The world premiere of Disney’s The Little Mermaid live-action remake just took place and the first reactions from critics have been revealed.
19.04.2023 - 12:13 / deadline.com
MipTV 2023 is coming to an end, with many international execs and stars having jetted in for the 60th edition of the sales confab and Canneseries events. Despite large portions the Croisette being dug up as construction work went on before the Cannes Film Festival next month, there was a positive feel. That will please organizer RX France, which has faced down of ongoing talk of the event’s reduced status in the post-Covid 19 era. Footfall was notably lighter than pre-pandemic, but a less frenetic pace isn’t necessarily a bad thing. Read on for our key takeaways.
“The TV bubble has burst,” said Studiocanal boss Anna Marsh, who delivered the weighty proclamation during a keynote on Monday afternoon. Her refreshingly candid admission, a reference to the end of the high-end TV drama boom, was echoed by many of the execs Deadline chatted with throughout the week in Cannes. As WGA scribes were voting overwhelmingly to authorize a strike in the U.S., Mip delegates reflected on how TV drama buyers are being far choosier with their projects, due in the main to spiralling budgets, the cost-of-living crisis and chaos in the American market. “We were experiencing greenlights after very short development periods beforehand but now it feels like these decisions are stretching out,” added Marsh. Studiocanal is still in the TV game for the long haul, she added, but her comments were backed up by Jane Featherstone, boss at Chernobyl producer Sister. Featherstone said a “painful” period is coming as the drama market corrects itself and inflation is brought back down. The drama vet called on scripted producers to “reclaim the ground for quality, elevated mainstream drama” but as unscripted experiences a revival, there will be painful
The world premiere of Disney’s The Little Mermaid live-action remake just took place and the first reactions from critics have been revealed.
EXCLUSIVE: The AMPTP has called the Writers Guild’s minimum staffing demands for episodic TV shows “a hiring quota that is incompatible with the creative nature of our industry.” But if the WGA prevails in its ongoing strike, it wouldn’t be the first guild to require minimum staffing in its contract.
Prince Andrew is among the members of the royal family to attend the Coronation Concert at Windsor Castle this evening. The Duke of York sat next to his ex-wife, Sarah Ferguson, the Duchess of York.
King Charles's coronation, including foreign royals, world leaders and more. Prince Albert and Princess Charlene of Monaco were among the first royals to confirm their attendance for the historic occasion in London. The couple will be joined by a number of royals from households from around the world, including King Carl XVI Gustaf and Crown Princess Victoria of Sweden, Crown Prince Frederik and Crown Princess Mary of Denmark, and King Felipe and Queen Letizia.
The political landscape of Greater Manchester will be settled for another year as voter's go to the polls next week in the local elections.
Chris Willman Senior Music Writer and Chief Music Critic “Thanks for coming to my dad’s birthday party,” said Micah Nelson, a few songs into an all-star tribute to Willie Nelson at the Hollywood Bowl, attended by a sold-out house happy that Willie had found a way to schedule the 90th anniversary of his birth on a Saturday night. With roughly seven decades of songwriting and recording to commemorate, though, the party is stretching over two nights, bundled together and sold as a single ticket, where by the end of Sunday night everyone will have heard about 50 artists perform a total of about 75 songs. Ironically, one of the first numbers performed Saturday evening was young Texas country artist Charley Crockett doing a cut that Nelson had a hit with as a budding songwriter in the late ’50s: “The Party’s Over.” That title proved as un-prescient for Nelson’s career 65 years ago as it proved unprophetic for the scope of the Bowl celebration this weekend. But a little irony is always welcome in Willie’s world.
With 15 seasons under its belt, RuPaul’s Drag Race doesn’t appear to be slowing down any time soon.
Manchester United’s last-gasp 3-2 win over Aston Villa keeps their Women's Super League title dreams alive as the season reaches the latter stages.
"My biggest fear always, and I used to lose sleep over this, was 'what after football?' I look back, and my goal was to always make it as a professional in England. But now, I wouldn't swap that for this."
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Sunny Hostin is spilling all that “The View” tea.
A CinemaCon preview of “Wonka” on Tuesday revealed an amazing piece of casting: one of the Oompa Loompas in the upcoming prequel to “Charlie and the Chocolate Factory” is played by none other than Hugh Grant.
This season of The Voice has been one of the best, and we’re taking a closer look at some of the biggest celeb coaches.
Zack Sharf Digital News Director John Stamos revealed on the “Good Guys” podcast (via Insider) that he had Mary-Kate and Ashley Olsen booted from “Full House” when they were 11 months old as their persistent crying on set drove him crazy. The firing only lasted a couple of days, as the replacement babies for the Olsen twins proved even worse to be around. Stamos, who played Jesse Katsopolis on all eight seasons of “Full House,” was filming a scene where his character and Dave Coulier’s Joey change Michelle Tanner’s diaper. The Olsen twins switched off playing Michelle during the show’s run. “We’re doing the scene. Joey and I were changing the baby, right? And Danny [Bob Saget] is gone and said, ‘Take care of the kids.’ ‘Yeah, we got it. We got it,'” Stamos said. “So, we’re carrying the baby downstairs and we take her in the kitchen and we hose her down. And she was screaming. Both of them. They wanted to be anywhere else but there, and so did I.”
Joe Otterson TV Reporter Nic Pizzolatto is developing a series version of “The Magnificent Seven” at Amazon, Variety has confirmed. The project was originally reported on back in March with a series commitment. It was originally intended to be an original series, but was refashioned to be a new take on the Western classic. Pizzolatto previously co-wrote the 2016 remake of “The Magnificent Seven.” The logline for the reboot states, “In the tradition of the great epics from the golden age of westerns, an outlaw and his cohorts must unite a disparate band of indelible fighters to defend a settlement of immigrant homesteaders in an open range war against cattle barons in central Texas, telling an expansive saga of adventure, action and romance.”
Heather Hemmens is opening up about working with Luke Mitchell on their new Hallmark Channel movie, A Pinch of Portugal.
Leo Barraclough International Features Editor The Match Factory has boarded Sean Price Williams’s “The Sweet East,” which has its world premiere in the Directors’ Fortnight sidebar of the Cannes Film Festival in May. It is the first feature film directed by Price Williams, the cinematographer of Owen Kline’s “Funny Pages” (2022), Abel Ferrara’s “Zeros and Ones” (2021), Michael Almereyda’s “Tesla” (2020), Alex Ross Perry’s “Her Smell” (2018) and the Safdies’ “Good Time” (2017). The screenplay is by film critic and programmer Nick Pinkerton. “The Sweet East” is a picaresque journey through the cities and woods of the Eastern seaboard of the U.S. undertaken by Lillian, a high school senior from South Carolina, who gets her first glimpse of the wider world on a class trip to Washington, D.C.
Netflix has given a series order to a new supernatural mystery from executive producers Matt and Ross Duffer titled The Boroughs, created by Jeffrey Addiss and Will Matthews.
Elsa Keslassy International Correspondent French director Catherine Corsini was meant to be the seventh female director in competition at the 72nd edition of Cannes with her film “Le Retour” (The Return). But her competition slot is on hold for now after news broke about several alleged inappropriate incidents during filming. The night before the press conference on April 13, Cannes chief Thierry Fremaux confirmed to the director that she would have a competition slot, but shortly before the start of the announcement, the festival’s administration board decided to hold off on including the title as part of the lineup. The delay came after the board discovered that Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors, according to French reports. Fremaux told Variety the “administration board wished to gather more information about the situation around the film before taking a decision on whether to include the film in its Official Selection.”
Don’t call Megan Thee Stallion a victim.