudes in America in the 1970s. Born in 1940, he grew up in segregated South Africa before moving to the United States in his youth to evade persecution for his work.

The indigenous Yanomami tribe living in the Amazon rainforest on the border between Brazil and Venezuela is dwindling. Only 35,000 remain.

An incisive look into the mafia’s presence in Corsica, Julien Colonna’s “The Kingdom” is an even-handed debut, filtering a war between rival gangs through the prism of a coming-of-age narrative. While well aware of the tropes associated with mafia films, Colonna’s decision to place his point of view alongside Lesia (Ghjuvanna Benedetti in her first role) creates a fascinating window into connections between real and created families.

CANNES – If you were to have asked us just 48 hours ago whether we believed Cannes would be sending another Best Picture nominee to the Academy Awards we would have been hesitant to answer yes. Now, following Sean Baker’s “Anorma” winning the Palme d’Or, it looks like Cannes’ Oscar streak will continue.

Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, has won the Cannes Film Festival’s top award, the Palme d’Or.Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony Saturday. The win for “Anora” marks a new high point for Baker, the director of “The Florida Project.” It’s also, remarkably, the fifth straight Palme d’Or won by indie distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.”“I don’t really know what’s happening right now,” said Baker.While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise.

CANNES – After 12 days of screenings, the Cannes Film Festival has drawn to a close. That means it’s time for Greta Gerwig and her jury to reveal the winners of the competition section of the festival.

Demi Moore appeared to also scold the audience while introducing Cher on stage at the amfAR Cinema Against AIDS Cannes Gala.“I’m going to see if this is the moment we’ve all been waiting for,” Moore said in a video shared by Vanity Fair’s Ramin Setoodeh via X, formerly Twitter. “I’m just making sure that you’re really, really with me.”“Because this incredible woman that I’m about to introduce — she’s a Grammy winner, an Oscar winner, an Emmy winner.”The “A Few Good Men” actress then paused and appeared to address a heckler.“Are you an Emmy winner over there in the back of the room?” She asked an attendee in the back of the audience.

CANNES – After screening “The Seed of the Sacred Fig,” a world premiere at the 2024 Cannes Film Festival, one has to breathe a sigh of relief that director and screenwriter Mohammad Rasoulof is safely out of Iran. A victim of a politically motivated jail sentence for supporting the 2022 Masha Amini hijab protests, Rasoulof‘s latest feature will likely anger the Iranian government even more.

“All We Imagine As Light” opens as only a film set in Mumbai can— with the gradual unfurling of this massive metropolis at dawn. Its essential workers begin corralling the huge resources needed to maintain its creaking infrastructure and feed the tens of millions of people who will wake up and take public transport to work.

CANNES – A very popular actor in his native France, Gilles Lellouche has dipped his toe into filmmaking co-directing one movie and helming another over the past 20 years. Nothing he’s directed previously would prepare anyone for the impressive visual authority he welds over the camera in “Beating Hearts,” which debuted at this year’s Cannes Film Festival.

the Associated Press in a video posted on their Instagram, Rowland told her side of the story. “The woman knows what happened, I know what happened,” she said. “I have a boundary and I stand by those boundaries, and that is it.”She also noted that there were “other women that attended that carpet who did not quite look like me and they didn’t get scolded or pushed off or told to get off.”On Tuesday, a video went viral of Rowland appearing to scold a security guard at the red carpet premiere of the French-Italian film “Marcello Mio.”Photos from the event show Rowland smiling as she walked up the red carpet steps to go into the theater — before she got into a heated exchange with a female security guard.The former Destiny’s Child member looked upset and angry as she pointed her finger at the woman.

transforming the red carpet of the 77th annual Cannes Film Festival into a chichi bridal aisle. Stealing the spotlight from the marquee movies premiering at this year’s fête along the French Riviera, celebrated starlets such as Anya Taylor-Joy, Uma Thurman, Kelly Rowland and Helena Christensen stunned in wedding-inspired gowns from luxe houses of design. And the radiantly white regalia left online onlookers saying “yes” to each dress.

Trite as it certainly sounds, the saccharine label of a “lover letter to cinema” applies all too precisely to French director Arnaud Desplechin’s enchanting docufiction effort “Filmlovers!” (“Spectateurs!”). But even with that obnoxiously overused denomination hanging over it, this multifaceted personal essay succeeds at rekindling or reaffirming one’s own relationship with the miracle of this young art form that we so often take for granted.

CANNES – The term “Nepo baby” gets thrown around a lot these days for reasons both justifiably good and bad. It’s one thing to be the daughter of a successful Hollywood actress and a popular comedy film director.

appeared to scold security at the red carpet premiere of the French-Italian film “Marcello Mio” during the Cannes Film Festival.Photos from the event showed Rowland pointing her finger towards a female security guard during their heated exchange.But according to insiders, Rowland was not the instigator in the incident.“The people who are assigned to helping stars walk the red carpet were being aggressive and Kelly was trying to ignore it,” a source claimed to the Daily Mail Wednesday.They continued: “By the time she got to the last woman she had had it because she scolded Kelly and told her to move when she was trying to wave to fans and help the paparazzi get their shot.”Rowland appeared to be enjoying herself at the glitzy premiere before the incident. As the source noted, she was initially smiling and waving to fans in her gorgeous red gown with a long train as she made her way up the red carpet steps.But according to the insider, the former Destiny’s Child member isn’t bothered about being in the center of drama.“She doesn’t care if she comes across like a diva if she knows that she is advocating for herself,” said the source.

“Yellowstone” star, 69, insisted that he “didn’t f–king cry” as it seemed he did when his new movie, “Horizon: An American Saga,” received an 11-minute standing ovation at the Cannes Film Festival. Costner appeared on “Jimmy Kimmel Live!” Tuesday after his trip to France and revealed what was going through his mind when he experienced the positive response to his Western feature. “I actually started walking my life backwards for a second,” he said.

Cannes Film Festival Tuesday. Photos from the event show Rowland smiling at the crowd as she walked up the red carpet steps to go into the theater — before she seemingly got into a heated exchange with a female security guard. The former Destiny’s Child member looked upset and angry as she pointed her finger toward the woman.

Grief is rotting Karsh’s (Vincent Cassel) teeth. It’s been four years since he lost his wife, the beautiful Becca (Diane Kruger), to a violent form of bone cancer that ate away at her body until her brittle frame could no longer sustain life.

CANNES – The “Anora” in Sean Baker’s latest creation is actually the birth name of Ani (Mikey Madison), a private dancer who works in a pretty nice strip club in New York City. Sure, the hours ain’t ideal, and there’s that long subway ride back to the rundown duplex she shares with her sister in Brighton Beach, but she’s not complaining.

Leo Tolstoy once said, “All great literature is one of two stories: a man goes on a journey, or a stranger comes to town.” The action genre is particularly suited for the latter plot line and the premise forms the backbone of “Trigger Warning,” a new action thriller set to premiere on the Netflix streaming service. READ MORE: Summer Movie Preview: 50 Must-See Films To Watch Directed by Mouly Surya, the director of the Cannes Film Festival premiering thriller “Marlina the Murderer in Four Acts,” “Trigger Warning” is led by Jessica Alba (“Sin City” “Fantastic Four”) in her first acting role in nearly four years.