Mika Gustafson ‘Takes Kids Seriously’ in Venice Premiere ‘Paradise Is Burning’ as Intramovies Drops Trailer, First Clip (EXCLUSIVE)

Gordon Cox Theater Editor “Smash,” the TV series about the making of a fictional Broadway musical, takes an early step toward becoming a real-life Broadway musical on Sept. 22, with a pair of industry readings led by Tony nominees Robyn Hurder and Kerry Butler.

EXCLUSIVE: MAD Solutions has acquired world sales rights to Egyptian director Amr Salama’s short film 60 Egyptian Pounds ahead of its world premiere as the opening film of the upcoming El Gouna Film Festival.

Ellise Shafer Andrea Riseborough and Domhnall Gleeson play a quirky couple in upcoming drama series “Alice & Jack,” which world premieres on Saturday night at Toronto Film Festival in its Primetime section. According to the show’s official synopsis, “When Alice (Riseborough) and Jack (Gleeson) first meet, they’re bound by a connection so powerful it seems nothing can break it, but will their path lead them to a place of happiness and togetherness? Or will life and their own emotional complexities get in the way? Honest, intimate and surprisingly funny, the series shows love in all its unexpected, technicolor, kaleidoscopic beauty.” Viewers can get a taste of Riseborough and Gleeson’s chemistry in a first-look clip above, in which Jack tells Alice, “I’ll call you,” to which she replies, “Thank you, but if it’s OK with you I’d rather you didn’t.” “I’ll text you?” Jack offers, before the two share an emotional kiss.

Marta Balaga Director Katja Gauriloff has made history with “Je’vida,” the first feature shot in the Skolt Sámi language. “It’s my native tongue, but because of forced assimilation in Finland [of the Sámi people] I didn’t actually learn it. I am studying it only now,” she tells Variety ahead of the Toronto premiere.

Ben Croll Industry delegates sent a clear message to the filmmakers behind “Nothing But the Truth about Extraterrestrials”: We want to believe. A non-fiction dive into the latest science behind little green men, the multilingual doc proved quite a hot item at this year’s Venice Production Bridge gap-financing market, fielding three bids for distribution, another three co-production offers, and an invitation to screen as a work-in-progress from a leading international festival, “Extraterrestrials” co-director Eric Ruel told Variety.

After just being officially confirmed for a SAG-AFTRA Interim Agreement the day before, the cast of Memory hit the Venice Film Festival red carpet Friday night. Michel Franco’s movie, starring Jessica Chastain and Peter Sarsgaard, was greeted with a seven-minute ovation during its world premiere inside the Sala Grande.

Leo Barraclough International Features Editor Memento Distribution has picked up French distribution rights to Gabor Reisz’s ‘Explanation for Everything’ following its world premiere in Horizons competition at the Venice Film Festival. The deal was closed by Films Boutique.

Leo Barraclough International Features Editor Variety is debuting an exclusive clip from Farah Nabulsi’s thriller “The Teacher,” starring Imogen Poots (“The Father”) and Saleh Bakri (“The Band’s Visit,” “Wajib”). The film will have its world premiere on Saturday at the Toronto Film Festival in the Discovery section.

Leo Barraclough International Features Editor Adriano Valerio’s documentary “Casablanca,” which will world premiere on Thursday at Venice Days, has been acquired by Salaud Morisset for world sales. Variety has been given an exclusive clip from the film.

Leo Barraclough International Features Editor Ukrainian director Anna Buryachkova, awaiting the Venice premiere of her new film “Forever-Forever,” will soon turn to documentary “Will We Feel Again,” she revealed to Variety in Italy. The film will see her reunite with Natalia Libet, producing for 2Brave Productions. “In Ukraine, this is the time when you make documentaries, obviously.

Naman Ramachandran “The Red Suitcase,” which world premieres in the Venice Film Festival’s Horizons strand, is a rare Nepal-Sri Lanka co-production. The producers have released a first clip from the film. The film marks the feature directorial debut of Fidel Devkota, who previously directed the short “The Last Yak Herder of Dhe” (2014) and documentary short “Wind of Change in Lo Mustang” (2016).

Republic Pictures President Dan Cohen and producer Annabelle Dunne were among the main representatives of William Friedkin’s last film The Caine Mutiny Court-Martial at its posthumous world premiere at Venice Film Festival over the weekend.

Neon has acquired worldwide rights for Ava DuVernay’s Origin ahead of its world premiere in Competition at the Venice Film Festival on Wednesday (September 6).

Woody Allen received a three-minute standing ovation at the Venice premiere of “Coup de Chance” on Monday night, which would have gone on longer had the filmmaker not started to exit. After two minutes and 30 seconds of sustained applause once the film finished, Allen began to make his way toward the door, cutting the standing ovation short.

Ryusuke Hamaguchi’s latest, Evil Does Not Exist, received a 7-minute, 50-second ovation at its Venice Film Festival world premiere on the Lido on Monday. The applause for the director of last year’s Best International Feature Oscar winner Drive My Car only ended when Hamaguchi and his team got up to leave.

Christopher Vourlias Bosnian-Dutch filmmaker Ena Sendijarević’s Locarno prizewinner “Sweet Dreams,” a droll satire set on a sugar plantation in colonial-era Indonesia, has released its first trailer. Athens-based production and sales outfit Heretic has given Variety exclusive access ahead of the film’s North American premiere in the Centerpiece section of the Toronto Film Festival (see below).

Nick Vivarelli International Correspondent Damien Chazelle paid tribute to late great director William Friedkin on Sunday in a moving speech at the Venice Film Festival where Friedkin’s last film “The Caine Mutiny Court-Martial” premiered out-of-competition to warm applause. Friedkin, who died on Aug. 7 in Los Angeles at age 87, completed the film – which stars Kiefer Sutherland as Lt.

Christopher Vourlias To find her voice as a filmmaker, Paris-based documentarian Lina Soualem had to first look to the past. The daughter of French actor Zinedine Soualem and Palestinian actress Hiam Abbass — seen recently as the Machiavellian Marcia Roy in HBO’s “Succession” — Soualem used her directorial debut, “Their Algeria,” to tell the story of her paternal grandparents’ decision to separate after more than 60 years of marriage. Now she returns with another intimate family portrait, “Bye Bye Tiberias,” which premieres Sept.

Marta Balaga “Holy Spider” breakout Zar Amir Ebrahimi and Guy Nattiv are set to make history with “Tatami,” the first feature co-directed by an Iranian and an Israeli filmmaker. Premiering in Venice Film Festival’s Horizons section, “Tatami” shows Iranian female judo fighter Leila (played by “The L Word: Generation Q” star Arienne Mandi) heading to the world championships with her coach Maryam (Ebrahimi). Soon, they receive an ultimatum: in order to avoid squaring off against an Israeli opponent, Leila should immediately fake an injury and drop out.

Chilean filmmaker Pablo Larraín returns to Venice this evening with his latest pic El Conde, a black-and-white satire of dictator Augusto Pinochet, which he co-wrote and directed for Netflix.